Bøker utgitt av Little, Brown Book Group

Joy - also called Blossom, Sunshine and Blondie by the men in her life - walks down Fulham Broadway carrying her week-old baby, Jonny. She is twenty-one, with bleached hair, high suede shoes, and a head full of dreams. Her husband Tom is a thief and on the proceeds of a job they move to a luxury flat - 'the world was our oyster and we chose Ruislip'. Then Tom is sent to prison, leaving Joy and Jonny to move in with Auntie Emm. This is Joy's story: an exuberant, pink-lipsticked, tale of London life, love and young motherhood in the sixties...

Long out of print, this incredible novel by the last surviving writer of the Harlem Renaissance, deserves to be discovered by a new generation of readers. With a new introduction by Diana Evans, author of Ordinary People.

'His first instinct was to stretch out his hands to the sky. The white clouds seemed so near to him, surely they were easy to hold and to caress, strange-moving things belonging to the wide blue space of heaven . . . 'Julius Levy grows up in a peasant family in a village on the banks of the Seine. A quick-witted urchin caught up in the Franco-Prussian War, he is soon forced by tragedy to escape to Algeria. Once there, he learns the ease of swindling, the rewards of love affairs and the value of secrecy. Before he's twenty, Julius is in London, where his empire-building begins in earnest, and he becomes a rich and very ruthless man. Throughout his life, Julius is driven by a hunger for power, his one weakness his daughter, Gabriel . . . A chilling story of ambition, Daphne du Maurier's third novel has lost none of its ability to unsettle and disturb.

As a young guide for Sunshine Tours, Armino Fabbio leads a pleasant, if humdrum life - until he becomes circumstantially involved in the death of an old peasant woman in Rome.The woman, he gradually comes to realise, was his family's beloved servant many years ago, in his native town of Ruffano. He returns to his birthplace, and once there, finds it is haunted by the phantom of his brother, Aldo, shot down in flames during the war.Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. But now it is the twentieth century, and the town seems to have forgotten its violent history. But have things really changed? The parallels between the past and present become ever more evident...She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality - Guardian

'Someone jolted my elbow as I drank and said, "e;Je vous demande pardon,"e; and as I moved to give him space he turned and stared at me and I at him, and I realised, with a strange sense of shock and fear and nausea all combined, that his face and voice were known to me too well.I was looking at myself.'By chance, two men - one English, the other French - meet in a provincial railway station. Their resemblance is uncanny, and they spend the next few hours talking and drinking - until at last John, the Englishman, falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, his French companion has stolen his identity and disappeared. So John steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing...A good original novel, well tinged with nightmare - Times Literary Supplement

'The Charioteer remains compelling both as a snapshot of a particular - and particularly fascinating - cultural moment, and as a deeply romantic story of love fulfilled against the odds. It has all those qualities that make Mary Renault so memorable as a novelist: craft, subtlety, intelligence, and a terrific natural sympathy with the intricacies of honour and desire' SARAH WATERS'An explosive and courageous book' SIMON RUSSELL BEALEFirst published in 1953, The Charioteer is a tender, intelligent coming-of-age novel and a bold, unapologetic portrayal of homosexuality that stands with Gore Vidal's The City and the Pillar and James Baldwin's Giovanni's Room as a landmark work in gay literature.Injured at Dunkirk, Laurie Odell, a young corporal, is recovering at a rural veterans' hospital. There he meets Andrew, a conscientious objector serving as an orderly, and the men find solace in their covert friendship. Then Ralph Lanyon appears, a mentor from Laurie's schooldays. Through him, Laurie is drawn into a tight-knit circle of gay men for whom liaisons are fleeting and he is forced to choose between the ideals of a perfect friendship and the pleasures of experience.'Emotionally intelligent, beautifully written and deeply moving, it transcends categorisations' Telegraph

Two sisters: Madeleine and Dinah. One husband: Rickie Masters. For many years now, Dinah, exotic and sensual, has conducted a clandestine affair with Rickie. Madeleine, calm and resolute, has accepted that her marriage has been of limited success. Rickie's sudden death makes widows of both sisters in this highly imaginative novel that explores with extraordinary insight the sublimity, the rivalry and the pain of personal relationships.'She makes a mood, an atmosphere, which is never forgotten . . . The inner voice of women talking to themselves about their love affairs, knowing that it is hopeless, having to go ahead anyway, expecting the end as soon as it begins. That, of course, is what Rosamond Lehmann does best' Sunday Times