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For the 150th anniversary of the Emancipation Proclamation, here is a collection of writings that charts our nation's long, heroic confrontation with its most poisonous evil. It's an inspiring moral and political struggle whose evolution parallels the story of America itself. To advance their cause, the opponents of slavery employed every available literary form: fiction and poetry, essay and autobiography, sermons, pamphlets, speeches, hymns, plays, even children's literature. This is the first anthology to take the full measure of a body of writing that spans nearly two centuries and, exceptionally for its time, embraced writers black and white, male and female. Benjamin Franklin, Thomas Paine, Phillis Wheatley, and Olaudah Equiano offer original, even revolutionary, eighteenth century responses to slavery. With the nineteenth century, an already diverse movement becomes even more varied: the impassioned rhetoric of Frederick Douglass and William Lloyd Garrison joins the fiction of Harriet Beecher Stowe, Louisa May Alcott, and William Wells Brown; memoirs of former slaves stand alongside protest poems by John Greenleaf Whittier, Henry Wadsworth Longfellow, and Lydia Sigourney; anonymous editorials complement speeches by statesmen such as Charles Sumner and Abraham Lincoln. Features helpful notes, a chronology of the antislavery movement, and a16-page color insert of illustrations.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Famous as a scientist, statesman, philosopher, businessman, and civic leader, Benjamin Franklin was also one of the most powerful and controversial American writers of his time. He has been a subject of intense debate ever since: to Matthew Arnold, he exemplified "victorious good sense"; to D. H. Lawrence, he was "the first dummy American." Franklin's classic Autobiography, one of the great foundational works of American literature, is his last word on his most remarkable literary invention-his own invented persona, the original incarnation of the American success story. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes. The contents of this Paperback Classic are drawn from Benjamin Franklin: Autobiography, Poor Richard, & Later Writings, volume #37B in the Library of America series. It is joined in the series by a companion volume, #37A, Benjamin Franklin: Silence Dogood, The Busy-Body, & Early Writings. Both volumes were edited by J. A. Leo Lemay.

This capstone novel in Library of America's Bernard Malamud edition brings together his three final novels: The Tenants, about the growing tension between two male writers -- one Jewish, the other Black -- who are the only inhabitants of a crumbling Manhattan tenement house; Dubin's Lives, a revealing study in the perils and and promise of love in middle age; and God's Grace, a postapocalyptic tale of upended evolution in which redemption depends on the lone human survivor's ability to find common ground with a talking chimp. Edited by Malamud's definitive biographer, the volume is rounded out with thirteen masterful short stories and the memoir "Long Work, Short Life" as well as a fascinating autobiographic sketch, " A Lost Bar-Mitzvah," published here for the first time.

The Library of America inaugurates its Elmore Leonard edition with four funny, street-smart early masterpieces, gathered in one volume for the first time: Blending gritty toughness and unpredictable violence with wild humor and an uncanny ear for the rhythms of ordinary speech, Elmore Leonard (1925-2013) was the most widely and enthusiastically admired crime novelist of his time. His genius for scene and dialogue led Time magazine to describe him as "a Dickens of Detroit," and Newsweek called him "the best American writer of crime alive, possibly the best we've ever had." Now The Library of America inaugurates a three-volume edition of Leonard's greatest work, prepared in consultation with the author shortly before his death and edited by his long-time researcher Gregg Sutter. The four novels collected in this first volume re-invented the American crime novel and cemented Leonard's reputation. All are set in his hometown Detroit, a hard-working "shot and a beer" kind of place whose lawless underside becomes a stage for an unforgettable cast of rogues, con artists, and psychopaths. Fifty-Two Pickup (1974), fast and sharply written, is an insidiously brutal book about an adulterous businessman who runs afoul of a crew of murderous blackmailers. Swag (1976) finds Leonard moving for the first time into the more comic mode that would become his signature, as he charts the small-time criminal careers of an amiable ex-con and an ambitious car salesman who share a bachelor pad and pursue their hedonistic dream of the good life through a string of armed robberies. Unknown Man No. 23 (1977) spins a complex web of crisscrossing rip-offs and con games, with process server Jack Ryan, a typically laid-back Leonard protagonist, caught in the middle. In The Switch (1978), one of Leonard's funniest books, Mickey Dawson, a discontented housewife held for ransom, manages to turn the tables on her kidnappers while exacting overdue revenge on her scheming husband. This volume also contains a newly researched chronology of Elmore Leonard's life, drawing on materials in his personal archive, and detailed annotations, which include as a special bonus a scene from the typescript for Swag that did not appear in the published book.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

After 150 years the Civil War is still our greatest national drama, at once heroic, tragic, and epic-our Iliad, but also our Bible, a story of sin and judgment, suffering and despair, death and resurrection in a "new birth of freedom." Drawn from letters, diaries, speeches, articles, poems, songs, military reports, legal opinions, and memoirs, The Civil War: The First Year gathers over 120 pieces by more than sixty participants to create a unique firsthand narrative of this great historical crisis. Beginning on the eve of Lincoln's election in November 1860 and ending in January 1862 with the appointment of Edwin M. Stanton as secretary of war, this volume presents writing by figures well-known-Ulysses S. Grant, Robert E. Lee, Mary Chesnut, Frederick Douglass, and Lincoln himself among them-and less familiar, like proslavery advocate J.D.B. DeBow, Lieutenants Charles B. Haydon of the 2nd Michigan Infantry and Henry Livermore Abbott of the 20th Massachusetts Volunteer Infantry Regiment, and plantation mistresses Catherine Edmondston of North Carolina and Kate Stone of Mississippi. Together, the selections provide a powerful sense of the immediacy, uncertainty, and urgency of events as the nation was torn asunder. Includes headnotes, a chronology of events, biographical and explanatory endnotes, full-color hand-drawn endpaper maps, and an index. Companion volumes will gather writings from the second, third, and final years of the conflict.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A modern Thoreau explores the mysteries of the universe in this deluxe collector's boxed set.To read Loren Eiseley (1907-1977) is to renew a sense of wonder at the miracles and paradoxes of evolution and the ever-changing diversity of life. At the height of a distinguished career as a "bone-hunter" and paleontologist, Eiseley turned from fieldwork and scientific publication to the personal essay in six remarkable books that are masterpieces of prose style. Weaving together anecdote, philosophical reflection, and keen observation with the soul and skill of a poet, Eiseley offers a brilliant, companionable introduction to the sciences, paving the way for writers like Carl Sagan, Stephen Jay Gould, and Neil deGrasse Tyson. Now for the first time, the Library of America presents his landmark essay collections in a definitive two-volume set.Beginning with the surprise million-copy seller The Immense Journey (1957), Eiseley produced an astonishing succession of books that won acclaim both as science and as art. Here, for the first time in a single collector's edition, are all of Eiseley's beloved, thought-provoking, sometimes darkly lyrical essay collections, from The Immense Journey to the posthumous The Star Thrower (1978). Eiseley's subjects are wide-ranging, curious, and meticulously realized: the role of flowering plants in evolution; a disturbing insect, seen in childhood; the questions raised by a new fossil; a forgotten episode in the history of science. Beginning with close observation and vivid detail, Eiseley is fearless and imaginative in pursuit of the cosmological dimensions of the phenomena he describes. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.