Bøker utgitt av Massey University Press

At a moment when the planet is so clearly in peril, the trees stand as both guardians and messengers. They have words for us--if only we would listen. This collection of essays by artists, activists, ecologists, and advocates discusses the many ways in which humans need trees, and how our future is laced into their roots and their branches.

Couples in last-chance therapy, friends unfriending, racist trolls trawling the comments section for game--this collection of poems is concerned with the things that make us feel. The felt realm is very much in nature, too. From the calm of a sleeping doe to the slow unwinding of the last bee on Earth, Johanna Emeney seems to say that there is a message in the air--for those who listen with all of the senses.

Foreshadowing our unseemly haste to fight for King and Country in 1914, New Zealanders were enthusiastic supporters of the colonial war between Britainand the Boers when it was declared in 1899. The country welcomed the chance to prove itself and its loyalty to the British Empire on an international stage.--

Poetry New Zealand, this country's longest-running poetry magazine, showcases new writing from New Zealand and overseas. This issue, #55, features 182 poems by 129 poets, including Elizabeth Morton, Michele Leggott, essa may ranapiri, Bob Orr, Kiri Piahana-Wong, Jordan Hamel, David Eggleton, and Mere Taito, the winning entries in the Poetry New Zealand Prize, essays, and reviews of 25 new poetry books. Compiled in a time of pandemic, these are poems written--in the words of editor Tracey Slaughter--when 'the only line to follow was deeper in, darker down, to poetry. The page was the only safe place our breath could go.'

"Throughout his long career, New Zealand painter Dick Frizzell has often gone way out on a limb to see where it would take him. From his early Pop art-influenced approach to his experiments with landscape and the contested area of appropriation, he's always been brave. Now, he takes on the history of art, starting right back at cave art to discover the key threads of Western art that sit in his DNA as a painter in the twenty-first century. The approach is essential Frizzell: bring everyone along for the ride. It's a fun romp, but despite the humour, it sits on a bedrock of serious scholarship and reverence for the painters of the past. And there's one thing that makes this book different from any other: all the reproductions of significant paintings, from Rubens and Tintoretto to Cezanne and Lichtenstein, are by Frizzell himself, heroically painted over a twelve-month period. Me, According to the History of Art is the art history education you've been missing. Painting tips included""--Publisher's website.

This volume is a candid and intimate survey of the life and work of 12 of New Zealand's most acclaimed writers: Patricia Grace, Tessa Duder, Owen Marshall, Philip Temple, David Hill, Joy Cowley, Vincent O'Sullivan, Albert Wendt, Marilyn Duckworth, Chris Else, Fiona Kidman, and Witi Ihimaera. Constructed as Q&As with experienced oral historian Deborah Shepard, this book offers insight into the careers of those considered "elders" of New Zealand literature. In addition to writing advice and career ups and downs, the authors share stories about the enabling and symbiotic role of editors and publishers, showing how key industry figures have played a critical role in shaping New Zealand's literary landscape. They address universal themes: the death of parents and loved ones, the good things that come with ageing, the components of a satisfying life, and much more.

For New Zealanders, the First World War was not just a grueling conflict but also the nation's biggest health challenge. Military personnel had to deal with horrific injuries caused by high velocity bullets, artillery fire and chemical weapons. Infectious diseases were a constant and grave threat. In the midst of this, the devastating 1918 influenza pandemic hit both troops overseas and New Zealanders at home. For the first time, this book tells the collective story of how our troops were supported and cared for by dedicated medical teams. It explores the coming of age of New Zealand health services and details such significant figures as Henry Pickerill and Harold Gillies, who rebuilt shattered faces and treated burn victims--in doing becoming the fathers of plastic surgery.

Emigré artist Theo Schoon was fascinating, unorthodox, controversial, pioneering, and at times reckless. His life intersected with important cultural periods and places, where what it meant to be modern in New Zealand were being debated and articulated in art, literature, music, and theater. The art he pioneered and promoted--Maori rock drawings, the drawings of a psychiatric patient, Maori moko and kowhaiwhai, the abstract patterns of geothermal activity in Rotorua--were decisive for many other New Zealand artists, including Gordon Walters. And his example, as an academically trained artist with a good knowledge of modern European art and a commitment to do whatever it took to pursue his artistic projects, was both an inspiring and a cautionary tale. Schoon's is a life less well known now than it deserves to be. This superb, highly illustrated biography by one of New Zealand's best art writers corrects that imbalance and examines Schoon's claims on the development of art and culture in Aotearoa in the 20th century.

Once a small town sited at Te Papaioea, a clearing in the bush that cloaked the Manawatu Plains, Palmerston North has always had big-city aspirations. Critical to its growth was the railway that runs through it, farming, and education. Originally settled by Rangitane, today Palmerston North is home to people from many parts of the world. Why they chose to come to the city, and what they did when they got there, is the subject of this richly illustrated and engaging history.

'"I live at the end of a gravel road at the top of a valley consumed by bush. My husband is here, and my three girls. But the bush swallows them up like the road.' I wrote those words at the kitchen table in 1983. A letter to the mother I'd never met. But how do you convey your life in a few sentences when almost every memory is missing?" Barbara Sumner grew up in a family filled with secrets and lies. At twenty-three she decided she had to find her mother. Remarkable, moving, beautifully written, Tree of Strangers is a ripping account of a search for identity in a country governed by adoption laws that deny the rights of the adopted person.

This is a book for our times, a big and bold new general history of Aotearoa New Zealand, which takes the March 2019 Christchurch mosque killings as the starting point for telling a fresh story about New Zealands past and present, and examining who we are, and why. The Prime Minister famously said after the shooting. This is not us. Belgrave asks, who is us? Is the history of this country simply one of colonialism and white supremacy or is it about something so much better? Despite all the missteps and failures, is there something special here that we have all built together?

A self-taught son of Irish immigrants, devout Catholic, King Country farmer and farming lobbyist, Jim Bolger entered New Zealand political life in the 1970s. He was a flinty Minister of Labour under Robert Muldoon and Prime Minister from 1990 to 1997. As ambassador to Washington, he helped create warmer relations with the United States. In recent years, he has chaired boards, has been the chancellor of the University of Waikato and marked more than a half-century of marriage to Joan. Never given to orthodoxies, yet staunchly National in his politics, in his still-energetic eighties he remains an impressively brisk progressive thinker. For six months he regularly sat down on Fridays with the writer David Cohen to reflect on his life and times, our nation and the world. Fridays with Jim reveals a quintessential man of the old New Zealand who is fully in sync with the new New Zealand, and with plenty of ideas about where it's all heading.

This year New Zealands National Maritime Museum will be in the thick of the action when the America's Cup defence comes to Auckland. This beautiful book, photographed by Jane Ussher, surveys its collection and explores New Zealand maritime history through 100 fascinating and wide-ranging objects. From shipbuilding tools and Peter Blake's first trophy, to menu cards from the glory days of ocean liners and exquisite model ships, its the perfect book for all who love the sea, boats and ships, and all else that sails on the water.--

In this timely book, New Zealand's best-known commentator on population trends, Distinguished Professor Paul Spoonley, shows how, as New Zealand moves into the 2020s, the demographic dividends of the last 70 years are turning into deficits. Our population patterns have been disrupted. More boomers, fewer children, an ever bigger Auckland and declining regions are the new normal. We will need new economic models, new ways of living. Spoonley says: &'It is not a crisis (even if at times it feels like it), but rather something that needs to be understood and responded to. But I fear that policy-makers and politicians are not up to the challenge. That would be a crisis.'

"Grim, Victorian, notorious, for 150 years Mount Eden Prison held both New Zealand's political prisoners and its most infamous criminals. Te Kooti, Rua Kenana, John A. Lee, George Wilder, Tim Shadbolt and Sandra Coney all spent time in its dank cells. Its interior has been the scene of mass riots, daring escapes and hangings"--Back cover.

For over one hundred years the Auckland City Mission has been a flagbearer of the city's compassion towards and support for the poor, the marginalised, and the homeless. Its own story, marked at times by struggle, is colourful and peopled by memorable characters. This lively history by well-known historian Peter Lineham takes you inside a remarkable organisation working at the front lines of a society in which poverty has become entrenched.

Bill Sutch and Shirley Smith were two of New Zealand's most significant twentieth-century figures; Sutch as an economist, influential civil servant, and inspirational proponent of innovation in the fields of social and economic development, and Smith as glass-ceiling breaker in the formerly male-dominated world of the law. Keith Ovenden's wise, urbane memoir begins with the early years of his marriage to Sutch and Smith's only child, Helen Sutch, and carries through Sutch's trial on charges under the Official Secrets Act to Smith's death over 30 years later. It offers unprecedented insights into both the accusations against Sutch and Smith's remarkable legal practice and, behind both, some of the dramas of their domestic life. Deeply intelligent and beautifully crafted, Bill and Shirley: A Memoir is a unique and intimate study of two complex and fascinating New Zealanders.

"Shining land is the second book in the kåorero series. The kåorero project invites new and exciting collaborations - for two different kinds of artistic intelligence to work away at a shared topic."--Colophon.

The challenge to getting a good night's sleep is especially hard for pregnant women. This book, based on the latest research from Massey University's Sleep/Wake Research Centre, includes up-to-date information about why sleep is important, how sleep works, and the different lifestyle and physical changes during pregnancy that can affect your sleep. It also provides practical strategies to help you get the best sleep possible in each trimester.

High Wire brings together Booker finalist writer Lloyd Jones and artist Euan Macleod. It is the first of a series of picture books written and made for grownups and designed to showcase leading New Zealand writers and artists working together in a collaborative and dynamic way. In High Wire the narrators playfully set out across the Tasman, literally on a high wire. Macleod's striking drawings explore notions of home, and depict homeward thoughts and dreams. High Wire also enters a metaphysical place where art is made, a place where any ambitious art-making enterprise requires its participants to hold their nerve and not look down. It's a beautifully considered small book which richly rewards the reader and stretches the notion of what the book can do.

Sara McIntyre, the daughter of the artist Peter McIntyre, was nine years old when her family first came to Kakahi, in the King Country, in 1960. The family has been linked to Kakahi ever since. On the family car trips of her childhood, McIntyre got used to her father's frequent stops for subject matter for painting. Fifty years on, when she moved to Kakahi to work as a district nurse, she began to do the same on her rounds, as a photographer. This book brings together her remarkable photographic exploration--her 'observations'--of Kakahi and the sparsely populated surrounding King Country towns of Manunui, Ohura, Ongarue, Piriaka, Owhango, and Taumarunui.

"In 1921, when the School Dental Service was established, New Zealand embarked on a unique social experiment: improving the terrible state of the nation's teeth. Set up by veterans of the First World War, the service, focused on 'battling Bertie Germ,' was run like a military operation and the all-female dental nurses were treated like foot-soldiers: underpaid, overworked and poorly resourced. Eventually they rebelled. In this lively history, Noel O'Hare details the nurses' experiences on the front line of dental health, and explores what that reveals about our society's attitudes to women, work and children's health"--Back cove

This vivid memoir by well-known New Zealand actor and novelist Barbara Ewing covers her tumultuous childhood, adolescence and young-adulthood in Wellington and Auckland in the 1950s and early 1960s - a very different time - and ends in 1962, when she boards a ship for London, to study at the Royal Academy of Dramatic Art. It draws heavily on the diaries she kept from the age of twelve, which lead her to some surprising conclusions about memory and truth. Ewing struggled with what would now be diagnosed as anxiety; she had a difficult relationship with her brilliant but frustrated and angry mother; and her decision to somehow learn te reo Maori drew her into a world to which few Pakeha had access. A love affair with a young Maori man destined for greatness was complicated by society's unease about such relationships, and changed them both. Evocative, candid, brave, bright and darting, this entrancing book takes us to a long-ago New Zealand and to enduring truths about love.--

A fascinating deep-dive into the development of the Silver Ferns' traditions, the evolution of team culture and the nuts-and-bolts of leadership at an elite sporting level. The 12 legendary players and coaches interviewed - including Lois Muir, Leigh Gibbs, Sandra Edge, Bernice Mene, Ruth Aitken and Casey Williams - candidly discuss the highs and lows of their careers, and of the Silver Ferns, the effect of the intense rivalry with Australia, coping with gut-wrenching losses, and the resilience of players and coaches. For the first time the perspective of these key actors is the subject of serious analysis, and the book is a real insight into the psychology of a women's highperformance team. As such, it provides a practical guide for developing team culture and leadership for netball coaches at all levels. It also includes comments from Farah Palmer and Noeline Taurua on women in sport and leadership, and a brief history of New Zealand netball, including the gains and losses as netball moved into a semi-professional era, and the struggles for sponsorship and for media recognition, despite it being New Zealand's most popular team sport.--

"The Great War is now typically regarded as senseless and futile, but most New Zealanders at the time, rightly or wrongly, considered it to be a war to preserve security and freedoms, to punish an aggressive enemy, and to win a better world. Yet the war years proved a tumultuous time, and bitterness and animosities ran alongside idealism and sacrifice. Divisive issues, economic volatility and a rising death toll all threatened resolve. The Home Front offers a compelling account of how a small and developing country confronted the complex questions and brutal realities of a world war"--Back cover.

Three more endearing stories of helping New Zealand wildlife from the case files of Wildbase Hospital. Wildbase Hospital in Palmerston North is a very special hospital for very special animals, and in this follow-up to the hugely successful How to Mend a Kea, author Janet Hunt focuses on the tales of three kiwi who have been treated there. The stories are fascinating and touching accounts of their different experiences at Wildbase, and the innovative approaches to their treatment and rehabilitation that were needed to ensure their eventual return to the wild. Linked to the wider issues of kiwi conservation, these tales introduce readers to the challenges and triumphs of caring for New Zealand's unique national icon. Wonderful photos, a lively text and an engaging design all combine to make this a superb book.