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It also provides a glimpse into the secret life of animals and plants, assimilated from the latest scientific publications, curated and presented as easy-to-understand text.

Through stylistic analyses and interpretations of over 100 paintings from his collection, many of them published here for the first time, the author brings to light the accomplishments of the Orchha school during its heyday in the seventeenth century.

As weird weather overtakes the land and Kapoor sets out with his accomplices to kidnap the businessman, the flimsy lines between friend, foe and lover begin to quickly disappear.

Will Aameer reunite with his wife either? These, and other pressing concerns (who invented porcelain? Who was the king of Iran's Nishapur and how was the monster of Sumiyoshi slain?

There is an experiment in abstraction, and legend and reality are brought together when three sleepers of an earlier civilisation wake up in the modern world.

This book showcases the original illustrations by Jatindrakumar Sen for the illustrated story collections Gaddalika (1924), Kajjali (1928) and Hanumaner Swapno Ityadi Galpo (1937). It includes sketches and instructions by Parashuram himself as he conveyed his vision to the artist.

Introductions to the parvas illuminated in these four volumes offer reflections on the moral resonance of the stories, as they reveal the fate of a civilisation from its divine beginning to its fateful destruction.

With haunting beauty the award-winning author describes the destinies of the lovers against the dramatic background of the British Raj in Bengal as well as the conflicts of our times across Kabul, Rome and London.

The tales in Guilt Trip and Other Stories reveal an unbridled exuberance of appetite which mirrors women¿s hungering for lost opportunities, the sting of indifference to one¿s aspirations and denied selfhood.

The author brings alive Pierre Jeanneret's days in Chandigarh, portrays the brilliance of the architect, the humility and simplicity of the man, as well as shows how he worked with dedication to leave a lasting impact on the world of architecture.

This monograph presents the behind-the-scenes story of Narayan¿s becoming a writer, and narrates the circumstances of his life that shaped his vision.

This book focuses on the floor covering traditions of Kashmir, one of the two distinct regions that constitute the Union territory of Jammu and Kashmir.

The children grow into fine young people from different walks of life¿religion, warfare, the arts and crafts¿to become the progenitors of Kerala.

Based on an eyewitness account of life in royal harems, these stories describe the very human interaction between men and women in this milieu. They highlight power play, disinheritance and the threat of assault, which are perennial concerns for women.

Drawing on his experiences in the Indian public sector, Raza throws light on the workings of varied industries, such as fisheries, textiles, chemicals and fertilizers.

Through her interpretive commentary, the author shows that Shuvaprasannäs articulation about culture, his insatiable child-like curiosity, fascination with the `City of Joy.

The informative text is accompanied by rarely seen images from museums and private collections, offering fresh insights into these iconic examples.

Year after year, our exposure to the Gita remains limited to these fleeting visual engagements as they become part of our muscle memory as we go about our chores.

They delineate the ghastly communal riots at various places and the trauma and disruptions of memory caused by them, the exodus of the `refugees¿ from the then East Pakistan and their fierce struggle for survival in newly mushrooming colonies at unknown terrains, and above all, the nostalgia for an imaginary desh that defies cartographic barriers.