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Twenty years after Appomattox, stricken by cancer and facing financial ruin, Ulysses S. Grant wrote his Personal Memoirs to secure his family's future. in doing so, the Civil War's greatest general won himself a unique place in American letters. His character, intelligence, sense of purpose, and simple compassion are evident throughout this vivid and deeply moving account, which has been acclaimed by readers as diverse asMark Twain, Matthew Arnold, Gertrude Stein, and Edmund Wilson. Annotated and complete with detailed maps, battle plans, and facsimiles reproduced from the original edition, this volume offers an unparalleled vantage on the most terrible, moving, and inexhaustibly fascinating event in American history. included are 174 letters, many of them to his wife, Julia, which offer an intimate view of their affectionate and enduring marriage.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Celebrate America's zaniest and most subversive magazine in 26 essays and comix from all-star contributors, including Roz Chast, Jonathan Lethem, and Grady Hendrix. Before SNL and the wise-guy sarcasm of Letterman and Colbert, before The Simpsons and online memes, there was . . .  MAD. A mainstay of countless American childhoods, MAD magazine exploded onto the scene in the 1950s and gleefully thumbed its nose at all the postwar pieties. MAD became the zaniest, most subversive satire magazine ever to be sold on America's newsstands, anticipating the spirit of underground comix and 'zines and influencing humor writing in movies, television, and the internet to this day. Edited by David Mikics, The MAD Files celebrates the magazine's impact and the legacy of the Usual Gang of Idiots who transformed puerile punchlines and merciless mockery into an art form. 26 essays and comics present a varied, perceptive, and often very funny account of MAD's significance, ranging from the cultural to the aesthetic to the personal. Art Spiegelman reflects on how he "couldn't learn much about America from my refugee immigrant parents--but I learned all about it from MAD"Roz Chast remembers how the magazine was "love at first sight. . . . It was one of my first inklings that there were other people out there who found the world as ridiculous as I did."David Hajdu and Grady Hendrix zero in on MAD's hilarious movie spoofsLiel Leibovitz delves into the Jewishness behind the magazine's humorand Rachel Shteir amplifies the often unsung contributions of MAD's women artists.Several essays are admiring profiles of the individual creators that made MAD what it was: Mort Drucker, Harvey Kurtzman, Al Jaffee, Antonio Prohias, and Will Elder. For longtime fans and new readers alike, The MAD Files is an indispensable guide to America's greatest satire magazine.

For the 150th anniversary of the Emancipation Proclamation, here is a collection of writings that charts our nation's long, heroic confrontation with its most poisonous evil. It's an inspiring moral and political struggle whose evolution parallels the story of America itself. To advance their cause, the opponents of slavery employed every available literary form: fiction and poetry, essay and autobiography, sermons, pamphlets, speeches, hymns, plays, even children's literature. This is the first anthology to take the full measure of a body of writing that spans nearly two centuries and, exceptionally for its time, embraced writers black and white, male and female. Benjamin Franklin, Thomas Paine, Phillis Wheatley, and Olaudah Equiano offer original, even revolutionary, eighteenth century responses to slavery. With the nineteenth century, an already diverse movement becomes even more varied: the impassioned rhetoric of Frederick Douglass and William Lloyd Garrison joins the fiction of Harriet Beecher Stowe, Louisa May Alcott, and William Wells Brown; memoirs of former slaves stand alongside protest poems by John Greenleaf Whittier, Henry Wadsworth Longfellow, and Lydia Sigourney; anonymous editorials complement speeches by statesmen such as Charles Sumner and Abraham Lincoln. Features helpful notes, a chronology of the antislavery movement, and a16-page color insert of illustrations.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The beloved March family trilogy-presented in one "single, beautifully crafted volume" featuring original illustrations (John Matteson, Pulitzer Prize-winning author) From the incidents of her own remarkable childhood, Louisa May Alcott fashioned a trilogy of novels that catapulted her to fame and fortune and that remain among the most beloved works in all of American literature. Here, in an authoritative single-volume edition restoring Alcott's original text as well as her sister May (the original of Amy)'s illustrations, is the complete series. Set in a small New England town during the Civil War and Reconstruction, Little Women introduces Alcott's remarkable heroines, the March sisters-above all, her alter ego Jo March, with her literary ambition and independent spirit. The follow-up, Little Men, follows Jo into adulthood and marriage as she finds herself the caretaker of a houseful of rambunctious children at Plumfield School. Jo's Boys returns to Plumfield a decade later; now grown, Jo's children recount adventures of their own. At once heartwarming and true to life, Alcott's novels will continue to win over readers both young and old, as they have for generations. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The five novels in The Leatherstocking Tales (collected in two Library of America volumes), Cooper's great saga of the American wilderness, form a pageant of the American frontier. Cooper's hero, Natty Bumppo, is forced ever farther into the heart of the continent by the advance of civilization that he inadvertently serves as advance scout, missionary, and critic. Leatherstocking first appears in The Pioneers (1823), as an aged hunter living on the fringe of settlement near Templeton (Cooperstown), New York, at the end of the eighteenth century. There he becomes caught in the struggles of party, family, and class to control the changing American land and to determine what sort of civilization will replace the rapidly vanishing wilderness. When Natty Bumppo started an American tradition by setting off into the sunset at the novel's close, one early reader said, "I longed to go with him."The Last of the Mohicans (1826) is a pure unabashed narrative of adventure. It looks back to the earlier time of the French and Indian Wars, when Natty and his two companions, Chingachgook and Uncas, survivors of a once-proud Indian nation, attempt a daring rescue and seek to forestall the plan of the French to unleash their Mingo allies on a wave of terror through the English settlements.The Prairie (1827) takes up Natty in his eighties, driven by the continuous march of civilization to his last refuge on the Great Plains across the Mississippi. On this vast and barren stage, the Sioux and Pawnee, the outlaw clan of Ishmael Bush, and members of the Lewis and Clark expedition enact a romantic drama of intrigue, pursuit, and biblical justice that reflects Cooper's historical dialectic of culture and nature, of the American nation and the American continent.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The most comprehensive collection of stories, sketches, burlesques, hoaxes, tall tales, speeches, satires, and maxims of America's greatest humorist, Mark Twain Arranged chronologically and containing many pieces restored to the form in which Twain intended them to appear, this special Library of America volume shows with unprecedented clarity the literary evolution of Mark Twain over six decades of his career.The nearly two hundred separate items in this volume cover Twain's writings from the years 1852 to 1890. As a riverboat pilot, Confederate irregular, silver miner, frontier journalist, and publisher, Twain witnessed the tragicomic beginning of the Civil War in Missouri, the frenzied opening of the West, and the feverish corruption, avarice, and ambition of the Reconstruction era. He wrote about political bosses, jumping frogs, robber barons, cats, women's suffrage, temperance, petrified men, the bicycle, the Franco-Prussian War, the telephone, the income tax, the insanity defense, injudicious swearing, and the advisability of political candidates preemptively telling the worst about themselves before others get around to it.Among the stories included here are "Jim Smiley and His Jumping Frog," which won him instant fame when published in 1865, "Cannibalism in the Cars," "The Invalid's Story," and the charming "A Cat's Tale," written for his daughters' private amusement. This volume also presents several of his famous and successful speeches and toasts, such as "Woman - God Bless Her," "The Babies," and "Advice to Youth." Such writings brought Twain immense success on the public lecture and banquet circuit, as did his controversial "Whittier Birthday Speech," which portrayed Boston's most revered men of letters as a band of desperadoes.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

For the first time, the complete stories of the master chronicler of tradition and transformation in the twentieth-century South.Born and raised in Tennessee, Peter Taylor was the great chronicler of the American Upper South, capturing its gossip and secrets, its divided loyalties and morally complicated legacies in tales of pure-distilled brilliance. Now, for his centennial year, the Library of America and acclaimed short story writer Ann Beattie present an unprecedented two-volume edition of Taylor's complete short fiction, all fifty-nine of the stories published in his lifetime in the order in which they were composed. This first volume offers twenty-nine early masterpieces, including such classics as "A Spinster's Tale," "What You Hear from 'Em?," "Venus, Cupid, Folly and Time" and "Miss Leonora When Last Seen." As a special feature, an appendix in the first volume gathers three stories Taylor published as an undergraduate that show the early emergence of his singular style and sensibility.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Together for the first time, classic essays on how and when to disobey the government from two of the greatest thinkers in our literature As we grapple with how to respond to emerging threats against democracy, Library of America brings together for the first time two seminal essays about the duties of citizenship and the imperatives of conscience. In "Resistance to Civil Government" (1849), Henry David Thoreau recounts the story of a night he spent in jail for refusing to pay poll taxes, which he believed supported the Mexican American War and the expansion of slavery. His larger aim was to articulate a view of individual conscience as a force in American politics. No writer has made a more persuasive case for obedience to a "higher law." In "Civil Disobedience" (1970), Hannah Arendt offers a stern rebuttal to Thoreau. For Arendt, Thoreau stands in willful opposition to the public and collective spirit that defines civil disobedience. Only through positive collective action and the promises we make to each other in a civil society can meaningful change occur. This deluxe paperback features an introduction by Roger Berkowitz, Founder and Academic Director of the Hannah Arendt Center for Politics and Humanities and Professor of Politics, Philosophy, and Human Rights at Bard College, who reflects on the tradition of civil disobedience and the future of American politics.

Library of America continues its definitive edition of Wendell Berry's complete fiction, including the novels The Memory of Old Jack and Remembering and 23 brilliant and beautiful stories In this second volume, Port William faces the disappearance of farms and farmers in the decades after World War II, while Andy Catlett resolves to remain in the Membership Set along the banks of the Kentucky River in America's heartland, fictional Port William, Kentucky, is an agrarian world is peopled with memorable and beloved characters collectively known as the Port William Membership. For more than 50 years, Wendell Berry has told Port William's history from the Civil War to the present day, recapturing a time when farming, faith, and family were the anchors of community and the ligaments that bound one generation to the next. Now Library of America continues its definitive edition, prepared in close consultation with the author and published for his 90th birthday, presenting the complete story of Port William for the first time in the order of narrative chronology. This second volume contains 23 stories and 2 novels that span the years 1945 to 1978, as the town faces the forces of mechanization and the looming possibility of its own disappearance. As the generation that came of age after the Civil War disappears, the younger generation increasingly chooses to leave and not return; one of the only exceptions is Andy Catlett, who resolves to remain in and to maintain the Membership. This definitive edition of Wendell Berry's complete fiction includes detailed notes, endpapers featuring a map of Port William and a Membership family tree, and a chronology of Berry's remarkable life and career.

In 1 volume, 3 classic early works by the Southern physician-turned-novelist who galvanized American literature with stories of spiritual searching amid modern angst Includes the landmark, National Book Award-winning The Moviegoer, in a fully annotation edition A physician-turned-writer and self-described diagnostician of "the malaise," Percy plumbed the depths of modern American angst and alienation as few other writers have. Now he joins the Library of America series with a volume collecting his first 3 books. The Moviegoer (1961), winner of the 1962 National Book Award for Fiction, is the story of John Bickerson "Binx" Bolling, a New Orleans stockbroker who finds in movies a resplendent reality that lifts him, for a time, out of the mire of everydayness. Binx is a modern-day pilgrim whose progress unfolds in what editor Paul Elie calls "the first work of what we call contemporary American fiction, the earliest novel to render a set of circumstances and an outlook that still feel recognizably ours." In The Last Gentleman (1966), Percy portrays another troubled, searching young man, this time a southerner living in New York whose intermitent amnesia and odd moments of déjà vu lead him to imagine that the world catastrophe everyone fears has already occurred. A satirical work of speculative fiction, Love in the Ruins (1971) introduces lapsed-Catholic psychiatrist Dr. Thomas More, inventor of the lapsometer, a devise that measures the spiritual sickness of a near-apocalyptic America torn apart by the forces of the far right and left. Rounding out the volume are three short nonfiction pieces by Percy: his speech upon accepting the National Book Award, his special message to readers of the Franklin edition of The Moviegoer, and his address to the Publicists' Association of the National Book Awards concerning Love in the Ruins.

"A deluxe hardcover edition of Keller's classic memoir The Story of My Life--presented in complete and unredacted form--along with the brilliant, still-underappreciated personal essays of The World I Live In, in which Keller reflects on the senses, language, philosophy, dreams, and belief. Includes a selection of more than a dozen essays, speeches, and letters--most of them out-of-print, previously uncollected, or previously unpublished--revealing Keller's thoughts on religion and faith, women's rights and workers' rights, racial injustice, and the peace movement. Chapters from her later memoir Midstream recall her friendship with Mark Twain, and memories of her mother"--

"The 72 columns selected here by editor Dan Barry, more than half of which have not been reprinted since initial publication, reveal Breslin at his best, addressing stories of national and global importance but more often uncovering tales of ordinary New Yorkers, by turns tragic or absurd but always gripping to read. Gathered here are the highlights of his consummate deadline artistry: his celebrated interview with the man who dug the grave for John F. Kennedy, his coverage of the assassination of Malcolm X, his dispatches from the South at the height of the Civil Rights movement and from Vietnam, accounts of his involvement with the "Son of Sam" case as the serial killer who terrorized New York City in 1977, his story about John Lennon's murder in 1980, his award-winning series about the AIDS crisis in 1986, and his disgusted glimpse of Donald Trump conning the press corps during a book promotion in 1990. These masterful columns are joined by two of Breslin's books: How the Good Guys Finally Won (1976), one of the best accounts of the Watergate scandal, centered on House Majority Leader Tip O'Neill and his allies, whose success in forcing Richard Nixon for office scored an unlikely victory for U.S. democracy; and The Short Sweet Dream of Eduardo Gutiâerrez (2002), the story of an immigrant laborer killed at a construction site in Brooklyn and of the malfeasance among developers, city officials, and others that enabled the accident to happen. As quintessentially a New York figure as the memorable urban characters he portrayed, Breslin nonetheless transcended the confines of his local audience and became a national celebrity, writing with a novelist's awareness of the telling detail that reveals the depth of a person's, and a people's, character."--Provided by publisher.

This collection of 80 dramatic firsthand writings by Frederick Douglass, Ida B. Wells, and others brings to life the struggle for racial justice from the Civil War to World War. A vital resource for the teaching of the history of race in America that traces the ascendency of white supremacy after Reconstruction--and the outspoken resistance to it led by Black Americans and their allies. W.E.B. Du Bois famously identified "the problem of the color-line" as the defining issue in American life. The powerful writings gathered here reveal the many ways Americans, Black and white, fought against white supremacist efforts to police the color line, envisioning a better America in the face of disenfranchisement, segregation, and widespread lynching, mob violence, and police brutality.

A radical new vision of the nation's founding era and a major act of historical recovery Featuring more than 120 writers, this groundbreaking anthology reveals the astonishing richness and diversity of Black experience in the turbulent decades of the American Revolution Black Writers of the Founding Era is the most comprehensive anthology ever published of Black writing from the turbulent decades surrounding the birth of the United States. An unprecedented archive of historical sources--including more than 200 poems, letters, sermons, newspaper advertisements, slave narratives, testimonies of faith and religious conversion, criminal confessions, court transcripts, travel accounts, private journals, wills, petitions for freedom, even dreams, by over 100 authors--it is a collection that reveals the surprising richness and diversity of Black experience in the new nation. Here are writers both enslaved and free, loyalist and patriot, female and male, northern and southern; soldiers, seamen, and veterans; painters, poets, accountants, orators, scientists, community organizers, preachers, restaurateurs and cooks, hairdressers, criminals, carpenters, and many more. Along with long-famous works like Phillis Wheatley's poems and Benjamin Banneker's astonishing mathematical and scientific puzzles are dozens of first-person narratives offering little-known Black perspectives on the events of the times, like the Boston Massacre and the death of George Washington. From their bold and eloquent contributions to public debates about the meanings of the revolution and the values of the new nation-- writings that dramatize the many ways in which protest, activism, and community organizing have been integral to the Black American experience from the beginning--to their intimate thoughts preserved in private diaries and letters, some unseen to the present day, the words of the many writers gathered here will indelibly alter our understandings of American history. A foreword by Annette Gordon-Reed and an introduction by James G. Basker, along with introductory headnotes and explanatory notes drawing on cutting edge scholarship, illuminate these writers' works and to situate them in their historical contexts. A 16-page color photo insert presents portraits of some of the writers included and images of the original manuscripts, broadside, and books in which their words have been preserved.

Library of America caps its six-volume edition of William Faulkner's works with a volume gathering of all the stories he collected in his lifetime, in corrected texts Faulkner called the short story "the most demanding form after poetry" and wrote to an editor that "even to a collection of short stories, form, integration, is as important as to a novel--an entity of its own, single, set for one pitch, contrapuntal in integration, toward one end, one finale." Faulkner was a major practitioner of the short story form and keenly sensitive to its aesthetic demands. The Library of America edition of the collected writings of William Faulkner culminates with this volume presenting all the stories the author gathered for his book collections, in newly edited and authoritative texts. This is Faulkner as he was meant to be read. Faulkner's monumental Collected Stories (1950) presented the author's first two collections, These Thirteen (1931) and Doctor Martino (1934), along with seventeen new stories, all carefully selected and arranged by the author; Knight's Gambit (1949) collected six stories about attorney Gavin Stevens' detective work; and in Big Woods (1955) Faulkner gathered four hunting stories connected with interstitial material. This volume presents these three collections as carefully arranged by Faulkner, with new authoritative and corrected texts that best represent Faulkner's intentions for the stories. Here are such well-known stories as "A Rose for Emily," "Barn Burning," and "A Bear Hunt," as well as some of his most poetic--"Carcassone"--and less known, such as "The Tall Men," "Elly," and "Uncle Willy." Also included are Faulkner's stories "The Hound" (collected in Doctor Martino but omitted by the author from Collected Stories), "Spotted Horses," Faulkner's fictionalized autobiographical essay "Mississippi," as well as his Nobel Prize acceptance speech and helpful explanatory notes by Faulkner scholar Theresa M. Towner.

"... the definitive edition of an essential figure in Black and American theater, spanning from the 1960s to the 2010s and including several works published for the first time."--Provided by publisher.

Rediscover the masterful stories of a midcentury artist whose multifaceted portraits of women were generations ahead of her time"A stunning, crystalline collection." -VogueNancy Hale was considered one of the preeminent short story artists of her era, a prolific writer whose long association with The New Yorker rivaled that of her contemporary John Cheever. But few readers today will recognize her name. Acclaimed author Lauren Groff has selected twenty-five of Hale's best stories, presented here in the first career-spanning edition of this astonishingly gifted writer's work. These stories seem ahead of their time in their depiction of women--complicated characters, sometimes fragile, possibly wicked, often remarkable in their apparent ordinariness, from an adolescent girl in Connecticut driven into delirium over her burgeoning sexuality in "Midsummer," to a twenty-something New Yorker experiencing culture shock during a visit to a friend's house in Virginia in "That Woman," to a New England widow in search of alcohol while babysitting her grandson in "Flotsam." Other stories touch on memories of childhood, the intense trauma of electroshock therapy, and the spectre of white supremacy. Haunting, vivid, and subversive in the best sense, Where the Light Falls is nothing less than a major literary rediscovery.

The ultimate Portis: for the first time in one collector's volume, the complete fiction and collected nonfiction of the author of True Grit Rediscover a comic genius and master storyteller comparable to Mark Twain"Charles Portis is one of the great pure pleasures available in American literature." -Ron Rosenbaum "Like Mark Twain's Huckleberry Finn and Thomas Berger's Little Big Man, Charles Portis's True Grit captures the naïve elegance of the American voice." -Jonathan Lethem "No living Southern writer captures the spoken idioms of the South as artfully as Portis does." -Donna Tartt "His fiction is the funniest I know." -Roy Blount, Jr. Twice adapted as a film, first in a version starring John Wayne and then by the Coen Brothers, True Grit is a wonder of novelistic perfection, told in the unforgettable voice of 14-year-old Mattie Ross as she sets out to avenge her murdered father in a quest that brings her out of her native Arkansas and into the wilds of the Choctaw Nation of the 1870s. One of the great literary Westerns, it is also a novel that has invited comparison with The Wizard of Oz, Alice in Wonderland, and Adventures of Huckleberry Finn. Portis's deadpan debut novel Norwood (1966) is, like True Grit, the story of a quest, though here the stakes are far lower: an auto mechanic from Texas embarks on a madcap journey to New York City to try and recover $70 owed to him from an Army buddy. A book that according to Roy Blount Jr. "no one should die without having read," The Dog of the South (1979) is yet a third saga of pursuit, this time all the way to Central America. Ray Midge is on the road looking for the man who has run off with his car (and of somewhat less interest to him, his wife.) Masters of Atlantis (1985) conjures the fictional cult of Gnomonism and takes an uproarious plunge into the dark heart of conspiratorial thinking and schismatic in-fighting. Gringos (1991), set in Mexico, follows an expatriate ex-Marine in his search to find a UFO hunter gone missing in the Yucatan, amid a supporting cast of archaeologists, drug-addled hippie millenarians, and the son of the "bravest dog in all Mexico." A generous gathering of the nonfiction reveals Portis's skills as a reporter, above all in his coverage of the Civil Rights Movement; his appreciation of Arkansas history and landscape, as in "The Forgotten River"; and his poignancy as a family memoirist, on display in his recollection "Combinations of Jacksons."

The years 1942 to 1954 saw William Faulkner's rise to literary celebrity-sought after by Hollywood, lionized by the critics, awarded a Nobel Prize in 1950 and the Pulitzer and National Book Award for 1954. But, despite his success, he was plagued by depression and alcohol and haunted by a sense that he had more to achieve-and a finite amount of time and energy to achieve it.This Library of America volume collects the novels written during this crucial period; defying the odds, Faulkner continued to break new ground in American fiction. He delved deeper into themes of race and religion and furthered his experiments with fictional structure and narrative voice. These newly restored texts, based on Faulkner's manuscripts, typescripts, and proof sheets, are free of the changes introduced by the original editors and are faithful to the author's intentions.Go Down, Moses (1942) is a haunting novel made up of seven related stories that explore the intertwined lives of black, white, and Indian inhabitants of Yoknapatawpha County. It includes "The Bear," one of the most famous works in all American fiction, with its evocation of "the wilderness, the big woods, bigger and older than any recorded document."Characters from Go Down, Moses reappear in Intruder in the Dust (1948). Part detective novel, part morality tale, it is a compassionate story of a black man on trial and the growing moral awareness of a southern white boy.Requiem for a Nun (1951) is a sequel to Sanctuary. With an unusual structure combining novel and play, it tells the fate of the passionate, haunted Temple Drake and the murder case through which she achieves a tortured redemption. Prose interludes condense millennia of local history into a swirling counterpoint.In A Fable (1954), a recasting of the Christ story set during World War I, Faulkner wanted to "try to tell what I had found in my lifetime of truth in some important way before I had to put the pen down and die." The novel, which earned a Pulitzer Prize, is both an anguished spiritual parable and a drama of mutiny, betrayal, and violence in the barracks and on the battlefields.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A veteran of some of the bloodiest battles of the Civil War, Ambrose Bierce went on to become one of the darkest and most death haunted of American writers, the blackest of black humorists. This volume gathers the most celebrated and significant of Bierce's writings. In the Midst of Life (Tales of Soldiers and Civilians), his collection of short fiction about the Civil War, which includes the masterpieces "An Occurrence at Owl Creek Bridge" and "Chickamauga," is suffused with a fiercely ironic sense of the horror and randomness of war. Can Such Things Be? brings together "The Death of Halpin Frayser," "The Damned Thing," "The Moonlit Road," and other tales of terror that make Bierce the genre's most significant American practitioner between Poe and Lovecraft. The Devil's Dictionary, the brilliant lexicon of subversively cynical definitions on which Bierce worked for decades, displays to the full his corrosive wit. In Bits of Autobiography, the series of memoirs that includes the memorable "What I Saw of Shiloh," he recreates his experiences in the war and its aftermath. The volume is rounded out with a selection of his best uncollected stories. Acclaimed Bierce scholar S. T. Joshi provides detailed notes and a newly researched chronology of Bierce's life and mysterious disappearance.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In one volume, four novels by "the real Fitzgerald": scintillating, sexually frank tales of the desperate pursuit of pleasure and status in Jazz Age America.Here in one volume are four gripping novels about the anxious pursuit of pleasure and status in the Jazz Age by the writer who has been called "the real Fitzgerald." In the brilliant debut Appointment in Samarra (1934), the life of car dealer Julian English unravels with stunning swiftness after he throws a highball in another man's face. Butterfield 8 (1935), based on the notorious case of the drowned socialite Starr Faithfull, is the still-shocking story of one young woman's defiant recklessness amid the desperate revels of Prohibition-era Manhattan. The long out-of-print Hope of Heaven (1938) shifts the scene to Los Angeles for a noirish tale of ill-fated love. And Pal Joey (1940), inspiration for the enduring Rodgers & Hart musical, presents O'Hara's perhaps most memorable character, a sleazy nightclub emcee whose wised-up talk highlights O'Hara's matchless ear for the American language. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.