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Ypsilon is a human being reduced to the most basic essentials, a naked one-eyed brain floating in an aquarium of nutritious liquid. Through his consciousness we observe his obstinate struggle to maintain his freedom of action in this utterly dependent situation whilst it slowly dawns on him that he is a part of a wide-ranging scientific experiment.
One August day in 2008 a Norwegian Labour Party MP is discovered in a remote cabin, together with four of his family and friends, all with their throats slit. This unprecedented crime sends shudders through the national psyche, as the search for the perpetrators begins and people have to adjust to the terrifying thought: it can happen here too.
Described as 'perhaps the most private of Selma Lagerloef's books', the novel takes us deep into a father-daughter relationship that carries the seeds of tragedy within it almost from the start.
'He realised that he would drown here. Someone had crafted this seat to drown people. To drown him. Terror rushed from his brain to rouse every cell in his body, but there was nothing to be done. He was well and truly tethered. Slowly it dawned on him that he did know why he was sitting here. He'd spent all his life running from this nightmare, and now he'd landed in its clutches.'Dead Men Dancing begins with the discovery of a corpse on the beach, the body of a man who has been shackled to rocks and left to drown. As the journalist Hannis Martinsson investigates, he comes across evidence of more deaths which have been caused in the same way, and starts to realise that they are all linked to a local revolt several decades earlier, which tore a community apart. The repercussions have continued to the present day, and Hannis' enquiries soon put his own life in danger.
Herman Bang was well known in his lifetime, but in the English-speaking world he has had little impact. Even now, only a couple of his novels have been translated. This volume is an attempt to remedy this lack by introducing a broad selection of his short stories and journalism to a new public.
This is a translation of the author's tetralogy, published between 1974 and 1983, that traces the growth and development of a railroad town by portaying working-class women and children, rather than society's movers and shakers.
The final volume in Ekman's quartet of novels depicting life in a Swedish railway town. Ann-Marie searches for identity and meaning in a modern, secularized society. The suggestion that lives attain meaning and even a kind of immortality by being remembered and narrated is central to the book.
The Spring focuses on the lives of three women, Tora, Frida and Ingrid, during the interwar years.
The Angel House is the third in the remarkable series of free-standing novels that cemented Kerstin Ekman's reputation in her native Sweden during the 1970s.
Pentti Saarikoski was a prolific translator and journalist, and a revered modernist poet central to the Finnish literary scene of the 1960s and 1970s. The inventiveness, warmth and humour of Saarikoski''s voice have made him something of a national treasure in Finland. His writing is at once playful and political, drawing on everyday life and current affairs, as well as Greek antiquity. This collection of poems chosen and translated by Emily Jeremiah and Fleur Jeremiah charts Saarikoski''s artistic development over the decades from his early Greek period to his politically charged participative poetry, and ultimately his last known poem. This dual-language edition places the original Finnish poems side-by-side with their English translation, inviting readers to explore the elegant craftsmanship of Saarikoski''s use of language.
Andrievs Radvilis is a former jockey on the Riga trotting track whose solitary retirement is interrupted when a young journalist comes to interview him about his career. Their meeting leads to a journey of reminiscence across Latvia, never straying far from the mighty Daugava river, which flows through the story as Radvilis recalls his early life.
From birth, Vega Maria Dreary is caught in a vice of conflicting parental expectations. Her father brings her up to admire history's heroic male adventurers, while her mother channels her towards housework and conformity. But when puberty comes, paternal half-promises evaporate and Vega has to fight her own way out of the domestic cage.
Malin Forst is a precocious, devout twenty-year-old woman attending a Stockholm teachers' college in the 1930s. Confounded by a sudden crisis of faith, Malin plunges into a depression and a paralysis of will.
This anthology showcases the scope of current research by early-career scholars in Scandinavian Studies. The essays explore how the North has been imagined and mediated as 'home' in literature, historiography, language and the arts.
Life in a grand Norwegian mountain hotel is not what it used to be. Sedd's grandparents are fighting a losing battle to maintain standards at Favnesheim hotel, whilst the young Sedd observes developments with a keen eye for the absurd and a growing sense of unease that all is not well.
With high hopes, Captain Riber embarks with his young bride Aurora on a voyage to exotic destinations. But they are an ill-matched pair; her naive illusions are shattered by the realities of married life, whilst his hopes of domestic bliss are frustrated by his wife's unhappiness.
This volume contains Brogger's autobiographical meditation "A Fighting Pig's Too Tough to Eat", and a selection of essays from the past twenty years, showing her development from social rebel to iconoclast and visionary.
This is the last novel by Estonia's greatest twentieth-century writer, Anton Tammsaare, and it constitutes a fitting summation of the themes that occupied him throughout his writing: the search for truth and social justice, and the struggle against corruption and greed.
Powderhouse is a novel which is set in an asylum for the criminally insane, where the narrator functions as a kind of porter, observing and commenting on the foibles of inmates and keepers alike
The first in a trilogy of books that examine the evil inherent in the human race. Set in a middle-European principality, it centres on the narrator, a servant of justice, employed to brush gowns, fill inkwells and be daily witness to injustice masquerading as a court of law.
In an intricate study of relationships in which marriage is the only respectable career for a woman. Sophie, the youngest of four daughters of a cynical and disappointed mother, struggles against society's precepts and her own conditioning to be allowed to make an independent choice.
This volume opens up gendered perspectives on a broad range of 20th-century Scandinavian culture. The book consists of an introduction that theorizes gender and power, and sixteen chapters which explore aspects of gender within a spectrum of disciplines
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