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Religion and Secular Modernity in Russian Christianity, Judaism, and Atheism is a multifaceted account of the engagement between religion and the secular in Russia's Christian, Jewish, and atheist traditions. Ana Siljak brings together an interdisciplinary group of leading scholars to present unique perspectives on the secularization dynamic in Russia and the Soviet Union, telling stories about theologians, sects, churches, poets, and artists. From the Jewish Christian priest, Alexander Men, to the cross-dressing poet, Zinaida Gippius, to the Soviet promoter of Yiddish theater, Solomon Mikhoels, Religion and Secular Modernity in Russian Christianity, Judaism, and Atheism gives a voice to a variety of actors that have grappled with the possibilities of faith and unbelief in an industrialized, modern, and seemingly secular world. Now more than ever, as one narrative of Russia's religious history dominates official Russian accounts, alternative perspectives of the relationship between Russian religion and secularism should be highlighted and emphasized.

"Light Out" and Modern Vietnamese Stories, 1930-1954, translated by Quan Manh Ha and Paul Christiansen, with an essay by Ngô Văn Giá, is the first anthology in English of colonial Vietnamese literature written by canonical authors. Light Out depicts colonial exploitation, impoverished peasants at the mercy of precarious crop cycles, and institutionalized corruption that pits peasants against village officials. Set over the course of a few days, the novella presents an intimate look into the rural society in Northern Vietnam during the height of French colonialism, exposing the brutal realities of the period and the impact such deprivations have on the human spirit. The eighteen short stories included in the anthology thematically delineate colonial abuses, class discrimination, patriarchal expectations, and livelihoods tethered to an unstable environment. Aesthetically, they illuminate the impact of French literary traditions and Western thought on Vietnamese traditions of storytelling.

"Light Out" and Modern Vietnamese Stories, 1930-1954, translated by Quan Manh Ha and Paul Christiansen, with an essay by Ngô Văn Giá, is the first anthology in English of colonial Vietnamese literature written by canonical authors. Light Out depicts colonial exploitation, impoverished peasants at the mercy of precarious crop cycles, and institutionalized corruption that pits peasants against village officials. Set over the course of a few days, the novella presents an intimate look into the rural society in Northern Vietnam during the height of French colonialism, exposing the brutal realities of the period and the impact such deprivations have on the human spirit. The eighteen short stories included in the anthology thematically delineate colonial abuses, class discrimination, patriarchal expectations, and livelihoods tethered to an unstable environment. Aesthetically, they illuminate the impact of French literary traditions and Western thought on Vietnamese traditions of storytelling.

Through the prism of the first comprehensive account of RT, the Kremlin's primary tool of foreign propaganda, Russia, Disinformation and the Liberal Order sheds new light on the provenance and nature of disinformation's threat to democracy. Interrogating the communications strategies pursued by authoritarian states and grassroots populist movements, the book reveals the interlinked nature of today's global media-political pathologies.Stephen Hutchings, Vera Tolz, Precious Chatterje-Doody, Rhys Crilley, and Marie Gillespie provide a systematic investigation of RT's history, institutional culture, and journalistic ethos; its activities across multiple languages and media platforms; its audience targeting strategies and audiences' engagements with it; and its response to the war in Ukraine and associated bans on it. Their analysis challenges commonplace notions of disinformation as something that Russia does to the West, where passive publics are duped by the Kremlin's communications machine, and reveals the reciprocal processes through which Russia and disinformation infiltrate and challenge the liberal order. Russia, Disinformation and the Liberal Order provides provocative insights into the nature and extent of the challenge that Russia's propaganda operation poses to the West. The authors contend that the challenge will only be met if liberalism reflects on its own internal tensions and blind spots and defends the values of open-minded impartiality.

Reflections on Stalinism distills decades of historical thought and research, bringing together twelve senior scholars of Soviet history who began their careers during the Cold War to examine their views of Stalinism. They present insights into the role of personality in statecraft, the social underpinnings of dictatorship and state terrorism, historians' attachments to their subjects, historical causality, the applicability of Marxist categories to Soviet history, the relationship of Soviet history to post-Soviet Russia, and more. Essays address the transformation of a peasant country into a superpower and the causes and scale of domestic bloodshed. Reflections on Stalinism ultimately tackles an age-old question: Do powerful people make history or are they the product of it?

Russian Archaism considers the aesthetic quest of Russian modernism in relation to the nation-building ideas that spread in the late imperial period. Irina Shevelenko argues that the cultural milieu in Russia, where the modernist movement began as an extension of Western trends at the end of the nineteenth century, soon became captivated by nationalist indoctrination. Members of artistic groups, critics, and theorists advanced new interpretations of the goals of aesthetic experimentation that would allow them to embed the nation-building agenda within the aesthetic one. Shevelenko's book focuses on the period from the formation of the World of Art group (1898) through the Great War and encompasses visual arts, literature, music, and performance. As Shevelenko shows, it was the rejection of the Russian westernized tradition, informed by the revival of populist sensibilities across the educated class, that played a formative role in the development of Russian modernist agendas, particularly after the 1905 revolution. Russian Archaism reveals the modernist artistic enterprise as a crucial source of insight into Russia's political and cultural transformation in the early twentieth century and beyond.

From the beginnings in 1870, American relations with Cambodia were rarely easy. In this abridged and updated version of his definitive history, Clymer examines the effects of U.S. interactions with Cambodia, tracing the disruptions that climaxed during the Vietnam War when U.S. planes bombed perceived enemy strongholds within Cambodia. The attacks led to Cambodia's involvement in the war and to civil war, from which the Khmer Rouge emerged victorious. Nearly one third of Cambodia's population died under the Khmer Rouge's genocidal rule. Clymer shows how diplomatic neglect, misperceptions, misunderstandings, and poorly conceived policies contributed to these tragic events. In the 1990s, the United States finally worked with the United Nations to broker the settlement of conflict in Cambodia.

A Slow Reckoning examines the Soviet Union's and the Afghan communists' views of and policies toward Islam and Islamism during the Soviet-Afghan War (1979-1989). As Vassily Klimentov demonstrates, the Soviet and communist Afghan disregard for Islam was telling of the overall communist approach to reforming Afghanistan and helps explain the failure of their modernization project.A Slow Reckoning reveals how during most of the conflict Babrak Karmal, the ruler installed by the Soviets, instrumentalized Islam in support of his rule while retaining a Marxist-Leninist platform. Similarly, the Soviets at all levels failed to give Islam its due importance as communist ideology and military considerations dominated their decision making. This approach to Islam only changed after Mikhail Gorbachev replaced Karmal by Mohammad Najibullah and prepared to withdraw Soviet forces. Discarding Marxism-Leninism for Islam proved the correct approach, but it came too late to salvage the Soviet nation-building project. A Slow Reckoning also shows how Soviet leaders only started seriously paying attention to an Islamist threat from Afghanistan to Central Asia after 1986. While the Soviets had concerns related to Islamism in 1979, only the KGB believed the threat to be potent. The Soviet elites never fully conceptualized Islamism, continuing to see it as an ideology the United States, Iran, or Pakistan could instrumentalize at will. They believed the Islamists had little agency and that their retrograde ideology could not find massive appeal among progressive Soviet Muslims. In this, they were only partly right.

Border Conditions combines history and memory studies with literary and cultural studies to examine lives at the limits of contemporary Europe: Russian speakers living in Latvia. Since the fall of the USSR in 1991, Latvia's Russian speakers have balanced between Russia and Europe as well as a socialist past, a capitalist and liberal present, and an illiberal regime rising in the Russian Federation. Kevin M. F. Platt describes how members of this population have defined themselves through art, literature, cultural institutions, film, and music--and how others have sought to define them. At the end of the Cold War, many anticipated that societies globally could agree on the meaning of past history and a just politics in the present. The view from the borders of Europe demonstrates the contradictions pertaining to terms like empire, state socialism, liberalism, and nation that have made it impossible to achieve a consensus. In refocusing the examination of state socialism's aftermath around questions of empire and postcolonialism, Border Conditions helps us understand the distinctions between Russian and Western worldviews driving military confrontation to this day.

This annotated translation of To the Far North presents the diary of a twenty-seven-year-old Russian physician who was part of the 1900 expedition to the Chukotka Peninsula to find gold. No other account so richly details life along the North Pacific Rim before World War I, especially from a Russian perspective. This volume relates the expedition's formation, development, and aftermath, and offers unique insights on the region's place in both Russian policymaking and geopolitics. The illustrated diary includes picturesque descriptions of San Francisco, the Nome Gold Rush, Chukchi culture, Petropavlovsk, Vladivostok, and Nagasaki, Japan.Andrew A. Gentes' translation is based on an edition of Akifëv's book that was published in St. Petersburg in 1904. The diary shows how Russian and American views and cultural values clashed over a territory that is today more geopolitically important than ever. By additionally documenting Akifëv's personal travels outside the expedition, To the Far North also demonstrates, in both human and personal terms, the role Russians played in shaping this region's history.

Ambassadors of Social Progress examines the ways in which blind activists from the Soviet Union and Eastern Europe entered the postwar international disability movement and shaped its content and its course. Maria Cristina Galmarini shows that the international work of socialist blind activists was defined by the larger politics of the Cold War and, in many respects, represented a field of competition with the West in which the East could shine. Yet, her study also reveals that socialist blind politics went beyond propaganda. When socialist activists joined the international blind movement, they initiated an exchange of experiences that profoundly impacted everyone involved. Not only did the international blind movement turn global disability welfare from philanthropy to self-advocacy, but it also gave East European and Soviet activists a new set of ideas and technologies to improve their own national movements. By analyzing the intersection of disability and politics, Ambassadors of Social Progress enables a deeper, bottom-up understanding of cultural relations during the Cold War. Galmarini significantly contributes to the little-studied history of disability in socialist Europe, and ultimately shows that disability activism did not start as an import from the West in the post-1989 period, but rather had a long and meaningful tradition that was rooted in the socialist system of welfare and needed to be reinvented when this system fell apart.

The Supreme Court and the Philosopher illustrates how the modern US Supreme Court has increasingly adopted a view of the constitutional right to the freedom of expression that is classically liberal in nature, reflecting John Stuart Mill's reasoning in On Liberty. A landmark treatise outlining the merits of limiting governmental and social power over the individual, On Liberty advocates for a maximum protection of human freedom. Proceeding case by case and covering a wide array of issues, such as campaign finance, offensive speech, symbolic speech, commercial speech, online expression, and false statements, Eric T. Kasper and Troy A. Kozma show how the Supreme Court justices have struck down numerous laws for infringing on the freedom of expression.Kasper and Kozma demonstrate how the adoption of Mill's version of free speech began with Justice Oliver Wendell Holmes Jr. more than a century ago and expanded over time to become the prevailing position of the Court today. The authors argue that this embrace of Mill's rationale has led to an unmistakable reorientation in the Court's understanding of free expression jurisprudence.The Supreme Court and the Philosopher is the first book to comprehensively explore how the political philosophy of Mill has influenced the highest court in the land. In targeting the underlying philosophical reasons that explain why the modern Supreme Court renders its First Amendment decisions, this book is particularly timely, as the issues of censorship and freedom of expression are debated in the public square today.

Work Flows investigates the emergence of "flow" as a crucial metaphor within Russian labor culture since 1870. Maya Vinokour frames concern with fluid channeling as immanent to vertical power structures--whether that verticality derives from the state, as in Stalin's Soviet Union and present-day Russia, or from the proliferation of corporate monopolies, as in the contemporary Anglo-American West. Originating in pre-revolutionary bio-utopianism, the Russian rhetoric of liquids and flow reached an apotheosis during Stalin's First Five-Year Plan and re-emerged in post-Soviet "managed democracy" and Western neoliberalism.The literary, philosophical, and official texts that Work Flows examines give voice to the Stalinist ambition of reforging not merely individual bodies, but space and time themselves. By mobilizing the understudied thematic of fluidity, Vinokour offers insight into the nexus of philosophy, literature, and science that underpinned Stalinism and remains influential today. Work Flows demonstrates that Stalinism is not a historical phenomenon restricted to the period 1922-1953, but a symptom of modernity as it emerged in the twentieth century. Stalinism's legacy extends far beyond the bounds of the former Soviet Union, emerging in seemingly disparate settings like post-Soviet Russia and Silicon Valley.

Leo Strauss and Anglo-American Democracy critically interprets Strauss's political philosophy from a conservative perspective. Most mainstream readers of Strauss have either condemned him from the Left as an extreme right-wing opponent of liberal democracy or celebrated him from the Right as a traditional defender of Western civilization. Rejecting both portrayals, Grant Havers shifts the debate beyond the conventional parameters stating that Strauss was neither a man of the Far Right nor a conservative but. in fact a secular Cold War liberal.In Leo Strauss and Anglo-American Democracy Havers contends that the most troubling implication of Straussianism is that it provides an ideological rationale for the aggressive spread of democratic values on a global basis while ignoring the preconditions that make these values possible. Concepts such as the rule of law, constitutional government, Christian morality, and the separation of church and state are not easily transplanted beyond the historic confines of Anglo-American civilization, as recent wars to spread democracy have demonstrated.