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With an astonishing grasp of language and detail, Julia Levine enacts a visceral, lyric experience that slips wildly between and within tragedy and grace. In Small Disasters Seen in Sunlight, Levine offers far-ranging subjects, as well as a series of revision poems that question the imagination's infinite possibilities for creation.

Inspired by his own work as a cabinetmaker - defined by the peppery dust from the woodworker planing a walnut board, turning an oak spindle at the lathe, or honing chisels while gazing out a window - Steve Scafidi's poems reveal both the tenuous and the everlasting nature of existence.

The poems in Jay Rogoff's Venera explore varieties of love, both sacred and profane, by drawing from the natural world, personal intimacy, and the human imagination as evoked in biblical narratives and art.

With contributions from leading scholars in the fields of history, legal scholarship, political science, and communications, this revised and updated edition of Freeing the Presses offers an in-depth inquiry into the theory and practice of journalistic freedom.

First published in 1982, James R. McGovern's Anatomy of a Lynching unflinchingly reconstructs the grim events surrounding the death of Claude Neal, one of the estimated three thousand blacks who died at the hands of southern lynch mobs in the six decades between the 1880s and the outbreak of World War II.

Passionately written and perfectly crafted, Anya Krugovoy Silver's poems help us to view life through a different lens. In I Watched You Disappear, she offers meditations on sickness but also celebrations of art, motherhood, and family, as well as a sequence of poems based on the fairy tales of the Brothers Grimm.

"Anna Journey's poetry is really magical." - David Lynch, director of Blue Velvet and creator of Twin Peaks.

In his moving debut collection, Matt Rasmussen faces the tragedy of his brother's suicide, refusing to focus on the expected pathos, blurring the edge between grief and humour. Destructive and redemptive, Black Aperture opens to the complicated entanglements of mourning.

One of the first women's organisations to "mask" in a Mardi Gras parade, the "Million Dollar Baby Dolls" redefined the New Orleans carnival tradition. Tracing their origins from Storyville brothels to post-Katrina New Orleans, Kim Vaz uncovers the fascinating history of these ladies that strutted their way into a predominantly male establishment.

In her ninth collection of poetry, Kelly Cherry explores the domain of language. Clear and accessible, the poems in The Life and Death of Poetry examine the intricacies and limitations of communication and its ability to help us transcend our world and lives.

From the Mediterranean to the American West, the poems in Ron Smith's new collection move across time and place to find reliable truths through personal observation. Beyond his own experiences Smith draws from the lives of notable and diverse figures.

In her new collection, Earth, Mercy, Mary Rose O'Reilley sifts through the debris of human habitation - pink thong sandals, curlers, broken televisions - looking for a kind of junkyard grace: "Holiness enters again / turquoise fins, and the Cessna's carapace / lifts on its wind."

Sally Van Doren's imaginative new collection offers bold and beguiling poems. Uttered in intense lyrical bursts that reflect the poet's command of language both familiar and strange, the visually dramatic moments gathered here probe the time-honored themes of love and death with candour and intimacy.

William Wenthe's third collection begins in the domestic realm then moves outward in subject and place-to a bird market in Paris, the Jaffa Gate in Old Jerusalem, the Chain Bridge in Budapest-before returning to the familial. The poet recalls his own cherished experiences of fatherhood: rocking his infant daughter in the early morning, lying with her outside on a pink flannel sheet, and watching her joyous reaction to the sight of roses. While actively engaged in the artist's struggle to represent reality, Wenthe draws attention to the particular, to moments and events that seem to exist beyond thoughts and words. In "Uhte," Wenthe reflects on the Old English name for the hour before dawn: "that word / has haunted me-wondering how that hour / had first called forth a need / to be distinguished by a sound." In well-crafted free verse, traditional meter and rhyme, prose poems, and nonce forms, Wenthe meditates on family, language, art, history, and the natural world, striving to find words to capture the richness of life.

David Huddle's latest collection shares intimate and amusing stories as if told by a quirky, usually reticent, great uncle. Blacksnake at the Family Reunion continues Huddle's poetic inquiry into the power of early childhood and family to infuse adulthood with sadness and despair.

In this debut collection, Eyes, Stones, Elana Bell brings her heritage as the granddaughter of Holocaust survivors to consider the difficult question of the Israeli-Palestinian conflict.

Daringly realistic and artfully mediated by past and present, Claudia Emerson's Secure the Shadow contains historical pieces as well as poems centering on the deaths of the poet's brother and father. Emerson covers all aspects of the tragedies that, as Keats believed, contribute to our human collective of Soul-making.

In The Visible, we enter into a surreal landscape "where it is neither day nor night / but both at once," where light becomes an imaginative force that both illuminates and obscures. The illegible draws us closer to the page-the visible revealed, paradoxically, by what we cannot see. Though these formally restrained poems possess an abstract and introspective intensity, Bond grounds them in the everyday. Both vivid and speculative, the chiseled lyrics breathe. In "My Mother's Closet," the pages of medical books become holy and horrendous, "soiled at the corners, the mind's / terrific passages shocked with highlight, / glossed with scratches in a mother's hand."

T.R. Hummer's new and characteristically pyrotechnic collection takes its title from the rare (in English) singular form of the common word "ephemera". In a work of startling originality, the poet presents a meditation on ephemerality from the point of view of the ephemeron itself as it passes, be it the individual, the atom, the particle.

Katherine Soniat contemplates the present through the fragmented lens of history. She swings the reader out across time, to ancient Greece and China, and into the chaos of contemporary war in Serbia and Iraq. The ever-changing point of view disorients, so that ultimately even the daylight overhead seems uncertain.

In Whitethorn, a book of enormous scope and emotional intelligence, Jacqueline Osherow unflinchingly examines the pain of her own personal history and courageously probes the greater mystery of evil and suffering in the world.

Alice Friman's latest collection, Vinculum, roots for deep connections between people, nature, retrospection, and the inevitable biological destiny of the body. Friman's work branches out from the core poem, "The Mythological Cod," to form a trellis of revelations on religion, sex, humour, science, and history.

The unusual voice encountered in Curses and Wishes carries a quiet, slightly elevated conversational tone, which flows from intimate secrets to wider social concerns. The short, simple lines add up to a thoughtful book possessed with lyrical melancholy, a harmony of sadness and joy that sings.

In this striking collection, scraps of the overlooked, and distasteful - a prostitute passed in the street, the speaker's own forgotten dreams, toothless dogs rolling in deer offal - become occasions to meditate on the rich experiences from which we too often turn away.

A quiet tour de force, Chris Bachelder's Abbott Awaits transforms the ordinary into the extraordinary, startlingly depicting the intense and poignant challenges of a vulnerable, imaginative father as he lives his everyday American existence.

Years in the making, Stephen Sandy's Overlook gathers themes and occasions that have intrigued the poet throughout his career. This powerful collection explores love and death, success and failure, war and disaster, with appropriate measures of wit and grief.

Anya Krugovoy Silver's debut collection considers the flawed and gaudy flesh as it turns toward a beloved's embrace, toward the surgeon's knife. Her poems both celebrate the sensual world and seek to transcend the body's limitations through encounters with art, memory, and the divine. At once imagistic, lyrical, and meditative, Silver's verse begins in the personal sphere and then looks outward toward the wider human experiences of illness, faith, fear, and love. From chemotherapy to doing laundry, from observation of deformed pussy willows to contemplation of the word "girl," Silver does not shrink from life's "blazonry of loss." Instead, she ultimately affirms the possibility of praise and joy.

Born in Virginia circa 1805, Francis Fedric was not unlike thousands of other African Americans who escaped slavery and sought refuge in Britain. Addressed to a British audience, these memoirs constitute a distinctive subgenre of the slave narrative, and an essential continuation of the narrative tradition established Olaudah Equiano and others.

Dramatic and lyrical, Allison Amend's first novel, steeped in the history and lore of the Oklahoma Territory, tells an unforgettable multigenerational - and very American - story of Jewish pioneers, their adopted family, and the challenges they face.