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Consider the role, position and contributions of medieval women; the development of Christian marriage, especially in the High Middle Ages; and the secular family with its legal and emotional relationships.

Haimo of Auxerre's Commentary on the Book of Jonah was probably written as a study text for scholars in the monastery.

Illustrations and major decoration of sixteen Anglo-Saxon manuscripts, fully described and indexed, are reproduced here in 454 photographs, many for the first time.

At the end of the 15th century, Gavin Douglas devised his ambitious dream vision The Palyce of Honour in part to signal a new scope to Scottish literary culture. For all its comedy, it stands as a reminder to James IV of Scotland that poetry casts a powerful light upon the arts of rule. Second edition. Suitable for classrooms at all levels.

A "bourde" is an English comedic poem similar to a French fabliau but with a moralizing element and less of an emphasis on violence. Collection of ten Middle English bourdes, specifically designed for students, and has contextualizing introductions, copious notes, glosses, and a glossary..

Essay honoring Bonnie Wheeler for her many scholarly achievements and her wide-ranging contributions to medieval studies in the United States. There are sections on Old and MEL, Arthuriana Then and Now, Joan of Arc Then and Now, Nuns and Spirituality, and Royal Women.

The two texts of the dialogue presented here, a Latin version printed c. 1488 and a Middle English translation printed in 1492, preserve lively, entertaining and revealing exchanges between the Old Testament wisdom figure Solomon and Marcolf, a medieval peasant who is ragged and foul-mouthed but quick-witted and verbally astute.

First modern edition of the poem since 1863, presents it to a new audience of students. Attributed to the mystic Richard Rolle, it became one of the most popular poems in medieval England and appears in more than any other Middle English poem. Extensive annotations and gloss, accessible to students at all levels in Middle English.

Features a section of appreciations of Bryce Lyon from the three editors, R. C. Van Caenegem, and Walter Prevenier, followed by three sections on the major areas on which Lyon's research concentrated: the legacy of Henri Pirenne, constitutional and legal history of England and the Continent, and the economic history of the Low Countries.

Volume 2 Part 1 of a parallel-text edition that contains all four versions of Piers Plowman specifically designed to facilitate study of the parallel text (Vol 1) alongside both the textual notes (Vol 2, Part 1) and the commentary/glossary (Vol 2, Part 2), and is intended to make the entire edition available to as many students as possible.

Volume 2 Part 2 of a parallel-text edition that contains all four versions of Piers Plowman specifically designed to facilitate study of the parallel text (Vol 1) alongside both the textual notes (Vol 2, Part 1) and the commentary/glossary (Vol 2, Part 2), and is intended to make the entire edition available to as many students as possible.

Volume 1 of a parallel-text edition that contains all four versions of Piers Plowman specifically designed to facilitate study of the parallel text (Vol 1) alongside both the textual notes (Vol 2, Part 1) and the commentary/glossary (Vol 2, Part 2), and is intended to make the entire edition available to as many students as possible.

Originally delivered as a lecture at the Bayerische Akademie der Wissenschaften, this volume was published in 2002 as "AElfric von Eynsham und seine Zeit," introducing, as Gneuss says, "an Anglo-Saxon author . . . who was the first, and for a long time the only, master of prose written in English."

Aims at a comprehensive, descriptive list of all authors and works known in Britain between c. 500 and c. 1100 CE. This volume brings up to date the entries on apocrypha first published in Sources of Anglo-Saxon literary culture: a trial version (1990).

The essays vary in subject, discipline, and methodological approach, they center on the interpretation of the material world, whether in literature, stone, or the artifacts removed from an archaeological dig. The essays deal mainly with the Germanic and Celtic worlds, but incorporate motifs from Eastern Christian and Roman cultures.

This particular collection of French lyrics made in France in the late fourteenth century, University of Pennsylvania MS 15, is the most likely repository of Chaucer's French poems. It is the largest manuscript anthology extant of fourteenth-century French lyrics in the formes fixes with by far the largest number of works of unknown authorship.

Ava is the first woman whose name we know who wrote in German. She wrote her poem - or poems - on the lives of John the Baptist and Jesus Christ sometime early in the twelfth century, no later than 1127.

For all its spiritual cheerfulness and obvious importance as a tale to conclude tales, The Parson's Tale seems to have inspired sentence and solaas in remarkably few critics. . This rethinking of traditional scholarship on The Canterbury Tales will be of great interest to Chaucer scholars and students of medieval literature.

This volume stands as a selection of works presented sessions at the thirteenth International Congress on Medieval Studies, helping to "fortify the strength of interest and inquiry directed toward rhetoric's symbiosis with historiography in centuries past".

Composed in Paris during the late thirteenth century, reflects Johannes de Grocheio's awareness of the complexity of the task of describing music.

John Capgrave's The Life of Saint Katherine, written c. 1463 in Lynn in Norfolk, is, according to the editor, . . . the longest and most intricate Katherine legend written during the Middle Ages, either in Latin or in any vernacular. In telling the story of the life of the virgin martyr, Katherine, Capgrave uses many of the tropes that mark the enormously popular genre of hagiography as it was written throughout the Middle Ages. Given his learning, however, and his evident acquaintance with the works of Chaucer, Lydgate, and Osburn Bokenham, and his knowledge of medieval drama, and the possibility that he knew of The Book of Margery Kempe, this saint's life should be particularly interesting to students of late Middle English culture, especially literature. In the course of his encyclopedic narrative, in which he evidently sought to appeal to a broad audience in sophisticated, if provincial, Norfolk, Capgrave inserts digressions on Greek and Roman history; on just and unjust rule and justifiable vs. unjustifiable rebellion; on child care; on medieval English feasts, jousts, and pageants; and on the role(s) of women.

Gower's imaginative French poetry is now available in a new edition with facing page translation, annotations, and introduction. Gower's Traitie employs the French poetic form of balade, typically used for courtly verses, to avow instead the virtues of loving marriage, characteristic of Gower's signature moralizing. His Cinkante Balades confront the tradition of the French Livre de Cent Balades, by describing the feelings of a young man towards his lady, but eventually offering a praise of love insofar as it is subject to reason and morality. Together the two works offer an excellent introduction to the Anglo-Norman works of Gower and are perfect for classroom use.

John Lydgate's The Siege of Thebes, written c. 1421-22, is the only Middle English poetic text that recounts the fratricidal struggle between Oedipus's sons Eteocles and Polynices as they contend for the lordship of Thebes. The text reflects the problem of poetic authority and the political and ethical themes of Lydgate's poetic career in the 1420s, when he was writing as a Lancastrian propagandist and as unofficial royal poet.

Scottish poet William Dunbar is usually considered one of the most important figures of fifteenth-century British literature, and may lay claim to being the finest lyric poet writing in English in the century and half between the death of Chaucer in 1400 and the appearance of Tottel's Miscellany in 1557. Dunbar's poems offer vivid depictions of late medieval Scottish society and serve up a striking pageant of colorful figures at the court of James IV (r. 1488-1513), with which he was associated for much of his adult life. The poems are remarkable both for their diversity and variability and for their multiplicity of voices, styles, and tones. The great variety of poems within Dunbar's canon includes religious hymns of exaltation, moral poems on a wide range of serious themes, comic and parodic poems of extreme salaciousness and scatological coarseness, general satires against the times, and satires with much more specific targets, often a single individual. This edition of eighty-four poems attributed to Dunbar includes extensive background material and explanatory notes that are sure to be of interest to students and Dunbar enthusiasts alike. The edition is rounded out with textual notes, an index of first lines, and a glossary.

Walter Hilton's The Scale of Perfection maintains a secure place among the major religious treatises composed in fourteenth-century England. This guide to the contemplative life, written in two books of more than 40,000 words each, is notable for its careful explorations of its religious themes and also as a monument of Middle English prose. Its popularity is attested by the fact that some forty-two manuscripts containing one or both of the books survive, with a relatively large number of manuscipts with Book I alone, which suggests it may have been the more popular of the two. Hilton (born c. 1343) was a member of the religious order known as the Augustinian Canons. There is reason to believe that be was trained in canon law and studied at the University of Cambridge. He was the author of a number of works in English and Latin, all much shorter than The Scale. He died at the Augustinian Priory of Thurgarton in Nottinghamshire in 1396. On the basis of the content of certain of his works it can be safely inferred that he was actively involved in some of the religious controversies current in England in the 1380s and 1390s, and his principal concern, evident in The Scale , is to defend orthodox belief, especially in the conduct of the contemplative life.

Illustrates how, in the devout medieval English sensibility, doctrine was vitally connected to affective receptivity. Narrative moods range from love-longing and passion to bitter grief and sorrowful lament, feelings from the intimately personal state of being God's created creature, individually answerable to divine law and love.

Surveys of the history of biblical exegesis and, in particular, the history of Apocalypse commentaries rarely fail to allude to Nicholas of Lyra O.F.M. (1270-1349) as the greatest biblical exegete of the fourteenth century.

Primarily for students of medieval history, nothing from a specifically literary text has been included. Only material from record sources is provided as these are the only written materials that permit some measure of personalized contact with specific men and women from the past, so this gives them a special importance.

This fresh classroom edition of the Middle English poems of Laurence Minot, with its introduction, gloss, notes, and glossary, enables students of all levels to encounter Minot's poetry.

Poems and historical documents relevant to understanding the political climate of fourteenth- and fifteenth-century Britain, many of which have been out of print for a century. This new edition, geared towards classroom use with its notes, introductions, gloss, and glossary, opens up the fascinating study of late medieval English history.