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這是一本史料詳實的帶你參觀紐約大都會博物館的中文書籍，作者是在紐約居住的美術學博士時向東。正如他所言：大都會博物館的收藏像是一部人類文明的"並置"，這些"文明"和"智慧"的並置恰似一部百 科全書，生動的解釋了從造物到造神，從繪畫、雕塑到材料、工藝、技術和審美時尚的變化。這種"並 置"就是一部體現時間、地域縱橫交流的立體的藝術對比史，讓人從中感受到文明在不同民族間 相互流動和影響的腳印。 時博士透過對實物的觀察以及對背景資料的研究，以聽得懂、看得明白、圖文相濟的方式， 以中文來記錄出他對大都會博物館發現和感受。 這本書里的內容只是時博士所寫參觀"心得"的一小部分，不僅記錄了個人的困惑、發現和思考，也可以為研究者、感興趣的 遊客提供新鮮的角度和觀賞的臺階。如果讀者在參觀大都會博物館以前先看看這本書，相信是非常有幫 助的，最起碼你不會錯過精品，如果你讀得細緻，也許可以和作者產生許多精神和文化上的共鳴。

顧月華的詩，又有一種渾然天成的詩情畫意，這一點恐怕與她曾經專攻美術與油畫的人生閱歷有關。請看《迷思》 "總有一個影子/左右不離/且生且滅，且滅且相隨"，詩中嵌畫，畫中蘊詩，人與影不離不棄，相伴相生，始終相隨。《日落》 "輝煌霞光拉開華麗帷幕/寂靜和黑暗是閉幕後/真正的結局"，更是黃昏的晚霞斑斕輝煌之後化為大塊黑暗的底色，將天光的結局(這何嘗不也是人生的結局)演繹成了可感可觀的圖像。詩集的名字叫《宿命》，充滿了生命回首的味道。每一個場景，每一個瞬間，都如同是前世的約定。她的三言詩雖短，卻如同瞬間的靈光，照亮了一縷縷生命的軌道，也照亮了她自己的所思所想。作者說有愛才能寫詩，這種愛是博大的，是包括萬物的。寫詩的人心裡，既有烈焰的噴薄，也有柔情的纏繞，它是生命的情緒，也是人間的感悟，無論是宣洩，抑或是挑戰，都包裹在她彩色的詩裡，讓人回味無窮。

A collection of media reports, exclusive interviews, as well as articles about artist Stone Chun Shi ranging -- from 1993 to 2019, that reveals his journey as a visual artist, musician, MTV Asia VJ, and creator of Stone Oil Cube. As an artist who lives life to the fullest, Stone came to New York from China in 1988 to pursue his dream of being a professional artist in the free world. He established his style of the postmodern abstract oil painting. His multi-medium oil paintings were among those avant-garde artists who were chosen to exhibit in contemporary art venues such as Alternative Museum, Clock Tower, and White Columns in New York City. In the midst of rising, Stone chose another path and moved to Taiwan. He was discovered as a spokesperson for the New New Generation and appeared in a series of successful tea commercials for the youth market. He quickly released a heavy metal album and exhibited in the top-notch Taiwan contemporary art galleries such as IT Park ¿¿¿¿¿¿and ¿¿. Stone became a VJ (VJ Schutze) for MTV Asia's Mandarin Channel in 1995 and hosted daily shows such as Headbanger's Ball, Time Out, and China Block. From 1996 to 2010, Stone was an entrepreneur focusing his innovative energy in streaming media, mobile app development, and wearable technology. In 2010, He developed his own style in fine art via a series of oil cube paintings to portray Chinese and US currency, Marilyn Monroe, and other pop icons. From these interviews and articles, you will clearly see his path in life as an innovator and artist who chose to live his life on the edge and to the fullest.

Shanghai, Forever Lost is a nonfiction book based on the true stories and events of both my grandmother and mother from 1920s Shanghai to 1950s Peking. Shanghai, Forever Lost reflects the bond between mother and daughter in turmoil of war, political takeover and human tragedies. It's a book of oral history that could serve as a witness of Chinese history from the 1920's to the 1950's. With many actual photos of the time, Shanghai, Forever Lost will resonate with its readers who have an interest in mother and daughter relationship as well as life and history of China.a e a a Sa S c Ye a e a a e a S cs a a e a a a c cs a c Yc aZ i e se a e cs a a a Z a a a a a a a a a a a a S a a Sa a a a a a a cs a e c aZ i c a a S cs e aZ a a i aZ a cs a a a c Ye cs a a a a a a e a a c a a S a Sa a aZ a a a e a a a a cs a e i a a i a a a a a e cs e a Si e a a cZ i e aZ a e e i e a a a a

A Reflection on Passing Time consists of poems and artwork by 29 Chinese and American Chinese poets and contemporary artists, who have been living and working in New York for more than a decade. For these writers and artists, New York becomes more than a location. It becomes a constant carnival of art and culture that serves as the inspiration to their work.