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Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

In Syphilis: Medicine, Metaphor, and Religious Conflict in Early Modern France, Deborah Losse examines how images of syphilis became central to Renaissance writing and reflected more than just the rapid spread of this new and poorly understood disease. Losse argues that early modern writers also connected syphilis with the wars of religion in sixteenth-century France. These writers, from reform-minded humanists to Protestant poets and Catholic polemicists, entered the debate from all sides by appropriating the disease as a metaphor for weakening French social institutions. Catholics and Protestants alike leveled the charge of paillardise (lechery) at one another. Losse demonstrates how they adopted the language of disease to attack each other''s politics, connecting diseased bodies with diseased doctrine.Losse provides close readings of a range of genres, moving between polemical poetry, satirical narratives, dialogical colloquies, travel literature, and the personal essay. With chapters featuring Erasmus, Rabelais, Montaigne, Léry, and Agrippa d''Aubigné, this study compares literary descriptions of syphilis with medical descriptions. In the first full-length study of Renaissance writers'' engagement with syphilis, Deborah Losse charts a history from the most vehement rhetoric of the pox to a tenuous resolution of France''s conflicts, when both sides called for a return to order.

In Detecting the Nation, Reitz argues that detective fiction was essential both to public acceptance of the newly organized police force in early Victorian Britain and to acclimating the population to the larger venture of the British Empire. In doing so, Reitz challenges literary-historical assumptions that detective fiction is a minor domestic genre that reinforces a distinction between metropolitan center and imperial periphery. Rather, Reitz argues, nineteenth-century detective fiction helped transform the concept of an island kingdom to that of a sprawling empire; detective fiction placed imperialism at the center of English identity by recasting what had been the suspiciously un-English figure of the turn-of-the-century detective as the very embodiment of both English principles and imperial authority. She supports this claim through reading such masters of the genre as Godwin, Dickens, Collins, and Doyle in relation to narratives of crime and empire such as James Mill's History of British India, narratives about Thuggee, and selected writings of Kipling and Buchan. Detective fiction and writings more specifically related to the imperial project, such as political tracts and adventure stories, were inextricably interrelated during this time.

Appealing to audiences interested in the histories of medicine, women, gender, labor, and social policy, Beyond the Reproductive Body examines women's health in relation to work in early Victorian England. Government officials and reformers investigating the laboring population became convinced that the female body would be ruined by gainful employment, making women incapable of reproducing a healthy labor force. Women's work was thus framed as a public health "problem." Poor women were caught between the contradictory expectations of the reproductive body, which supposedly precluded any but domestic labor, and the able body, which dictated that all poor but healthy people must work to stay independent of state assistance. Medical case narratives of female patients show that while official pronouncements emphasized the physical limitations of the female reproductive body, poor women adopted an able-bodied norm. Beyond the Reproductive Body demonstrates the centrality of gender and the body in the formation of Victorian policies concerning employment, public health, and welfare. Focusing on poor women, it challenges historians' customary presentations of Victorian women's delicate health. The medical case narratives give voices to poor women, who have left very few written records of their own.Marjorie Levine-Clark is assistant professor of history at the University of Colorado, Denver.

Shadeland is not only the name of the Illinois farm on which poet Andrew Grace was raised, it is also that elusive space where language attempts to recover all that has been lost. Deeply concerned with the state of today''s rural spaces, Grace''s poems describe a landscape and a lifestyle that are both eroding. Stylistically rangy, yet united by an ardent eye for intricate imagery, Shadeland features allusions and influences as classical as Homer, Virgil, and Hopkins while still exhibiting a poetic sensibility that is thoroughly contemporary. Employing a blend of baroque and innovative language, these 21st-century pastorals and anti-pastorals both celebrate and elegize the buckshot-peppered silos and unstill cornfields that are quietly vanishing from the countryside.

In this fascinating book, Mark Stein examines black British literature, centering on a body of work created by British-based writers with African, South Asian, or Caribbean cultural backgrounds. Linking black British literature to the bildungsroman genre, this study examines the transformative potential inscribed in and induced by a heterogeneous body of texts. Capitalizing on their plural cultural attachments, these texts portray and purvey the transformation of post-imperial Britain. Stein locates his wide-ranging analysis in both a historical and a literary context. He argues that a cross-cultural and interdisciplinary approach is essential to understanding post-colonial culture and society. The book relates black British literature to ongoing debates about cultural diversity, and thereby offers a way of reading a highly popular but as yet relatively uncharted field of cultural production. With the collapse of its empire, with large-scale immigration from former colonies, and with ever-increasing cultural diversity, Britain underwent a fundamental makeover in the second half of the twentieth century. This volume cogently argues that black British literature is not only a commentator on and a reflector of this makeover, but that it is simultaneously an agent that is integral to the processes of cultural and social change. Conceptualizing the novel of transformation, this comprehensive study of British black literature provides a compelling analytic framework for charting these processes.