Bøker utgitt av New Pulp Press

Beautiful, sexy Juliette is madly in love with Punch. She'll do absolutely anything for him. She also loves getting buck-naked on dark Key West byways and flashing strangers by moonlight. Punch loves Juliette ... sort of. He loves even more the booze he drinks like a fish, Juliette's inherited money on which he's happy to live, the image of himself as a wannabe writer, and the idea of flaming out in a joint suicide when his novel is done and the money runs out. Together Juliette and Punch have come to Key West in a desperate quest for something vital, something eloquent in their lives-some antidote to their hollow loneliness. One day Juliette wanders into a pawnshop and buys a "cute" little Beretta .25 caliber pistol-like a snake in the Garden of Eden. Then the real trouble starts. Voluntary Madness is a crazed, unputdownable motorcycle ride to either perdition or salvation that has become a noir classic in its own time.

"Who's Yorkie Goodman?" asks Wallace, an enforcer for an East Coast drug cartel. "Just a fella" says his boss, who goes by the name Boss. Just a fella ... but Boss wants Yorkie Goodman taken out. He wants it so badly, he'll risk sending Wallace into Wallace's own past where a beautiful woman he abandoned years before still holds a bewitching power over him like some ancient siren song. He wants it so badly, he's sending along his deadliest assassin, Carp, to make sure the job is done right. And he wants proof ... proof in the form of Goodman's head delivered in a portable cooler. So begins Wallace's twisted, violent odyssey into the American heartland - an odyssey that inevitably forces him to choose between love and gangland loyalty. Written in spare, gritty prose, Bring Me the Head of Yorkie Goodman takes you on a page-turning, Tarantinoesque ride to the end of the road.

The year is 1986 and fall is declining into winter in a small Midwest city where ten-year-old Tina Brackett languishes in a coma caused by tainted fast food chicken produced by the Happy Farms Co. Raymond Locke, operative for the high-flying public relations firm that represents Happy Farms, is damage control central. But tragedy begets opportunity, and everyone is angling for a game-changing piece of the action surrounding Tina's impending death. Among the players in this Darwinian battle for survival are the District Attorney looking at a possible murder charge, a reporter working on the story of his career, a high-minded crusader against corporate greed and malfeasance, and Tina's enigmatic single parent, Ken Brackett. Pitted against these sordid foes, Raymond Locke is trying to save his job and his marriage, crumbling beneath the weight of caring for an autistic son. A noir journey into the heartland of America and the American psyche, Words to Die For evokes a shadowy, Mad Men-like world where the truth is less important than the spin.

Two smalltime drug dealers having breakfast in a diner consider killing the cop who stops in for a cup of coffee and kidnapping their waitress. When an old geezer asks an unemployed car salesman to murder his son-in-law to be, the salesman isn't sure if he's up for such a radical career change. A young man has to come to terms with the fact that his father is a serial sexual predator. In these and ten other noir tales set mostly in the sun-dappled hills and valleys of Western Kentucky, Tim L. Williams plumbs the swamps that lurk inside the heads and hearts and souls of people just trying to get by. Whether in the quiet towns or along the lonely back roads or on the interstates, the protagonists of Williams' stories discover getting by is no easy task in a world where your most dangerous enemy is often yourself. With crystal clear sentences, Williams paints the dark side with chilling sympathy. You won't soon forget these stories.