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A delightful sticker book of reproduced vintage luggage labels from around the worldChart a nostalgic trip around the globe with removable stickers featuring iconic luggage labels from the Letterform Archive collection. From Berlin to Gibraltar to Penang to Calcutta, the book evokes a deep nostalgia for the golden age of 20th-century travel--one populated by luxury trains, hotel matchbooks and well-dressed bellboys. Faithfully reproduced and smartly arranged in a hardcover book, this selection of 450 labels allows travel enthusiasts to stick, share and delight in designs from an era of trunk luggage and grand hotels.

A graphic design masterpiece held in museum collections worldwide, now recreated in full facsimileWidely regarded as the most important Dutch designer of the last century, Piet Zwart helped rewrite the rules of modern typography. An autodidactic student of typography and printing, he incorporated elements of fine art and architecture into his graphic design. He often referred to himself as a "typotect" part typographer, part architect. His best-known work, an 80-page catalog for the electrical cable manufacturer Nederlandse Kabelfabriek Delft (NKF), is a remarkable case study in visual communication, combining razor-sharp photos, playful type compositions, expressive montages and bold fields of color to transform the humble cable into a subject for experimental graphic design.Received in avant-garde circles as a model of modernist New Typography, the catalog remains a sought-after touchstone of art and design history. This first-ever facsimile of Zwart's NKF catalog reproduces the complete book with exacting details and in its original format. An accompanying critical supplement includes fascinating essays by design scholars Philip B. Meggs and Paul Stirton, a rich selection of rarely seen projects from Zwart's decade-long relationship with NKF and a translation of Zwart's original manifesto.Piet Zwart (1885-1977) originally trained as an architect at the National School of Applied Arts in Amsterdam. He incorporated aspects of Constructivism and De Stijl into his typographic work for the Nederlandse Kabelfabriek Delft and the Dutch postal service. In 2000 he was posthumously awarded "Designer of the Century" by the Association of Dutch Designers.

A stationery set for fans of the beloved San Francisco printer San Francisco-based printer Jack Stauffacher's (1920-2017) bold experiments in letterpress expanded the ideas of wood type's formal possibilities. Born in San Mateo, California, Stauffacher began his study of printing at the age of 16 and went on to design and print outstanding books for 80 years. He was the owner and operator of Greenwood Press, located in the San Francisco Bay Area. After receiving a box of discarded wood type in 1966, Stauffacher began playing with the mismatched letterforms as a break from his daily work. His resulting typographic experiments, often featuring bold layers of letters in black, bright blue or red, are a testament to type's more expressive capabilities. Stauffacher's refined yet graphic sensibility brought him acclaim in the worlds of both traditional fine printing and modern art. Examples of his wood and metal type designs can be found in the San Francisco Museum of Modern Art and the Los Angeles County Museum of Art. This set of notecards and envelopes, each pair unique, displays Stauffacher's abstract yet exquisite treatments of typography.

A revelatory, beautifully produced compendium of the influential Japanese commercial design journal, with posters, billboards, shop window displays and moreFrom 1928 to 1930, Tokyo publisher Ars issued The Complete Commercial Artist: a fully illustrated journal of commercial design for both commercial retail spaces and print design. Featuring countless original designs, its 24 volumes were dedicated to topics ranging from posters, packaging, flyers, page layout and typography to neon signage, billboards and shop window displays. Under the guidance of lead editor and writer Hamada Masuji, a passionate advocate for commercial design, the publication became the most important--and visually dazzling--document of Japanese design in its time.This generous volume from Letterform Archive Books shares hundreds of exuberant and whimsical pages from all 24 volumes of the now-rare publication. An extensive historical essay and volume-by-volume walk-throughs by art historian Gennifer Weisenfeld introduce readers to the magazine's creators and offer analyses of their use of illustration, photography, typography and lettering, highlighting both Japanese and European influences as new forms of media sparked a global dialogue.Presented for the first time to an English audience, The Complete Commercial Artist: Making Modern Design in Japan 1928-1930 takes readers on an eye-opening tour of interwar Japan's vibrant visual culture.