Bøker utgitt av Langaa RPCID

Education of the Deprived is a perceptive socio-artistic examination of the key works of some major writers of Anglophone Cameroon literary drama today. For over two decades now socio-political developments in Cameroon, including the liberalization of the press, have led to an unprecedented proliferation of political, journalistic and imaginative writings. Availing themselves of their new-found freedom of expression, Cameroonians in general are forcefully articulating their views more than even before, and creative writers, in particular, are artistically recording intimate and painful experiences in the on-going endeavour to make sense of the socio-political environment; they are mapping out, through images and symbols, the peculiar contour of the collective Cameroonian soul. What observers have noticed, with regard to Anglophone Cameroon imaginative writing, however, is that there are few significant critical works to match the burgeoning creative literature. While in the 1970s there was a cry concerning the scarcity of imaginative works by Anglophone Cameroonians, the complaint now, at the turn of the 21st century, is that there is a dearth of critical literature capable of catapulting, on to the international literary scene, the Anglophone Cameroon literature being written. This book covers both traditional and modern drama as written by Anglophones, lays bare the technical differences between the two dramatic traditions, and brings out the central themes developed by these committed dramatists.

Dust, Spittle & Wind is a story of youth, dreams of innocence and transcendence told within a postcolonial setting. It follows Olu Ray, the main character of the novel through a bitter-sweet journey of loss and self-realisation. The novel focuses on the final moment before actual emotional maturity when dreams either become flowers of brilliance or cold ashes. The novel describes the cold hand of fate as it swings between both extremes. Olu Ray eventually survives at the price of the abrupt loss of his innocence. The book teems with colourful characters and the blistering heat of the physical terrain appears to mirrors the lush sexuality on display. It explores the nature of taboo, the frustrations caused by it and the compulsions it provokes. In Sanya Osha's telling, society seems to be on the verge of irreparable breakdown but somehow manages to pull itself back from the abyss. The tension that runs through the novel is relentless but then, there is also much tenderness and subtlety that balances everything out. This is unquestionably a feat of powerful artistry. It deservedly won the Association of Nigerian Authors' Prize for prose in 1992.

The bicultural polity of Cameroon has become problematic over the years. In addition to the increasing marginalization experienced by its English speaking component in many domains (politics, administration, economy, culture), it is facing mounting inequality and disarray despite the nation-building aspirations at reunification in 1961. This book examines the very basis of the union crisis by tracing the causes to the asymmetrical nature of negotiations between the contracting partners - the founding fathers of the union - and the politics of guile and force that has characterized the regimes in Yaoundé. From a federal model that takes the equality of the contracting parties as a given, the polity has developed into an ethno-regional patchwork designed by its architects to be essentially unequal in nature. Consequently, the segmented Anglophone community can exist only in contradiction within itself. They have been worked into the regime's statecraft of consciously maintaining or re-activating ethnic boundaries inherited from colonialism. An analysis of the cultural and linguistic dimension of the union shows contrasting drives between the assimilation/attempts to dominate by the French-speaking component and resistance by Anglophones. The analyses further show the projected harmonization and rollback by the State, the creative blends and the crystallization around continuing or reproduced colonial experiences, a fierce competition between elites with a drive to impose the culture of the demographically dominant and a refusal to accept the idea of a linguistic minority. The contentious experience, Yenshu Vubo argues, can still be remedied by reforms in a politics of possibilities. These reforms must be ready to re-examine the constitutional basis of the union by revisiting the often dismissed question of the form of the state defined as "one and indivisible" (a new federal architecture as requested by several political voices). Institutions should be restructured to attend to diversity issues and essential linguistic differences while consolidating any strategic gains of the union such as the creative blends and the acceptance of specificities of each community, statutory equality of citizenship and the essential clauses of the first federation.

This collection represents, in substance and style, folk tradition in the North-West Region of Cameroon. Contained herein is a sampling of various human emotions, parental concerns, and societal conflicts: emotional insecurity, deceit, obstinacy, power and control, trickery, malevolence, greed, jealousy, and more. The stylistic representation is reflected in the double writing, as shown by the dialogues, the songs, and the use of choruses. These tales are ageless, placeless, and, therefore, anonymous; yet they are also the collective wisdom of a people who are supposed once to have walked the planet and communed with other animals and non-animals on the same terms. That is how humans, animals, vegetation, water, and hills/mountains are equally animate and have linguistic expression for their thoughts and sentiments. Folktales served primarily as entertainment, and also as a convenient way of teaching history and culture, and they invariably promoted good listening and speaking skills in the vernacular language as children learned to model the rhetorical patterns of their adult folklorists - with children taking turns night after night till they had gone full circle and then started recounting the same tales over. While the morale of some of the tales is obvious, that of other tales is not; and that, again, is typical both of the traditional mind set and of the educational backdrop of storytelling.

Bernard Nsokika Fonlon, 1924-1986, rose from humble origins to become one of Cameroon's most famous sons. He was a scholar, a poet, a politician, a philosopher, a man of action and a man of courage. He was never too busy to see someone who was troubled, never too tired to take up the case of the oppressed or the downtrodden. He was a man who could communicate, with style, in half a dozen world languages but who could also use Pidgin English if it meant putting his listeners at ease. He was a man who moved in opulent circles but who collected for himself not money but the hearts of those who got to know him. It is easy to use superlatives of someone like Bernard Fonlon, easy to make him sound like a sage or a saint; it is less easy to describe the humour and the courtesy and the gentleness that irradiated all that he said and did. This book describes briefly the life and times of a man whose story incorporates the history of a young nation and whose autobiography, The Pathfinder, has all the excitement of an adventure novel. We could use a lot of words and still not get to the heart of the matter because ordinary words are for ordinary men and Bernard Fonlon was unique. To those who knew him, no introduction is necessary; to those who did not know him, no short introduction is enough. Bernard Fonlon did not leave a worldly legacy to his family and friends and country. He left much more. He left ideas that can never be buried and ideals that will challenge new generations.

Writing therapy is a varied collection of poems of a brisk, forward taste. The poet uses her poems as a form of expression of the harmonies and tensions that reassure and perturb the mind, heart and Spirit. This is a canvas of emotional expression from the frustration of the African youth to the declaration of the feminist, the desolation of the lovelorn and finally the weathered contentment of the Christian believer!

This book critically analyzes the complex relationship between the African state and capitalist globalization. It describes in great detail the significant effects of the various historical trajectories of global capitalist expansion on the nature and functions of the African state while focusing on the present triumph of globalized neo-liberalism on the African continent. The history of the state in Africa has been misread and misinterpreted through the Eurocentric convictions of European African scholars alike. The State in Africa has, since its colonial inception, has served as the best possible political shell for capitalism, enabling it to penetrate, again possession and establish itself firmly and securely, regardless of institutional and leadership instability at the helm. The glaring artificiality of the state in Africa, coupled with the failure of the local ruling classes to rise above the limitations of their provenance, is to blame for the myriad crises of one-party authoritarianism, violent coups and military dictatorship. It is also to blame for the progressive alienation of the African people, and the prevailing crises of identity and citizenship. Independence does not seem to have changed much, as the state is still controlled by the most powerful foreign, economically dominant class, which, has appropriated political power as well to further compound the subjection and exploitation of the oppressed Africans. Today the continent continues to grapple with underdevelopment, civil wars, intra-state conflicts, political instability, state failure and outright collapse, thus calling into question the viability and survivability of the Westphalian state model in Africa.

Efenze, the President of the Board of Directors of government companies and a member of the Central Committee of the Ruling Party, eliminates his erstwhile business contractor, Sancheu, with the complicity of the latter's wife. His aim is to inherit Sancheu's widow and wealth and to forge his way into the Political Bureau of the Party. The Call of Blood is a dramatization of evil in its multifaceted dimensions including treachery, infidelity, greed, hypocrisy, double-crossing and vaulting ambition in a postcolonial society where those who wield political and financial power thrive or perish by their involvement in obscure schemes. The play is enriched by a great sense of dramatic economy and poetic style evident in the preponderant use of local imagery.

Rock of God centres on a significant war that Nso fought with Bamoun in the 1880s, and which war resulted in a devastating defeat for the Bamouns. During this war, a major Nso combat rule was broken: the Sultan (king) of Bamoun was decapitated. Both local story tellers and historians have indicated that the Sultan was only supposed to be captured alive. The play explores some very compelling reasons for this violation. It mocks any attempt at categorization because the events involved are as historically relevant as they are anthropologically profound; as literarily dense as they are linguistically compelling. It surely stands on its own because it clearly combines concepts of docu-drama, morality play, classical theatre, historical drama, and much more. But beyond all else, it is great artistry that demonstrates the genius of experimentation.

This collection of poems evolves as a network and satellite of an expressive pursuit of justice with a difference. For, though this poetry simultaneously shapes global and grassroots smiles and tears, its corpus is no matter for laughter or weeping. In familiar but not identical voices, the poet tackles social evils as parasites while cross-examining cultural assumptions in the same vein. Triple form -title poem, Letters to Ethiopia and Some Random poems, explores nightmares of colonial mission civilisatrice by dint of two decades of inspirational events from 1965 as invitations into a more serene world emerging from post-discoveries.

The author of Harmattan Whispers reproduces life in such a harmonic order enveloped with dreams carefully filtered and balanced. As a keen observer of his society, he describes with passionate fervour movements that give existence its density. Emmanuel Matateyou in this poetic cocktail of his takes the reader through an African society where Harmattan, this North East trade wind, destroys as it sweeps along the ugly, the vicissitudes and the shredded pieces of life to leave place to a new kind of drunken quest. In the flux of his words and imagery, he gives life to dreams, fantasies and the Utopian visions of this lover of life, all of which are brought to the limelight through poetically revealing correspondences all rooted in passion and hope.

The forces of nature warranted that these two English speaking poets, linguists, translators cum academics and researchers be born in Ndop, Ngoketunjia Division, in the North West Region of Cameroon. The one is based in the USA and other in Australia. Disgusted by the rotten political clime in their country as well as the political stance of politician vis-à-vis the English speaking minority, these two poets in their poetry explore the ins and outs of the problems of existence, not only of the minority English speaking Cameroonian but those of minorities in a modern world with a push for globalization. To them art is not only a weapon for survival but one for resistance.

Crafted in a colourful, razor-sharp blend of poetry and prose, The Hill Barbers depicts the wanton destruction of water catchments in most communities in Africa. This is inextricably linked to the traditional practice of shifting cultivation, motivated largely by farmers' struggle to acquire more arable farmland to meet the needs of their rapidly growing families. The immediate consequence is acute water shortages, with obvious health and economic implications. Agro-forestry and other soil management techniques are subtly proposed as practical measures to effectively address the issue of shifting cultivation and the associated problem of encroachment into the delicate water catchments.

Twelve-year-old Bridget and her friends are excited when they get admitted into one of the most prestigious boarding secondary schools in Kumba, Cameroon. Passing exams is the least of their worries. But surviving the new academic and social culture with hormone driven adolescent boys and unscrupulous seniors remain a challenge. Can the ground rules for survival Bridget and her new girlfriends adopt protect them from the threats they face constantly from the seniors, teachers and the adults in the local community? Can they handle all the distractions in addition to the changes their pubescent bodies are undergoing?

Civil society and empowerment have become buzz words in neoliberal development discourse. Yet many unanswered questions remain on the actual nature and configuration assumed by civil society in specific contexts. Typically, while neoliberals perceive civil-society organisations as vital intermediary channels for the successful implementation of desired economic and political reforms, they are inclined to blame the current resurgence of the politics of belonging for the poor record of these reforms in Africa and elsewhere. This book rejects such notions and argues that the relationship between civil society and the politics of belonging is more complex in Africa than western donors and scholars are willing to admit. Konings argues that ethno-regional associations and movements are even more significant constituents of civil society in Africa than the conventional civil-society organisations that are often uncritically imposed or endorsed. He convincingly shows how the politics of belonging, so pervasive in Cameroon, and indeed much of Africa, during the current neoliberal economic and political reforms, has tended to penetrate the entire range of associational life. This calls for a critical re-appraisal of prevalent notions and assumptions about civil society in the interest of African reality. Hence the importance of this book!

The Lady with the Sting is sequel to The Lady with a Beard. In the two novels Alobwed'Epie compares and contrasts the masculinity and femininity of the two heroines Emade, and her daughter Ntube. In the first novel, Emade shuns her sex and clinks to a false masculine mask. In spite of her achievements she fails to debunk the old system. In The Lady with the Sting, her daughter Ntube, a less charismatic heroine, allows nature take its course and in the end she seizes the opportunity the erring old system gives her and destroys it. Alobwed'Epie, author of The Death Certificate, The Lady with a Beard, The Day God Blinked, and The Bad Samaritan was born at Ngomboku in Kupe-Muanenguba Division, South-West Region, Cameroon. He studied at the Universities of Yaoundé and Leeds, and teaches Creative Writing at the University of Yaoundé 1, Cameroon.