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"Women in exile disrupt assumptions about exile, belonging, home and identity. For many, home represents less a place of belonging and more a point of departure, and exile becomes a creative site of becoming, rather than an unsettling state of errancy.

Giordano Bruno (1548-1600), who died at the stake, is one of the best-known symbols of anti-establishment thought. The theme of this volume, which is offered as a collection of essays to honour the distinguished Bruno scholar Hilary Gatti, reflects her constant concern for the principles of cultural freedom and independent thinking.

Ana Clavel is a remarkable contemporary Mexican writer whose literary and multimedia oeuvre is marked by its queerness.

Does the way in which buildings are looked at, and made sense of, change over the course of time? How can we find out about this? By looking at a selection of travel writings spanning four centuries, Anne Hultzsch suggests that it is language, the description of architecture, which offers answers to such questions.

How can one make poetry in a disenchanted age? For Giacomo Leopardi (1798-1837) this was the modern subject's most insolvable deadlock, after the Enlightenment's pitiless unveiling of truth.

Goethe's ideas on colour and imagery crossed many borderlines: those of artistic processes and philosophical aesthetics, art history and colour theory, together with the science of perception.

This collection brings together textual commentaries on thirty representative works of literature in Portuguese either complete poems or extracts from longer works ranging from the medieval lyric of the 13th century, through the poetry and drama of the Portuguese Renaissance, the great Realist novels of the nineteenth century, early twentieth ...

On Zeus' order, Prometheus was chained to Mount Caucasus where, every day, he was to endure his liver being devoured by a bird of prey his punishment for bringing fire to mankind.

Poetry born of historical upheaval bears witness both to actual historical events and considerations of poetics. Under the duress of history the poet, who is torn between lamentation and celebration, seeks to achieve distance from his troubled times.

During the French Revolution, traditional literary forms such as the sentimental novel and the moral tale dominate literary production.

If Furetiere (1619-1688) hadn't been friends with Racine and Boileau, if he hadn't been famous for his Dictionary and for his battle with the Academie Francaise, it is unlikely that we would still be speaking of the Roman bourgeois (1666). Its qualities are decidedly few.

This book analyzes the notion of travel writing as a genre, while tracing significant examples of Mediterranean travel writing that return us to Ancient Greece, to French artistic journeys in North Africa and to contemporary narratives of privileged resettlement, death, and dislocation.

A compilation of state-of-the-art papers on key topics in bryology from invited speakers at the Centenary Symposium, University of Glasgow, 5-7 August 1996.

This monograph is the definitive survey of iron tools and other fittings in use during the period c1066 to 1540AD. Exceptional in a north-western European context for its range and coverage of artefacts from both rural and urban excavations, much of the material described here was recovered during ''rescue'' projects in the 1960s and 1970s funded by the State through the Ministry of Public Works and Buildings and their successors. The text contains almost everything necessary to identify, date and understand medieval iron objects. In scope and detail there is still no published parallel and, as such, it will be essential for almost any archaeologist working in later medieval archaeology, particularly in the fields of excavation, finds study, museums and research.

The eleven essays presented here lead the reader through the earliest manifestations of the chantry, the origins and development of 'stone-cage' chapels, royal patronage of commemorative art and architecture, the chantry in the late medieval parish.

This book focuses on how metamorphosis figures in three formative configurations in the Western tradition: the classical, the biblical, and the scientific. It brings the history of transformative change from the eighteenth century to the present.

This book explores the rich treasury of Sholem Aleichem translations, focusing primarily on the European context. It suggests that the many-faceted issue of translating Sholem Aleichem can be considered from the different perspectives of history, politics, and art.

This monograph is the definitive survey of iron tools and other fittings in use during the period c1066 to 1540AD.

Against a backdrop of dizzying urbanization, French utopian thinkers of the nineteenth century set out to explore the transformative possibilities of the modern metropolis.

Helene Cixous (1937-), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced.

One of the primary social changes ushered in by the French Revolution was the legalization of divorce in 1792. Diluted by the Civil Code and suppressed by the Restoration, divorce was only fully established in France by the Loi Naquet of 1884.

This book focuses on some of the best known and most important books, feature films, and television series in contemporary Span, and addresses three pairs of linked issues central to Hispanic studies and beyond: history and memory, authority and society, and genre and transitivity.

This book, drawing on the work of contemporary French philosopher Jean-Luc Nancy, investigates the aesthetics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France: Robert Bresson, Marguerite Duras and Claire Denis.

This book examines the interface between two revolutionary writers of the twentieth century, James Joyce and Jorge Luis Borges. It argues that Borges created himself as a 'precursor' of Joyce and discusses the way in which Borges and Joyce conjured up the ghosts of Homer, Dante, and Shakespeare.

The possibility of ekphrasis, the verbal representation of visual imagery, is fundamental to all writing about art, be it art criticism, theory or a passage in a novel. But there is no consensus concerning how such representation works. Some take it for granted that writing about art can result in a precise match between words and visual images.

Essays, short stories and poems by eminent creative writers, critics and scholars from three continents celebrate the literary achievements of Barbara Hardy, the foremost exponent of close critical reading in the latter half of the twentieth century and today.

Why do photographs interest writers, especially autobiographical writers? Ever since their invention, photographs have featured - as metaphors, as absent inspirations, and latterly as actual objects - in written texts.

The Dada movement, revered as perhaps the purest form of cultural subversion and provocation in 20th-century Europe, has been a victim of the readiness with which cultural historians have swallowed its own propaganda.

Translation, illustration and interpretation have at least two things in common. They all begin when sense is made in the act of reading: that is where illustrative images and explanatory words begin to form. And they all ask to be understood in relation to the works from which they have arisen: reading them is a matter of reading readings.