Bøker utgitt av McClelland & Stewart

The first new collection of poetry from Roo Borson since her highly acclaimed collection Short Journey Upriver Toward Oishida, winner of three major prizes, including the Griffin Poetry Prize. Roo Borson's new collection continues the exploration of form, tone, musicality, and content begun in her widely acclaimed previous collection. Here, co-existing peacefully, are the river stone, painted white, that greets the visitor to the grave of the poet James K. Baxter in the far back country of New Zealand's Wanganui River; the Beijing night sky, turned apricot by the smog and full moon of the Mid-Autumn Festival; the crypts of Toronto's Mount Pleasant Cemetery, seen as potential living spaces; an old friend speaking "knowledgeably, reverentially, and at the same time light-heartedly, in this way gradually restoring significance to the world." By turns wry and ecstatic, droll and elegiac, quizzical and contemplative, this is a major new work by one of our most singular and compelling poets.

The tenth novel in the highly acclaimed Joanne Kilbourn series features the murderous fallout of a tell-all book on the troubled adult children of Canadian celebrities.When journalist Kathryn Morrissey's sensational book on the lives of thirteen adult children of prominent Canadians is published, one of the parents, Sam Parker, is furious enough to take a pot shot at the author, grazing her shoulder. Charges are laid, and Joanne's new beau, Zack Shreve, is hired by Parker as his defence counsel. At the trial, which Joanne is covering for NationTV, Shreve focuses the jury's attention not on who shot whom, but on why — on the ethics governing the relationship between a journalist and her subject. Morrissey's betrayal of her subjects opens up questions about an even more serious betrayal — the betrayal of children by their parents. While everyone condemns Parker for taking a gun to Morrissey, no one can fault his defence of his only child, Glen, a transsexual. The mutual love and commitment between this father and child stands in stark contrast to the alienation between Howard Dowhaniuk, Saskatchewan's former premier, and his son, Charlie.On the day of the verdict, Morrissey is brutally murdered, and Joanne's investigation quickly has her trying to unravel the endless knot of the relationship between parent and child. A deeply affecting novel of trust and betrayal, The Endless Knot is a superb mystery by a virtuoso of the genre.

Murder is the last thing on Joanne Kilbourn's mind on a perfect morning in May. Then the phone rings, and she learns that her daughter Mieka has found the corpse of a young woman in an alley near her store. So begins Joanne's chilling collision with evil in Gail Bowen's riveting third mystery, The Wandering Soul Murders.Joanne is stunned and saddened by the news that the dead woman, at seventeen, was already a veteran of the streets. When, just twenty-four hours later, her son's girlfriend is found dead, drowned in a lake in Saskatchewan's Qu'Appelle Valley, Joanne's sunny world is shattered. Her excitement about Mieka's upcoming marriage, her involvement in the biography she is writing, even her pleasure at her return to Regina all fade as she finds herself drawn into a twilight world where money can buy anything and there are always people willing to pay.

Gail Bowen, winner of the 1995 Arthur Ellis Award for best crime novel for her last Joanne Kilbourn mystery, A Colder Kind of Death, is back - with her most daring mystery to date.In the horrifying opening paragraph of A Killing Spring, Reed Gallagher, the head of the School of Journalism at the university where Joanne Kilbourn teaches, is found dead in a seedy rooming house. He is dressed in women's lingerie, with an electric cord around his neck. Suicide, the police say. A clear case of accidental suicide. But for Joanne, who takes on the thankless task of breaking the news to Gallagher's wife, this death is just the first in a series of misfortunes that rock her life, both professional and personal.A few days after Gallagher's death, the School of Journalism is vandalized - its offices and computers are trashed, and homophobic graffiti are sprayed everywhere. Then an unattractive and unpopular journalism student in Joanne's politics class stops coming to school after complaining to an unbelieving Joanne that she's being sexually harassed. Clearly, all is not as well at the university as Joanne had thought. Nor is all well in her love life after the casual racism of a stranger drives a wedge between Joanne and her lover, Inspector Alex Kequahtooway. To make matters worse, Joanne is unceremoniously fired by her best friend from the weekly political panel on Nationtv, which she's being doing for years.Badly shaken by these calamities, Joanne struggles to carry cheerfully on. Action, she knows, is better for her than moping. She decides to find out why her student has stopped coming to class, and in doing so, Joanne steps unknowingly into an on-campus world of fear and deceit and murder.

In this chilling tale of the terrible power of the ties that both bind us and blind us, Gail Bowen has given us her best novel yet. Brimming with the author's characteristic empathy for the troubled, The Glass Coffin explores the depth of tragedy that a camera's neutral eye can capture - and cause.Canada's favourite sleuth, Joanne Kilbourn, is dismayed to learn who it is that her best friend, Jill Osiowy, is about to marry. Evan MacLeish may be a celebrated documentary filmmaker, but he's a cold fish who not only has already lost two wives to suicide, but has exploited their lives - and deaths - by making acclaimed films about them. Not even Jill appears to be particularly fond of him, and Jo is appalled to learn that her friend is marrying Evan primarily to become stepmother to his teenaged daughter, Bryn. Even Bryn hates her father for having filmed her all of her short life. It's obvious to Joanne that this is stony ground on which to found a marriage. What is not obvious is that it is about to get bloodsoaked.Intelligent, sympathetic, and harder-edged than earlier novels in the Joanne Kilbourn series, The Glass Coffin is the work of a writer at the top of her form.

One of Canada's funniest and most incisive social critics reveals why in North America, where governments spend so much on schools and colleges, training is valued far more than education and loud-mouth ignoramuses are widely and publicly celebrated.Public education in the United States is in such pitiful shape, the president wants to replace it. Test results from Canadian public schools indicate that Canadian students are at least better at taking tests than their American cousins. On both sides of the border, education is rapidly giving way to job training, and learning how to think for yourself and for the sake of dipping into the vast ocean of human knowledge is going distinctly out of fashion.It gets worse, says Laura Penny, university lecturer and scathingly funny writer. Paradoxically, in the two nations that have among the best universities, libraries, and research institutions in the world, intellectuals are largely distrusted and yelping ignoramuses now clog the arenas of public discourse.A brilliant defence of the humanities and social sciences, More Money Than Brains takes a deadly and extremely funny aim at those who would dumb us down.

One hot afternoon in 1998, Dave Bidini - who loves hockey, watches it, plays it, and breathes it - found the Stanley Cup final so tedious to watch that at one point he clicked channels to Martha Stewart - and never switched back. This made him wonder where in the world the game might exist free of the complications of professional sport. He set out to find the tropic of hockey. His quest took him to a rink on the seventh storey of a mall in Hong Kong - a rink encircled by a dragon-headed roller coaster - and to the gritty city of Harbin in northern China, where a version of hockey has been played for 600 years; to Dubai in the desert of the United Emirates, where hockey is brand new and incredulous Bedouin drop by the Al Ain rink to touch the ice; and to Transylvania, where the game is a war between Romanians and ethnic Hungarians, who were introduced to hockey by a 1929 newsreel of Canadians chasing the puck. Bidini's encounters with odd-sized rinks and players of wildly different talents and experiences have inspired him to interweave his stories of hockey in unlikely places with funny and eyebrow-raising stories about places and players back in Canada. As a bonus, readers are also treated to some striking observations about the game, its fans, and the testosterone, the profanity, and the moments of grace that enrich it. "From the Hardcover edition.

When a prisoner is shot to death in the exercise yard of a Saskatchewan penitentiary, Joanne Kilbourn finds herself haunted by a part of her past she wished had never happened. The dead prisoner is Kevin Tarpley, the man who six years earlier had brutally killed her politician husband, Ian, in a seemingly senseless act alongside the TransCanada Highway. The haunting takes on a more menacing cast several days later when Tarpley's sinister wife, Maureen, is discovered dead in a snow-swept Regina parking lot. A brightly coloured scarf is found wound tightly around her neck, a scarf that belongs to none other than Joanne Kilbourn. Soon this single mother, author, university professor, and TV-show panelist is deemed the "number one” suspect in Maureen Tarpley's demise.Joanne knows there has to be a connection between these two murders. But what is it? A cryptic letter sent to Joanne by Kevin Tarpley just days before his death intimates that Ian Kilbourn's killing may not have been as senseless as first assumed. In fact, there are hints that some of Ian's political colleagues may have been involved. But how deeply and in what way?Then there's the faded photograph of a pretty young woman and her baby that Joanne finds tucked in the wallet of her dead husband. Does it offer any clue to Ian's murder, or to the deaths of the Tarpleys? Warily, Joanne Kilbourn is forced to follow a tangled trail deep into a heartbreaking past she never knew existed. A Colder Kind of Death is the fourth novel featuring Gail Bowen's "reluctant sleuth,” Joanne Kilbourn. With its deft mix of wry humour and mayhem, closely observed family scenes and gripping suspense, warm characterization and betrayal, it confirms Gail Bowen's stature as one of the greats of mystery fiction.

"Throughout her life my mother, Doris, lived in two places at once: Kingston, Jamaica, where she raised a family of nine children, and Harvey River, in the parish of Hanover, where she was born and grew up.”When Doris Harvey's English grandfather, William Harvey, discovers a clearing at the end of a path cut by the feet of those running from slavery, he gives his name to what will become his family's home for generations. For Doris, Harvey River is the place she always called home, the place where she was one of the "fabulous Harvey girls,” and where the rich local bounty of Lucea yams, pimentos, and mangoes went hand in hand with the Victorian niceties of her parents' house. It is a place she will return to in dreams when her fortunes change, years later, and she and her husband, Marcus Goodison, relocate to "hard life” Kingston and encounter the harsh realities of urban living in close quarters.In Lorna Goodison's spellbinding memoir of her forebears, we meet a cast of wonderfully drawn characters, including George O'Brian Wilson, the Irish patriarch of the family who married a Guinea woman after coming to Jamaica in the mid-1800s; Doris's parents, Margaret and David, childhood sweethearts who became the first family of Harvey River; and their eight children, Cleodine, straight-backed and imperious; serious Albertha, called "Miss Jo” because she was missing all sense of joviality; beautiful Howard, who dies an early death; Rose, whose loveliness inspires devotion but whose own heart is never fulfilled; taxi-man Edmund, who yearns for the freedoms of the big city; Flavius, who spends his life searching for the true church of God; large-hearted, practical-minded Doris, whose bottomless cooking pot often feeds more than just her family; and vivacious, hard-headed Ann, whose gift of reading hair tells her the future. In lush, vivid prose, textured with the cadences of Creole speech, Lorna Goodison weaves together memory and mythology to create a vivid tapestry. She takes us deep into the heart of a complete world to tell a universal story of family and the ties that bind us to the place we call home.