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"In an unprecedented anthology edited by the poet and critic Rigoberto Gonzâalez, Library of America brings together more than 180 poets whose poems bear witness to the beauty and power of this vital and expanding tradition: its profound engagement with pasts both mythical and historical, its reckoning with the complexities of language, land, and identity, and its vision of a nation enriched by the stories of immigrants, exiles, refugees, and their descendants."-- Provided by publisher.

"The premise of Ronald Fair's short, parable-like novel, Many Thousand Gone: An American Fable (1965), is that in a rural corner of Mississippi--the fictional Jacobs County--slavery did not end in 1865 but continued uninterrupted into the 1960s through the brutal tactics of the local sheriff's office and the willing complicity of surrounding counties. Black outsiders are not allowed into Jacobs County while Black inhabitants attempting to escape are hunted down and killed. All the Black women in the county have been made sexually available to any white man for generations, resulting in the mixed blood of nearly all the enslaved population.When the last all-Black child, "the Black Prince," is born, he is secreted out of the county by his great-grandmother and a family friend, and eventually makes his way north to join his father. Years later, when the Black Prince becomes a celebrated writer in Chicago, his growing fame puts an unwanted spotlight on Jacobs County, emboldening the enslaved population, exposing the white supremacists' false sense of superiority, and setting in motion a series of events that will change everything. Will the white population change with the times? Or will they willingly see the destruction of Jacobsville--the county's principal town--before sharing power with the Black population?"--Provided by publisher.

Library of America presents the definitive novel of the Jazz Age in an authoritative new text--along with a quartet of brilliant stories that explore variations on the theme of desperate longing for an unattainable someone or something --

Library of America inaugurates its edition of the complete fiction of one of America's most beloved living writersFor more than fifty years, in eight novels and fortytwo short stories, Wendell Berry (b. 1934) has created an indelible portrait of rural America through the lens of Port William, Kentucky, one of the most fully imagined places in American literature. Taken together, these novels and stories form a masterwork of American prose: straightforward, spare, and lyrical. Now, for the first time, in an edition prepared in consultation with the author, Library of America is presenting the complete story of Port William in the order of narrative chronology. This first volume, which spans from the Civil War to World War II, gathers the novels Nathan Coulter (1960, revised 1985), A Place on Earth (1967, revised 1983), A World Lost (1996), and Andy Catlett: Early Travels (2006), along with twenty-three short stories, among them such favorites as "Watch With Me," "Thicker than Liquor," and "A Desirable Woman." It also features a newly researched chronology of Berry's life and career, a map and a Port William Membership family tree, and helpful notes.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Into the Blue revisits the remarkable trajectory of Americans in air and space, gathering sixty of the best eyewitness and participant narratives from Benjamin Franklin's letters on the first hot air balloons to Chris Jones's account of being marooned on the International Space Station. Here are those who made flight happen: Orville and Wilbur Wright, self-taught pioneers whose homespun invention stunned the world; World War I ace Eddie Rickenbacker, whose memoirs (excerpted here for the first time in unedited form) describe the frightening novelties of aerial combat; and daredevils like Texas barnstormer Slats Rodgers and test pilot Jimmy Collins. Ernest Hemingway offers a vivid dispatch on a 1922 flight over France, and Gertrude Stein muses on the look of America from the air; Charles A. Lindbergh and Amelia Earhart narrate their groundbreaking transatlantic flights; Ralph Ellison reflects on the experience of African American airmen at Tuskegee; William F. Buckley Jr. recounts his mishaps as an amateur pilot; Wernher von Braun envisions a space station of the future, while astronauts John Glenn, Michael Collins and Buzz Aldrin provide firsthand recollections of the conquest of space. Here too, among many other subjects, are scenes and episodes in the development of commercial aviation, from the hiring of the first stewardesses and the high stress lives of air traffic controllers to the new ubiquity of what Walter Kirn calls "Airworld." A thirty-two-page insert offers photographs, some previously unpublished, of the writers and their crafts.

Thomas Jefferson defined, at the moment of our nation's birth, the issues that still direct our political life. Displaying his extraordinary variety of interests and powerful and precise style, Jefferson's writings are an invaluable and incisive record of the landscape, inhabitants, life, and daily customs of America in the Revolutionary and early national eras, as well as a testimony to the brilliance of one of the most influential and controversial figures in our nation's history.

From the American Revolution to the present day, public oratory has profoundly shaped American history and culture-not only our politics but our language and our sense of national identity. Edited by historian and former presidential speechwriter Ted Widmer, American Speeches presents the complete texts of forty-seven of the greatest speeches in American history: from Patrick Henry's address before the Virginia Convention in 1775 ("give me liberty, or give me death!") to "A More Perfect Union," Barack Obama's profound meditation on race from the 2008 presidential campaign. Classic speeches like Sojourner Truth's stirring declamation to the 1851 Women's Rights Convention, Abraham Lincoln's masterpiece at Gettysburg, John F. Kennedy's still-inspiring inaugural address, Martin Luther King, Jr.'s prophetic "I Have a Dream" speech, and Ronald Reagan's clarion call at the Brandenburg Gate come together to form a dynamic portrait of our ongoing struggle to define and to realize the possibilities of the American experiment. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. This book features detailed biographical notes about the speakers, an essay on the choice of the texts, and explanatory notes.

With the publication of Chicago Poems in 1916, Carl Sandburg became one of the most famous poets in America: the voice of a Midwestern literary revolt, fusing free-verse poetics with hard-edged journalistic observation and energetic, sometimes raucous protest. By the time his first book appeared, Sandburg had been many things-a farm hand, a soldier in the Spanish-American War, an active Socialist, a newspaper reporter and movie reviewer-and he was determined to write poetry that would explode the genteel conventions of contemporary verse. His poems are populated by factory workers, washerwomen, crooked politicians, hobos, vaudeville dancers, and battle-scarred radicals. Writing from the bottom up, bringing to his poetry the immediacy of America's streets and prairies, factories and jails, Sandburg forged a distinctive style at once lyrical and vernacular, by turns angry, gritty, funny, and tender. Paul Berman takes a fresh look at Sandburg's work and what it can tell us about twentieth-century America in a volume that draws on such volumes as Cornhuskers, Smoke and Steel, and Slabs of the Sunburnt West.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

Statesman, scientist, philosopher, printer, and civic leader, Benjamin Franklin was also the most powerful writer of his time. From his first appearance in print, in the guise of the eccentric, opinionated, voluble "Silence Dogood" (1722), to his last published article, a searing satire against slavery (1790), he covered every aspect of "the question of America" with radiant clarity, wit, and penetration.This Library of America collection begins with items written by Franklin during his early years in Boston and London (1722-1726), including the complete "Silence Dogood" essay series. The volume also includes the famous "Busy-Body" essays (1728-1729); many of the news articles and essays he penned after he purchased the failing Pennsylvania Gazette (which eventually became the most widely read newspaper in the colonies); and various political satires, pamphlets, and personal correspondence written while he lived in Philadelphia from 1726 to 1757. The book concludes with material he published while a diplomat in London from 1757 to 1775 (including letters to the press, satires, and pamphlets).Controversial in his own time, and the subject of vigorous debate ever since-to Matthew Arnold he exemplified "victorious good sense," while to D. H. Lawrence he was "the first dummy American"-Franklin emerges in this collection as a figure of extraordinary complexity for readers to discover, consider, and appreciate anew.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

From first to last, poetry was part of Edith Wharton's writing life. While rarely (after early youth) her primary focus, it always served her as a medium for recording the most vivid impressions and emotions, an intimate journal of longings and regrets. "Poetry was important to Wharton," writes editor Louis Auchincloss, "because it enabled her to express the deeply emotional side of her nature that she kept under such tight control, not only in her life but in the ordered sweep of her fiction."In later years her poetry also engaged with the public passions of wartime, as she found herself involved with the plight of Allied soldiers in France. Her first models were Romantic, but in the course of her life she absorbed the influences of Symbolism and Modernism; and throughout her poetic career she showed a care for form even in her most private utterances, as in the erotic ode "Terminus," never published in her lifetime. This volume collects the bulk of Wharton's significant poetry, including much work previously uncollected or unpublished.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.