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Pip, a poor village boy, finds two chance meetings set his life on an unexpected course. At the water's edge, he has a terrifying encounter with an escaped convict. In the decaying grandeur of Miss Haversham's house, he falls hopelessly in love with the heartless Estella. When an anonymous benefactor helps him move to Calcutta, the heart of the British Raj, Pip pursues his great expectations and his dream of winning Estella's heart. Relocating Pip's extraordinary journey to nineteenth-century India, this coming-of-age story, evoking some of Dickens' most colourful characters, is faithful to the period of the book and the richness of Dickens' language - a vivid theatrical retelling of a universally loved masterpiece.
When Thomas reveals that he once fathered a son in a long-ago fling, the pair set off across the Irish countryside to seek the unknown child, with nothing more than a hobble and a limp to help them. A fable about tradition in a mad place, this title is a tale of the very old Thomas and his even more ancient 'da'.
These texts challenge and subvert ingrained preconceptions of difference and disability, relishing all the possibilities of human variety - solo, choral and ensemble monologues for D/deaf and disabled performers, inspired by lived experience.
Inspired by Intimate Death by Marie de Hennezel.Can the dying teach us how to live? Inspired by the experiences of psychologist and palliative careworker Marie de Hennezel, we are asked to accompany people towards death. Characters explain to the audience the nature and progress of their disease and share final thoughts and deeds. A beautifully simple piece. On Death is part of a groundbreaking series of 'theatre essays', which use drama as a way of exploring the fundamental preoccupations of modern life. Other works include On Love and On Ego.
Tells the story of performance, describing the development, from ancient Greece to contemporary stages and film, of western Europe's variety of acting styles. Using the idea of a culture's shared 'language of gesture', this work explores the growth, evolution and impact these languages have had on our engagement with and understanding of theatre.
Luke's world is in chaos. His 'mates' want to hurt him, his love-life's a mess, he misses his dad and hates his mum's new boyfriend. When the sound of a child crying starts to haunt him, Luke thinks he's going mad. But the noise soon leads him to an attic room in a creepy house and the strange and secretive people who live there.
Jamaica: a sensual paradise where the sun, sea and sand are free but anything more comes at a price.Welcome to the 21st century where women travel across the world in search of sex, love, and liberation but the reality is that hard cash equals hard men. Toned torsos and slick sweet talk meets orange peel beneath the coconut trees in an exchange that leaves everyone short-changed.Sugar Mummies is a funny, provocative and revealing study of the pleasures and pitfulls of female sex tourism.It was a huge success at the Royal Court Theatre in August 2006, and proceeded to tour throughout the UK.
Friendships grow in the most unlikely of places. Mrs Reynolds is a little old lady. Jay is a troubled youth. When he vandalises her lovingly tended garden, the authorities send him back to help her fix it. It seems a recipe for disaster - but human beings are more complex than the headlines.At first glance this is a simple tale of two generations locked in battle, Mrs Reynolds standing up for traditional values with her "e;nice little house, nice little garden and nice little life"e; vs. Jay, the textbook chain-smoking hoodie prowling the urban jungle demanding respect but offering little in return. But there is more to these characters than the other suspects. Just as they think they have the measure of each other, something is revealed and they are shocked by what they find out.Mrs Reynolds and the Ruffian explores human nature and friendship alongside the social climate of modern Britain giving a warm, funny and wise glimpse into the way we live now.
'None of this is the truth. It's just people saying things. It's all subjective. There's the truth, and there's what people think is the truth, and it all depends on how you slant it...'Taking Care of Baby tackles the complex case of Donna McAuliffe, a young mother convicted of the murder of her two infant children. In a series of probing interviews the people in this extraordinary story, including Donna herself and her bewildered mother Lynn, reveal how they may have harmed those they sought to protect.Dennis Kelly's ambitious play uses the popular techniques of drama-documentary and verbatim theatre to explore how truth is compromised by today's information culture.
It is Cambridge, 1915, and Tom, an awkward American graduate, meets Viv. Enchanted with each other, the couple are sucked into a whirlwind romance. But as Tom begins to become successful in the field of literature, Viv's volatility becomes a problem rather than a quirk. Their swift marriage turns into an impossible love story.
What if bed-hopping among university students was not just inevitable, but mandatory? A sexy radical girl, an over-sexed jock and an ancient professor of Ancient Greek discover that with the lights off, a serious attempt to end discrimination can also be a very dirty joke.
Winner Evening Standard Most Promising Playwright.Shortlisted for Susan Smith Blackburn Award.Autumn, and the orchard is full of cider apples: Beauty of Bath, Kingston Black and Glory of the West. Inside the farmhouse, the rule of the matriach Irene is challenged when her estranged daughter returns and her middle-aged son, beginning to tire of being tied to the unprofitable farm, grows restless.A richly evocative tale about life in our changing rural landscape.
"as the damaged, defiant stories unravelit is impossible to remain unmoved."--Lucy Powell, TimeOut
As the American War of Independence reaches its climax, a plantation slave and a British Naval Officer embark on a journey in search of freedom. This novel is a true story that marks the 200th anniversary of the abolition of the slave trade in the British Empire.
Presents four plays exploring issues with particular relevance to young audiences. This work deals with issues such as friendship, sexuality, migration and identity. It is a fusion of dance, theatre and music.
The ordinary, unremarkable life of the Samsas is turned upside down when their son Gregor emerges one morning transformed into a monstrous insect. As revulsion turns to resentment, strange things start to happen to the Samsa family.
Presenting four plays, this work includes "Toast" where seven men come together to bake enough bread to feed the population of Hull. It also features "Honeymoon Suite" that deals with love, and middle manager Stephen England ("Mr England").
Somebody hit Tracy on the head with a brick. And something just as bad has happened to Julia. But how can you hang on to your identity when you don't know who you are anymore? Head/Case is a powerful drama about identity and a mind damaged almost beyond repair.How do you define yourself when you literally don't know who you are anymore? How do you begin to heal when you cannot fix your sense of self? And how much does nationality, culture and memory shape who you actually are?Produced at the Soho Theatre in January 2005.
Inside a beautiful state residence on the edge of a city, four women wait. They talk: films, prada, chilli vodka, anything. Outside civil war looms ever nearer. This work encompasses both the cruel veneer of our lives and the beating heart within.
On the eve of his release from Feltham Young Offenders Institution, Zahid Mubarek, a young British Asian man, was attacked by his racist cellmate. One week later he died of his injuries.How was this allowed to happen? This new play traces the Mubarek family's pursuit of the truth. Based on evidence given to the Zahid Mubarek Inquiry and interviews taken, one of Britain's leading writers examines the incompetence of the official response to Zahid Mubarek's death.
A moving and powerful play about the joy and the heartbreak that motherhood brings to three very different mothers. Ali was always going to be a dancer. She was still dancing the day she gave birth. Careful Kitty, housewife and mother, sits in her silent home and waits for the daughter who doesn't return. And Milena, desperate to protect her children and carrying a terrible secret.
'We are not beggars. I am not here for you to cast your pity at me like breadcrumbs tossed to a cripple. Because I know you're listening to me; and my voice won't be silent, not yet.'Tejas Verdes ('Green Gables'), once a sea-side resort, was an infamous Chilean torture and detention centre during the early years following the Pinochet coup in 1973. Fermin Cabal's humane and powerful play traces the life of a young woman who vanished one night in Santiago. Beneath the tolling of the church bells, her voice and the voices of those who share her story ring out with poetic beauty and overwhelming love.
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