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  • av Declan Greene
    176,-

    A dark, shimmering firework of a play.

  • av Giles Block
    224,-

    Why does Shakespeare write in the way he does? And how can actors and directors get the most out of his incomparable plays? In Speaking the Speech, Giles Block - 'Master of the Words' at Shakespeare's Globe - sets out to answer these two simple questions. The result is the most authoritative, most comprehensive book yet written on speaking Shakespeare's words. Throughout the book, the author subjects Shakespeare's language to rigorous examination, illuminating his extraordinary ability to bring his characters to life by a simple turn of phrase, a breath or even a pause. Block shows how we can only fully understand these characters, and the meaning of the plays, by speaking the words out loud. Drawing on characters from across all of Shakespeare's plays - and looking in detail at Macbeth, The Winter's Tale, Hamlet, The Merchant of Venice and Much Ado About Nothing - Block covers everything the actor needs to know, including: the essential distinctions between prose, rhymed verse and unrhymed verse, and the different strategies to be used when speaking them; the difference between 'you' and 'thou'; Shakespeare's use of silence; and the vital importance of paying attention to Shakespeare's 'original' punctuation. Speaking the Speech is a book for actors and directors who want to improve their understanding of Shakespeare's language in order to speak it better. It is also a fascinating read for anyone who wants to deepen their appreciation of Shakespeare's language and the way it comes to life when spoken aloud. 'We call Giles our 'Text Guru' at the Globe, partly in jest, and partly out of respect for the depth of his knowledge, the gentleness of his teaching, and the sudden illuminations he can throw across a play. If this book can afford even a small part of the pleasure and insight Giles can provide in person, then it will be a great asset.' Dominic Dromgoole, Artistic Director, Shakespeare's Globe 'Giles deepened my love for Shakespeare and for the way we all speak. I trust you will have a similar experience reading his book.' Mark Rylance, from his Foreword

  • av Ariel Dorfman
    164,-

    A woman seeks revenge when the man she believes to have been her torturer happens to re-enter her life. Years have passed since political prisoner, Paulina, suffered at the hands of her captor: a man whose face she never saw, but whom she can still recall with terrifying clarity. Tonight, by chance, a stranger arrives at the secluded beach house she shares with her husband Gerardo, a human rights lawyer. A stranger Paulina is convinced was her tormentor and must now be held to account... Ariel Dorfman's play premiered at the Royal Court in 1991, and is now recognised as a modern classic. It ran for a year in the West End, was a hit on Broadway and was filmed by Roman Polanski starring Ben Kingsley and Sigourney Weaver. 'A play that audiences will carry out of the theatre and into life' New York Times

  • av John Webster
    78 - 178,-

    John Webster's glittering masterpiece published alongside a major 2014 revival by the Royal Shakespeare Company.

  • - Scenarios, Scripts, Lazzi
    av Barry Grantham
    274,-

    A unique collection of performance pieces and improvisation exercises in the Commedia style, a companion volume to the author's best-selling Playing Commedia.

  • - Tools for the Modern Actor
    av Nick Moseley
    194,-

    An inspiring new approach to acting from a respected drama teacher - concise, succinct and full of practical exercises.

  • - The Psycho-Physical Approach to Actor Training
    av Bella Merlin
    227,-

    A guide to Psycho-Physical Acting, complete with games and exercises.

  • av Imogen Stubbs
    238

    A comedy drama about an all-female theatre company touring Britain during the darkest days of World War Two, written by the well-known actress and premiered in the West End. While the men are fighting Hitler and the bombs are falling on London, a 'girls only' theatre company sets out in a battered 1920s Rolls-Royce to bring Shakespeare to a culture-starved Britain. Inspired by the real-life Osiris Players, whose travelling productions during the War inspired many to take up the profession - Judi Dench to name but one. We Happy Few premiered at the Gielgud Theatre, London, in June 2004. 'there isn't a sweeter, warmer, more likeable play in London' The Times 'very funny. A fascinating slice of social history' Time Out 'by far and away the funniest and saddest backstage play for half a century' Daily Express

  • - A Practical Exploration of Physical Comedy
    av John Wright
    194,-

    An exploration of the principles and practice of physical comedy by a leading practitioner and teacher. This work contains hundreds of games and exercises useful to teachers and performers.

  • av Rona Munro
    194,-

    Each year the Traverse Theatre produces two plays as its own contribution to the Edinburgh Festival. "Iron", by Rona Munro, has been chosen as one of the plays for 2002; the other is Linda McLean's "Shimmer". Munro's previous work includes "Bold Girls" and "The Maiden Stone".

  • Spar 11%
    av Jane Austen
    164,-

    A bold, witty and fresh adaptation of Jane Austen's novel which, while thoroughly modern, retains the spirit and much of the language of the original.

  • av Mike Cullen
    295,-

    An explosive, gripping and disturbing play about the phenomenon of False Memory Syndrome.

  • av Ariel Dorfman
    178,-

    A smouldering political allegory about a political protest in a country ruled by a military junta. From the author of Death and the Maiden, written in collaboration with Tony Kushner, author of Angels in America.

  • av Christopher Luscombe
    210,-

    An enchanting collection of witty music and skits about the Bard, devised for and first performed by the Royal Shakespeare Company.

  • av Dean Carey
    260,-

    An extensive guide to acting, followed by close to a hundred audition pieces chosen from the whole of world drama.

  • av Aeschylus
    68,-

    Aeschylus' great trilogy of Greek tragedies: Agamemnon, Choephori (Libation-Bearers) and Eumenides (The Furies).

  • av Jack Shepherd
    154,-

    England 1656. The sense of freedom, following the execution of the King, is threatening to plunge the country into anarchy.

  • av Jane Austen
    186,-

    A delightful new stage version of Austen's mock Gothic romance.

  • - Full Text and Introduction (NHB Drama Classics)
    av George Farquhar
    98,-

    The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding. The Recruiting Officer is a Restoration Comedy with a real heart and soul. Captain Plume arrives in Shrewsbury to recruit new soldiers. He falls for Sylvia - against her father's wishes. Rather than be sent away, Sylvia disguises herself as a man and so learns more about Plume than he would really like. Edited and introduced by Simon Trussler.

  • av Christopher Marlowe
    84,-

  • av Henrik Ibsen
    98 - 238

    New adaptation of Ibsen's classic by Richard Eyre, who ran England's National Theatre from 1988-97.

  • av Henrik Ibsen
    75,-

    Should the truth be pursued whatever the cost? The idealistic son of a wealthy businessman seeks to expose his father's duplicity and to free his childhood friend from the lies on which his happy home life is based.

  • av Arthur Miller
    174,-

    The extraordinary story of the women's orchestra in Auschwitz, originally filmed for television with Vanessa Redgrave, and adapted for the stage by Miller himself.

  • av Henrik Ibsen
    84 - 238

    In a new translation by Pam Gems, the author of Stanley, Piaf and The Snow Palace.

  • Spar 11%
    av Terence Rattigan
    164,-

    Based on the real-life court case of a young naval cadet unjustly accused of stealing a five-shilling postal order and first staged in 1946, The Winslow Boy has been revived many times since, including at The Old Vic in 2013. Ronnie Winslow is expelled from naval college, having been accused of petty theft. Enraged, his father Arthur engages a lawyer to challenge the Admiralty to prove the charges in court - but public opinion is very much against the Winslows, and each member of the family is suffering... This edition includes an authoritative introduction by Dan Rebellato, a biographical sketch and a chronology. 'A sterling example of Rattigan's dramatic skill and humanity... deeply poignant' Telegraph 'A playwright of acute emotional intelligence, elegant wit, and an extraordinary gift for expressive construction... thrilling' Independent

  • av Margaret Edson
    174,-

    Vivian Bearing, a specialist in the Sonnets of John Donne, has been diagnosed with terminal ovarian cancer. Her approach to her illness is not unlike her approach to Donne: probing and rational. During the course of her illness, she reassesses her life and work with profundity and wry humour.

  • av Charlotte Bronte
    161,-

    Orphaned at an early age, Jane Eyre leads a lonely life until she finds work as a governess at Thornfield Hall, where she meets the mysterious Mr Rochester and sees a ghostly woman who roams the halls by night.

  • av Stephen Sondheim
    134,-

    A musical boasting such numbers as "Send in the Clowns".

  • av Gotthold Ephraim Lessing
    174,-

    An uneasy stalemate exists between the Muslim forces of Saladin and the western Crusaders. Caught in the middle, the Jews. All sides respect Nathan for his wisdom and his wealth. But in a war-zone no one is secure.

  • av Dominic Cooke
    178 - 184,-

    A simple and delightfully inventive re-telling of the stories from the Arabian Nights. This revised edition was published alongside the Royal Shakespeare Company's production in 2009. It is wedding night in the palace of King Shahrayar. By morning, the new Queen Shahrazad is to be put to death like all the young brides before her. But she has one gift that could save her - the gift of storytelling. With her mischievous imagination, the young Queen spins her dazzling array of tales and characters. On her side are Ali Baba, Es-Sindibad the Sailor and Princess Parizade - adventurers in strange and magical worlds populated by giant beasts, talking birds, devilish ghouls and crafty thieves. But will her silver-tongued stories be enough to enchant her husband and save her life? 'Superb... weaves a potent spell of enchantment as it moves from cruelty to happiness and from the blissfully ribald to the deeply affecting' Telegraph 'A masterful piece of storytelling... a truly magical piece of theatre that delights the senses' Whatsonstage.com 'The family show to see this le' Guardian

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