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"Pearl" resists identification by author, date, occasion or place of composition; still it is almost unanimously hailed as one of the masterpieces of our literature, so skilled is its author, so eloquent its language.

"This book is the first critical edition of two fascinating but overlooked devotional texts, each of which shines its own light on medieval faith. The Holkham "Prayers and Meditations" (ca. 1410) is a rare example of female authorship, written by an unnamed woman to guide a "religious sustir." Simon Appulby's "The Fruyte of Redempcyon" (1514) is more popular in aim, composed by one of England's last anchorites to serve his urban community. Both texts are accompanied by extensive notes and introductory essays to aid students and specialists alike"--

The abbreviated Psalms commentary by Honorius Augustodunensis (ca. 1070 - ca. 1140)-a redaction of his own, much larger commentary on the entire Psalter-participates in a long tradition of Christian interpretation of the Book of Psalms. A prolific author closely associated with Anselm of Canterbury, Rupert of Deutz, and Gilbert of Poitiers, Honorius wrote a massive commentary on the Psalms when the so-called "school of Laon" was at work on the Glossa ordinaria. Honorius's work shares the academic interest of that school, while simultaneously serving the devotion of the Benedictine Reform. His Exposition of Selected Psalms highlights a tripartite division of the Psalter, even as it discovers in the psalms an apocalypticism fitting to the Church in its last age.

The abbreviated Psalms commentary by Honorius Augustodunensis (ca. 1070 - ca. 1140)-a redaction of his own, much larger commentary on the entire Psalter-participates in a long tradition of Christian interpretation of the Book of Psalms. A prolific author closely associated with Anselm of Canterbury, Rupert of Deutz, and Gilbert of Poitiers, Honorius wrote a massive commentary on the Psalms when the so-called "school of Laon" was at work on the Glossa ordinaria. Honorius's work shares the academic interest of that school, while simultaneously serving the devotion of the Benedictine Reform. His Exposition of Selected Psalms highlights a tripartite division of the Psalter, even as it discovers in the psalms an apocalypticism fitting to the Church in its last age.

"This book is the first critical edition of two fascinating but overlooked devotional texts, each of which shines its own light on medieval faith. The Holkham "Prayers and Meditations" (ca. 1410) is a rare example of female authorship, written by an unnamed woman to guide a "religious sustir." Simon Appulby's "The Fruyte of Redempcyon" (1514) is more popular in aim, composed by one of England's last anchorites to serve his urban community. Both texts are accompanied by extensive notes and introductory essays to aid students and specialists alike"--

Seventh-century Gaelic law-tracts delineate professional poets (filid) who earned high social status through formal training. These poets cooperated with the Church to create an innovative bilingual intellectual culture in Old Gaelic and Latin. Bede described Anglo-Saxon students who availed themselves of free education in Ireland at this culturally dynamic time. Gaelic scholars called sapientes ("wise ones") produced texts in Old Gaelic and Latin that demonstrate how Anglo-Saxon students were influenced by contact with Gaelic ecclesiastical and secular scholarship. Seventh-century Northumbria was ruled for over 50 years by Gaelic-speaking kings who could access Gaelic traditions. Gaelic literary traditions provide the closest analogues for Bede's description of Cædmon's production of Old English poetry. This ground-breaking study displays the transformations created by the growth of vernacular literatures and bilingual intellectual cultures. Gaelic missionaries and educational opportunities helped shape the Northumbrian "Golden Age", its manuscripts, hagiography, and writings of Aldhelm and Bede.

This volume builds on recent scholarship on contemporary poetry in relation to medieval literature, focusing on postmodern poets who work with the medieval in a variety of ways. Such recent projects invert or ¿queer¿ the usual transactional nature of engagements with older forms of literature, in which readers are asked to exchange some small measure of bewilderment at archaic language or forms for a sense of having experienced a medieval text. The poets under consideration in this volume demand that readers grapple with the ways in which we are still ¿medieval¿ ¿ in other words, the ways in which the questions posed by their medieval source material still reverberate and hold relevance for today¿s world. They do so by challenging the primacy of present over past, toppling the categories of old and new, and suggesting new interpretive frameworks for contemporary and medieval poetry alike.

John Gower's Confessio Amantis (The Lover's Confession) is one of the most important English works of the C14th. Within its frame of the lovesick lover's confession are well over a hundred stories which exemplify the Middle Ages. This is the first translation of the entire (33,000-line) poem, including its Latin verses and glosses.

John Gower's Confessio Amantis (The Lover's Confession) is one of the most important English works of the C14th. Within its frame of the lovesick lover's confession are well over a hundred stories which exemplify the Middle Ages. This is the first translation of the entire (33,000-line) poem, including its Latin verses and glosses.

Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre's historical peak in early modern Europe in general and the Spanish Golden Age in particular. The author presents a new close reading of Pedro Calderón's El gran teatro del mundo (c. 1633-36) and outlines the historical and systematic framework for a theatrum mundi of celebration. This concept entails using art to justify human existence in the face of changing conceptions of the cosmos: an early modern aesthetic theodicy and a justification of the world in that liminal space between drama and ritual. By discussing historiographical theories of early modern Europe, especially those of Hans Blumenberg and Bruno Latour, and through conversations with Shakespearean drama and Spanish Golden Age classics, Vangshardt also argues that the theatrum mundi of celebration questions traditional assumptions of great divides between the Middle Ages and Early Modernity and challenges theories of a European-wide early modern sense of crisis.

Susanna Fein's long and distinguished scholarly career has helped to redefine how we understand the role of scribes and manuscripts from late medieval England. She has carried out groundbreaking research on seminal manuscripts (e.g., Harley 2253, the Thornton Manuscripts, John Audley's autograph manuscript, and the Auchinleck Manuscript). She has written extensively on the more complex and challenging metrical forms the period produced. And she has edited foundational primary texts and collections of essays. A wide range of scholars have been influenced by Fein's work, many of whom present original research-much of it following trails first laid down by Fein-in this volume.

Dante, Eschatology, and the Christian Tradition honors Ronald B. Herzman, SUNY Geneseo Distinguished Teaching Professor of English. Over more than fifty years Professor Herzman has been a major force in the promotion of medieval studies within academe and public humanities. This volume of essays by his colleagues, students, and friends celebrates Professor Herzman's outstanding career and reflects the wide range of his scholarly and pedagogical influence, from biblical and early Christian topics to Dante, Langland, and Shakespeare.

This book showcases the variety and vitality of contemporary scholarship on Old Norse and related medieval literatures and their modern afterlives. The volume features original new work on Old Norse poetry and saga, other languages and literatures of medieval north-western Europe, and the afterlife of Old Norse in modern English literature. Demonstrating the lively state of contemporary research on Old Norse and related subjects, this collection celebrates Heather O'Donoghue's extraordinary and enduring influence on the field, as manifested in the wide-ranging and innovative research of her former students and colleagues.

These texts are English versions of romances well known in medieval and early Renaissance Europe, but outside the modern canon of early English literature. This edition incorporates recent scholarship and criticism, including new critical editions of French texts closely related to Caxton's sources for both romances.

These texts are English versions of romances well known in medieval and early Renaissance Europe, but outside the modern canon of early English literature. This edition incorporates recent scholarship and criticism, including new critical editions of French texts closely related to Caxton's sources for both romances.

"Studies in Iconography" is an annual journal hosted by the Index of Medieval Art and published in partnership with Medieval Institute Publications. It presents innovative work on the meaning of images from the medieval world broadly construed, between the fourth century to the year 1600.

"Studies in Iconography" is an annual journal hosted by the Index of Medieval Art and published in partnership with Medieval Institute Publications. It presents innovative work on the meaning of images from the medieval world broadly construed, between the fourth century to the year 1600.

As part of the historicizing corpus of seventh-century Irish writing, the Lives framed the narrative of the early saints as an effective weapon in contemporary political and ecclesiastical conflicts. Cogitosus's Life of Brigit, Muirchú's and Tírechán's accounts of Saint Patrick, and Adomnán's Life of Columba created the understanding of the history of early Ireland that has endured to this day. How did the writers accomplish this through their literary choices? The authors of Irish saints' Lives used the literary form of hagiography (Christian biography), miracle stories, and an elaborate rhetorical style to present the words and actions of their subjects. These Lives created a narrative of early Irish history that supported the political/ecclesiastical elites by showing that their power derived from the actions of their patron saints.

Medieval Ecocriticisms is the dedicated to medieval ecocritical studies. It seeks out the most current and innovative interdisciplinary approaches to the study of literature and the environment in the global Middle Ages.

"Studies in Iconography" is an annual journal hosted by the Index of Medieval Art and published in partnership with Medieval Institute Publications. It presents innovative work on the meaning of images from the medieval world broadly construed, between the fourth century to the year 1600.

The aim of this annual journal is to provide a venue for work engaged with the methodology of using data drawn from analysis of a group or relationships between individuals to restore to view the lives of those who would otherwise remain unexamined or to yield new insight into the medieval past

"Studies in Iconography" is an annual journal hosted by the Index of Medieval Art and published in partnership with Medieval Institute Publications. It presents innovative work on the meaning of images from the medieval world broadly construed, between the fourth century to the year 1600.

"This volume explores the will-making process in late medieval England for all levels of society. Wills are some of the most studied records of the late Middle Ages and capture the evidence of what people owned and the patterns of family relationships. These documents, compiled from several archives and city records, cast a light on many aspects of medieval life, including gender distinctions and the heavy influence of the church. Included are wills from widows, tradespeople and artisans, clergy, and high-ranking wealthy people, and through these sources Wood shows how wills, inventories, and testaments prepared people and their souls for the afterlife"--

John of Garland's Integumenta Ovidii, a thirteenth-century allegoresis of Ovid's Metamorphoses: newly edited and translated, with explanatory and textual notes.

Fanfiction as a genre has exploded in popularity among young adults in the internet age. It also bears resemblance to the work of literary scholars, who seek to respond, sometimes radically, to the difficult or problematic elements in texts they study. This book offers a study of novelizations based on Classical, Medieval, and Renaissance literature and suggests ways in which such "literary fanfiction" can be harnessed in the classroom.

This study provides an accessible, informative and entertaining introduction to women's sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She analyzes how playwrights employed visual and verbal clues to identify the sexual status of female characters to engage their audiences with popular concepts of women's health; and how they satirized the notion of the womb's insatiable appetite, suggesting that men who fear it have been duped. But the study also recognizes that, as these dramatists were fully aware, merely by bringing such material to the stage so frequently, they were complicit in perpetuating such theories.

This collection of essays examines the motifs of darkness, depression, and descent in both literal and figurative manifestations within a variety of Anglo-Saxon texts, including the Old English Consolation of Philosophy, Beowulf, Guthlac, The Junius Manuscript, The Wonders of the East, and The Battle of Maldon. Essays deal with such topics as cosmic emptiness, descent into the grave, and recurrent grief. In their analyses, the essays reveal the breadth of this imagery in Anglo-Saxon literature as it is used to describe thought and emotion, as well as the limits to knowledge and perception. The volume investigates the intersection between the burgeoning interest in trauma studies and darkness and the representation of the mind or of emotional experience within Anglo-Saxon literature.