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Huang Pin-hung (1865-1955) occupies a very special position in the history of modern Chinese art. The art of Huang Pin-hung demonstrates the persistence of tradition and the limits of continuities as well as changes in modern Chinese culture. The period during which he lived and worked was marked by turbulent changes in China's cultural and political landscape. Like many intellectuals of his generation, he was deeply concerned with the question of "old" versus "new," and his voluminous writings on art frequently discuss the relationship between tradition and innovation. This concern is reflected throughout his long career as an artist, as he constantly sought to break new ground and to explore new creative territory within the parameters of the Chinese ink-painting language. One of the most outstanding aspects of Huang's career is his late maturity as an artist. While he began his training at an early age, his immense talent only came to full bloom during the last fifteen years of his life. Yet, because of this late maturing, his late paintings are imbued with the concentrated power of a lifetime of artistic creation, and possess an internal richness and complexity that is truly inimitable. Through a discussion of his transformation of tradition, in particular his late work, this book hopes to suggest how his late work embodies the vitality and potentiality for renewal of the Chinese cultural tradition. This is a revised and updated version of the first edition (April 2004), which includes research based on essential new materials: the proceedings of an international conference on Huang Pin-hung organized by the China Academy of Art Research in Beijing, the correspondence between Huang Pin-hung and his contemporaries (publisged in 2005), and the catalog of the major exhibition of Huang Pin-hung's works at the Che-chiang Museum in July of 2004.

This book provides an overview of the works of the most influential German moral and political philosophers of the late eighteenth and nineteenth centuries, starting with Immanuel Kant's Groundwork for a Metaphysic of Morals, published in 1785, and ending with Nietzsche's Ecce Homo, published posthumously in 1908. Throughout this period, under the impact of the French Revolution and the transformation in political thinking which it effected, the German philosophers examined here confronted, in one way or another, the issue of citizenship and the duties it entailed. This is most explicit in Kant's Metaphysics of Morals, where the issue of rebellion comes up, and again in Hegel's Philosophy of Right, where he grounds morality in a social context, writing about people's duties to family, the community, and the state. In other examples from this book, it may be noted that Max Stirner repudiated the state altogether, thus having no use for any notion of citizenship, while Karl Marx, by interpreting every state as the organ of a particular class, shifted people's loyalties from the state (citizenship) to their specific class (class consciousness). The main currents represented here are rational idealism, romanticism, anti-Enlightenment reaction, and communism. Two of the chapters look beyond the boundaries of the German lands: the chapter on the Young Hegelians, which places them in the context of continent-wide radical currents; and the chapter on Marx, which takes note of Marx's interpreters, especially V. I. Lenin and J. V. Stalin. Schleiermacher was one of the two or three most prominent German theologians of the nineteenth century (Adolf von Harnack would also be counted here). But the Stanford Encyclopedia of Philosophy writes that, while "Schleiermacher (1768-1834) perhaps cannot be ranked as one of the very greatest German philosophers of the eighteenth and nineteenth centuries...he is certainly one of the best second-tier philosophers of the period (a period in which the second-tier was still extremely good)."

This first-ever biography of Harriet de Boinville explores her close relationships with Mary Shelley, Percy Bysshe Shelley, and other leading writers of the Romantic era, but also tells the gripping story of Harriet's early years as the wife of an aristocratic military officer during the French-English Wars, when she experienced a naval attack in the Caribbean, a shipwreck off the coast of France, and detention as a suspected spy in Dunkirk. Combining literary history and gender study with the engaging story of a courageous and caring woman, this ground-breaking book has generated extraordinary praise from renowned authors and experts.

Washington, uniquely among American cities, has remained disenfranchised since its founding as a federal enclave. In the absence of an overarching political life, the very meaning of "local" became contested. Residents and communities seeking to establish their presence in the city-and, because of its capital status, the nation-confronted prohibitions against the sort of political action evident elsewhere throughout the country. For much of the twentieth century, the local life of the theater offered an alternative path to recognition as a step toward acceptance. Energetic theater leaders representing various communities pursued social and artistic acceptance by proclaiming presence from Washington stages. This book recounts four such efforts: those of African American cognoscente to establish a national Negro theater; those of Roman Catholic clerics to nurture a theater for the nation reflecting their values; those of theater enthusiasts to demonstrate the power of regional theater in an American stage community preoccupied with Manhattan; and, those of community activists to assert the legitimacy of the disenfranchised to establish their own civic presence. Together, these efforts fostered a theater scene by century's end that would emerge as the second most attended in the country behind only New York. This industry, in turn, propelled an exploding cultural community that transformed a once sleepy, Southern, provincial town into a vibrant international arts center.