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In this haunting debut collection, best-selling author Miles Harvey probes the mysterious relationship between human longings and the secret lives of inanimate objects. In one story, an artist discovers an uncanny ability to transform modern sculptures into priceless ancient treasures. In another, a teenager experiences visions of other people's pasts while vandalizing their abandoned houses. In a third, a grieving couple returns again and again to the beach where their son disappeared, pulling plastic bottles, fishing nets, buoys, and other bits of beach trash from the surf "as if those random bits of wreckage were the untranslated hieroglyphs of some secret language that might help them understand their loss." Harvey--whose work Dave Eggers called "ludicrously unputdownable"--delivers a constellation of stories that explore the gravitational pull of material things: how they drift into and out of our hands, how they assume new meanings, and the ways they serve as conduits between the present and past, the everyday and incomprehensible. Most of all, he explores how these objects have the power to reveal strange and moving facets of the human condition.

In Eating Lightbulbs and Other Essays, Steve Fellner traces the seriocomic absurdities of his own mind and its obsessions with family, mental illness, film, poetry, and gay sex. His search for love finds its outlets and objects wherever it can: in an imaginary 1970s Cineplex movie theatre, at a baby shower, or in a co-ed sexual abuse support group; via a letter penned to the ghost of an environmental activist who killed himself; or in the form of the AIDS quilt, lava lamps, amoebas, and a famous queer poet who didn't know he existed. As he charts the inherently flawed ways he-and we-live and love, Fellner is always ready to subvert victim narratives even if he has to commit a few (or more than a few) acts of betrayal along the way. Unflinching and sidelong, laugh-out-loud funny, and as sharp and unpredictable as shards of fine glass, these essays look straight at the moments in life most of us would rather forget.

"An outstanding showcase of contemporary Latinx authors exploring identity through the conventions of sci-fi, fantasy, and magical realism. Themes of family, migration, and community resonate throughout these 38 masterful stories. ... This is a knockout." -Publishers Weekly (starred review)Finalist, 2022 World Fantasy AwardsFinalist, 2022 Ignyte AwardsFinalist, 2022 Utopia AwardsIn a tantalizing array of new works from some of the most exciting Latinx creators working in the speculative vein today, Speculative Fiction for Dreamers extends the project begun with a previous anthology, Latinx Rising (The Ohio State University Press, 2020), to showcase a new generation of writers. Spanning diverse forms, settings, perspectives, and styles, but unified by their drive to imagine new Latinx futures, these stories address the breadth of contemporary Latinx experiences and identities while exuberantly embracing the genre's ability to entertain and surprise. With new work for new audiences in their teens and up, and especially for Latinx people navigating their identities in the ever-shifting, sometimes perilous, but always promising cultural landscape of the US, this book is for dreamers-and DREAMers-everywhere. Contributors: Grisel Y. Acosta, Stephanie Adams-Santos, Frederick Luis Aldama, William Alexander, Nicholas Belardes, Louangie Bou-Montes, Lisa M. Bradley, Eliana Buenrostro, Diana Burbano, Pedro Cabiya, Steve Castro, Fernando de Peña, Scott Russell Duncan, Samy Figaredo, Tammy Melody Gomez, J. M. Guzman, Ernest Hogan, Pedro Iniguez, Ezzy G. Languzzi, Patrick Lugo, Roxanne Ocasio, Daniel Parada, Stephanie Nina Pitsirilos, Reyes Ramirez, Julia Rios, Sara Daniele Rivera, Roman Sanchez, Tabitha Sin, Alex Temblador, Rodrigo Vargas, Laura Villareal, Sabrina Vourvoulias, Karlo Yeager Rodriguez

"At its essence, this enjoyable collection explores how nothing is ever exactly as it seems."-Booklist"These ingenious stories are so funny and sparkling and slyly inventive that their pain catches you by surprise, like a sunburn after a day at the beach."-Eric PuchnerWinner, 2022 Mississippi Institute for Arts and Letters Prize for Best FictionIn Becky Hagenston's fourth collection, the real and the fantastic collide in stories that span from Mississippi to Europe, and from the recent past to the near future. The characters are sex-toy sellers, internet trolls, parents, students, and babysitters-all trying to make sense of a world where nothing is quite what it appears to be. A service robot makes increasingly disturbing requests. A middle school teacher is accused of witchcraft-and realizes the accusations might be true. Two college students devise a way to avoid getting hit on in bars. A baker finds bizarre anomalies in his sourdough. A librarian follows her dead ex-husband through the Atlanta airport. In these stories, men and women confront grief, danger, loneliness, and sometimes-the strangest discovery of all-unexpected joy. Hagenston delivers a collection that is, at its weird and shining heart, about people discovering what-for better or worse-they are capable of.

A bull''s heart simmers in a crockpot, echoing the household''s tension in a retelling of Biblical Jacob''s trials. A priest observes his congregation''s descent into madness and wonders at his own role. An elderly woman imagines herself into her boomtown''s history and eventual abandonment at the height of the Gold Rush. Towns and people vanish, daughters return, women prepare escapes, and animals invade. In this collection of stories situated within the mythology of the Midwest, the past is always present, tangible and unrelenting, constantly asking these characters whether they will be a sacrifice or a martyr, daring them to give in without a fight. Here, transcendence is a tonic hard-earned by the battered soul.The atmospheric stories in When illuminate the customs of rural America, a part of this country that''s been asked to risk the best of itself in order to survive, revealing with humor and weight fears about wealth, worth, and the dignity of home. 

"Things puppets can do to us: charm, deceive, captivate, fool, trick, remind, amuse, distract, bore, repulse, annoy, puzzle, transport, provoke, fascinate, stand in for, kill." In You, Me, and the Violence, Catherine Taylor ponders the nature of personal and political autonomy, focusing on the surprising juxtaposition of puppetry and military drones. In a book at once politically significant and narratively engaging, Taylor blends genres to question the roles of individuals within society and expose the gritty and emotional underpinnings of the seemingly mechanical process of a remote soldier.From conversations with her own brother about his military experiences to Punch and Judy, from the original tale of Pinocchio to the radio chatter of soldiers in active drone operation, Taylor writes about family, power, and the "theater" of war in a voice both sly and sobering, heartbreaking and hopeful.