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Featuring contributions by new and established Africanist scholars, this volume is the first book-length treatment of "martial race" in Africa.

In recent decades, the vast and culturally diverse Indian Ocean region has increasingly attracted the attention of anthropologists, historians, political scientists, sociologists, and other researchers. Largely missing from this growing body of scholarship, however, are significant contributions by archaeologists and consciously interdisciplinary approaches to studying the region¿s past and present. Connecting Continents addresses two important issues: how best to promote collaborative research on the Indian Ocean world, and how to shape the research agenda for a region that has only recently begun to attract serious interest from historical archaeologists. The archaeologists, historians, and other scholars who have contributed to this volume tackle important topics such as the nature and dynamics of migration, colonization, and cultural syncretism that are central to understanding the human experience in the Indian Ocean basin. This groundbreaking work also deepens our understanding of topics of increasing scholarly and popular interest, such as the ways in which people construct and understand their heritage and can make use of exciting new technologies like DNA and environmental analysis. Because it adopts such an explicitly comparative approach to the Indian Ocean, Connecting Continents provides a compelling model for multidisciplinary approaches to studying other parts of the globe.Contributors: Richard B. Allen, Edward A. Alpers, Atholl Anderson, Nicole Boivin, Diego Calaon, Aaron Camens, Saša ¿aval, Geoffrey Clark, Alison Crowther, Corinne Forest, Simon Haberle, Diana Heise, Mark Horton, Paul Lane, Martin Mhando, and Alistair Patterson.

Grounded in literary studies and spanning the Americas, India, England, and Scotland, this book explores the relationship between economic concepts and culture in the period, focusing on how economic tropes were abstracted into other discourses in fields as diverse as evolutionary science, business, and literary narrative.

This book contributes to an increasingly significant interdisciplinary field that focuses on ethics, methods, and the politics of gender-based violence. Its contributors, the majority of whom are based in Africa, offer concrete examples of how to undertake responsible research in African contexts.

Scholars working in the fields of archaeology, education, history, geography, and politics tell a nuanced story about the people and dynamics that reshaped this region and determined who would control it.

This collection of first-person accounts by doctors, nurses, and others at the front lines in Appalachia explains how rural communities have responded to COVID-19, addresses stereotypical assumptions about and challenges within rural medical care, and describes burnout and other long-term effects of the pandemic on health-care workers.

Considering popular literary images of Indian and Paisley shawls as markers of fashion, class, gender, and race during the long nineteenth century, this book shows how Indian imports and influences shaped wider discussions of British literature, art, politics, and empire.

A Jew, Pole, daughter, mother, wife, Communist, migrant, Holocaust survivor, and refugee driven to fight for a better world. Ordinary or anything but? In Tonia Lechtman's life, the lofty and the quotidian intertwined, making everything she did both monumental and mundane. Who was she?

Systemic racism and sexism caused one of South Africas most important writers to disappear from public consciousness. Is it possible to justly restore her historical presence?Regina Gelana Twala, a Black South African woman who died in 1968 in Swaziland (now Eswatini), was an extraordinarily prolific writer of books, columns, articles, and letters. Yet today Twalas name is largely unknown. Her literary achievements are forgotten. Her books are unpublished. Her letters languish in the dusty study of a deceased South African academic. Her articles are buried in discontinued publications. Joel Cabrita argues that Twalas posthumous obscurity has not developed accidentally as she exposes the ways prejudices around race and gender blocked Black African women like Twala from establishing themselves as successful writers. Drawing upon Twalas family papers, interviews, newspapers, and archival records from Pretoria, Uppsala, and Los Angeles, Cabrita argues that an entire cast of characterscensorious editors, territorial White academics, apartheid officials, and male African politicians whose politics were at odds with her ownconspired to erase Twalas legacy. Through her unique documentary output, Twala marked herself as a radical voice on issues of gender, race, and class. The literary gatekeepers of the racist and sexist society of twentieth-century southern Africa clamped down by literally writing her out of the regions history. Written Out also scrutinizes the troubled racial politics of African history as a discipline that has been historically dominated by White academics, a situation that many people within the field are now examining critically. Inspired by this recent movement, Cabrita interrogates what it means for hera White historian based in the Northern Hemisphereto tell the story of a Black African woman. Far from a laudable recovery of an important lost figure, Cabrita acknowledges that her biography inevitably reproduces old dynamics of White scholarly privilege and dominance. Cabritas narration of Twalas career resurrects it but also reminds us that Twala, tragically, is still not the author of her own life story.

This omnibus edition brings together concise and up-to-date biographies of Chris Hani, Wangari Maathai, Josie Mpama/Palmer, and Ken Saro-Wiwa. The volume complements history, social justice, and political science courses and is a useful collection for general readers interested in learning about Africäs most influential historical figures.

An unprecedented study of how Christianity reshaped Black South Africans' ideas about gender, sexuality, marriage, and family during the first half of the twentieth century.This book demonstrates that the primary affective force in the construction of modern Black intimate life in early twentieth-century South Africa was not the commonly cited influx of migrant workers but rather the spread of Christianity. During the late nineteenth and early twentieth centuries, African converts developed a new conception of intimate life, one that shaped ideas about sexuality, gender roles, and morality.Although the reshaping of Black intimacy occurred first among educated Africans who aspired to middle-class status, by the 1950s it included all Black Christians-60 percent of the Black South African population. In turn, certain Black traditions and customs were central to the acceptance of sexual modernity, which gained traction because it included practices such as lobola, in which a bridegroom demonstrates his gratitude by transferring property to his bride's family. While the ways of understanding intimacy that Christianity informed enjoyed broad appeal because they partially aligned with traditional ways, other individuals were drawn to how the new ideas broke with tradition. In either case, Natasha Erlank argues that what Black South Africans regard today as tradition has been unequivocally altered by Christianity.In asserting the paramount influence of Christianity on unfolding ideas about family, gender, and marriage in Black South Africa, Erlank challenges social historians who have attributed the key factor to be the migrant labor system. Erlank draws from a wide range of sources, including popular Black literature and the Black press, African church and mission archives, and records of the South African law courts, which she argues have been underutilized in histories of South Africa. The book is sure to attract historians and other scholars interested in the history of African Christianity, African families, sexuality, and the social history of law, especially colonial law.