Bøker utgitt av Michael Wiese Productions

This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!

Originally an influential memo Vogler wrote for Walt Disney Animation executives regarding The Lion King, The Writer's Journey details a twelve-stage, myth-inspired method that has galvanized Hollywood's treatment of cinematic storytelling. A format that once seldom deviated beyond a traditional three-act blueprint, Vogler's comprehensive theory of story structure and character development has met with universal acclaim, and is detailed herein using examples from myths, fairy tales, and classic movies. This book has changed the face of screenwriting worldwide over the last 25 years, and continues to do so.

Some of todays top television writers and producers share their insight and explain the unique craft of writing a drama series for television and how the industry really works.

Explores why comedy works, how it works and what happens when comedy doesn't work (and how to fix it). Contains dozens of famous film and TV examples.

"How do you take an idea from inspiration to manifestation? How do you move from telling a story to creating a world? In this richly illustrated book, the first of its kind written specifically for writers, Kerrison lays out the craft of immersive storytelling. She uses case studies to show what works, and highlights the essential role of the writer on a complex creative team. Ready to take the kernel of an idea and turn it into a full-fledged experience? This book gives you the blueprint"--

The Sound Effects Bible is a complete guide to recording and editing sound effects. The book covers topics such as microphone selection, field recorders, the ABCs of digital audio, understanding Digital Audio Workstations, building your own Foley stage, and more.

In the long-awaited sequel to his surprise bestseller, "e;Save the Cat!,"e; author and screenwriter Snyder returns to form in a fast-paced follow-up that proves why his is the most talked-about approach to screenwriting in years.

Building on the success of the bestselling "Master Shots," this volume goes much deeper, revealing the great directors' secrets for making the most of the visual during the usual static dialogue scene. Includes more than 200 diagrams illustrating camera positions.

Acclaimed director Weston offers a deeply creative exploration on how to access and stimulate the filmmaker's most precious assets: instincts, imagination, and intuition.

Screenwriters must understand human behavior to make their stories come alive. This book clearly describes theories of personality and psychoanalysis with simple guidelines, thought provoking exercises, vivid film images and hundreds of examples from classic movies.

The Hollywood Standard describes in clear, vivid prose and hundreds of examples how to format every element of a screenplay or television script. A reference for everyone who writes for the screen, from the novice to the veteran, this is the dictionary of script format, with instructions for formatting everything from the simplest master scene heading to the most complex and challenging musical underwater dream sequence. This new edition includes a quick start guide, plus new chapters on avoiding a dozen deadly formatting mistakes, clarifying the difference between a spec script and production script, and mastering the vital art of proofreading. For the first time, readers will find instructions for formatting instant messages, text messages, email exchanges and caller ID.

The comprehensive bible for low-budget, independent film producing for emerging and professional producers. Designed to use for production meetings with every aspect of the film producing process outlined in detail, including checklists to keep you on track, from pre-production to the first day of principal photography through to post production and delivery.

"You're about to embark on a journey to an unknown land, into the writers' room of a television show. This is not like writing alone. It is a place with new people, new traditions, and new language. Going in blind could end badly. An experienced guide can help you succeed. Use this book to build skills to thrive, and to help avoid traps to survive. Writers' rooms can be a heaven or hell, depending on a few things. The best rooms foster inclusive and productive creative flow. The worst create a toxic stew of bad feelings and doubt. Both kinds and everything in between require basic knowledge of how the room works. These fundamentals are best learned before you go in. The mystery box of the writers' room need not stay sealed shut forever. Consider this book your crowbar"--

No screenwriter wants to discover after the fact that their script leans on stereotypes or normalizes expressions of systemic racism. Fuller provides writers with tools they can use to hold themselves to a higher standard. Outdated tropes can sneak in at any point in the writing process, from adaptation to plot, to characterization, setting, symbolism, and genre. Fuller shows writers how to diagnose and address those problems in their own writing, creating stronger scripts in the process.

Aimed at both the head and the heart, The Defining Moment plumbs the depths of the most memorable characters ever to appear on the screen, the stage or the page. The book focuses on those moments so pivotal in a character's formation that they create a distinct boundary of before and after, moments without which the character couldn't exist and moments through which characters can transform before our eyes. Writers, actors and storytellers of all stripes will discover a powerful new key to unlock any character they seek to develop, write or portray. They may even unlock a deeper understanding of themselves. Features: The first in-depth study of the essential principles that will redefine the way storytellers understand their characters and themselves. Essential insights into the forces that create character Dozens of examples of character-defining moments from film, television, theater and literature An exploration of pivotol moments: birth, death, discovery, decision-making, injury and healing An examination of how writers and actors employ defining moments in their deepest and most unforgettable works Insights into how directors, editors, cinematographers and composers dramatize key moments Practical exercises for defining and redefining character Tips for discovering the moments that matter most Deeply personal stories from the authors' lives to illustrate the variety of moments that define us. For every storyteller, no matter their medium, The Defining Moment will redefine the way they understand their characters and themselves.

A Sense of Dread features three main sections. 1) A detailed examination of the biological, psychological, and cultural bases of fear. What fears do we share with animals? What fears are uniquely human? What fears have we learned from our culture? From our families? From our experiences growing up? And what, exactly, is the difference between fear and dread? 2) A Sense of Dread then combines these ideas to explore the roots of human fear and apply them to storytelling for the screen. The Toolbox of Dread outlines the techniques for creating terror on the page. A wide array of horror subgenres are also explored, including why they exist, and what challenges each presents to the horror screenwriter. 3) Author Neal Marshall Stevens puts Theory into Practice, using examples from his own work to demonstrate how to apply his toolbox and the principles of Dread to put real scares into the pages of a screenplay. Finally, we seek to answer the question many people ask: What are you afraid of?

Becoming a director is not just about making a film, webseries, commercial, or music video. The opportunity to direct for television is not a given because youve successfully completed a project in another medium. Turning your passion into your profession requires the ability to make transitions at the exact moment a pivot is needed, with creativity and confidence. Chatmons book helps directors across all mediums shape their career with targeted anecdotes, worksheets, and other resources, all of which fall into three designated categories: How-To, Self-Help, and Inspiration.

To make compelling television, our industry depends on enthusiastic new voices with fresh ideas. While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective.As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls. The Executive Chair breaks down the business from the gatekeepers point of view, illuminating the creative process used by those who ultimately make the decisions.Whether developing a project for the entertainment marketplace or merely probing the executive mindset, The Executive Chair dispels myths about the creative process and takes the reader through the development of a pilot script.

"This book helps film directors make their way through postproduction and explains what to expect from an editor. From thinking about editing during the shoot to hiring an editor to spotting and mixing sound and music, to delineating the purpose and types of VFX to completing a project with final sound, music, visuals, titles, DI, and color grading, the book covers all the practical aspects directors need to know. Along the way it details the history of editing, demystifies how editors approach cutting the footage and coaches the directors on how to best work with an editor to create and perfect the story and their vision of the film"--

Action and suspense films have almost always been made by 'seat of the pants' filmmakers. Crafting their films on gut instinct and intuition their innate talent often leads them to exciting results. Badham examines and explains the elements of action and suspense that are needed to make a great film. Badham also dissects the elements of any good scene from any genre of film and gives valuable tools that the reader can apply in directing and acting for maximum impact.This edition features a brand new section: The Director's Survival Guide to Episodic Television and explores the political danger zones faced in the ever expanding world of Streaming, Cable and Network television. Badham has created a much needed First Aid Kit for all directors and the newly expanded list of "14 Must Ask Questions Before Rehearsal"- an absolute essential in any filmmakers toolbox. Intended for actors, directors, cinematographers, production designers or other creatives, Badham gives you the tools to deconstruct and understand your scenes. Continuing the work begun in Badham's best-selling book "I'll Be In My Trailer" he shares more insights from talented directors on how they work with the difficult actor, rehearsal techniques and getting the best performance from any actor whether novice or pro.

Unlike the chitchat of everyday life, dialogue must express character, advance the story, suggest a theme, and include a few memorable lines that audiences will be quoting for decades to come.The best stories have dialogue that sparkles, but it's easy for inexperienced writers to fall into common pitfalls like creating dialogue that's wooden or too on the nose. Other writers end up with exposition awkwardly inserted into conversations, actors tripping over unnatural phrases, or characters who all speak exactly the same way. In You Talkin' to Me?, Linda Seger and John Winston Rainey are here to help with all your dialogue problems. In each chapter, they explore dialogue from a different angle and discuss examples of great dialogue from films and novels. To cap it all off, each chapter ends with examples of poor dialogue, which are annotated by Linda and then rewritten by John so that listeners don't just learn how to recognize when it's done well?they also learn how to make dialogue better. Whether you're writing fiction or nonfiction, for the screen or for the page, this book will get your characters talking.

Editing is what makes a movie a movie. Consulting with master film editors including Walter Murch, Juliette Welfling, Eddie Hamilton, and Anne V. Coates (whose insights and wisdom anchor the book), author Greg Loftin engagingly, smartly details the storytelling nuances and tricks screenwriters can learn from their film-editor peers.Cutting-room veterans have long maintained that visual juxtaposition fuels film storytelling. Over-lapped images spark fresh ideas in the minds of viewers, encouraging them to become active part-ners in your storytelling and discover your story for themselves.In later chapters, Writing for the Cut shows how we can bring our stories closer to the screen by writing not only with text, but with images and sounds. The screenwriter is taken deep into the edit suite to learn the secrets of the sizzle reel.

"Éoffers a unique culinary glimpse into how films really get made, sold, and released on a global scale from a veteran screenwriter who knows the secret to a successful film career is in the ingredients, not the meal."--Scott Beck & Bryan Woods, writers, WGA Award Nominees for A Quiet Place. Place.