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The poems in this collection are a mirror reflecting the goings-on in the nooks and crannies of the Republic of Cameroon. Crafted in the lingo of the man in the street, these poems speak for the voiceless in Cameroon, for all those who live on the fringe of a rich Cameroonian society. The themes broached are numerous, namely the culture of impunity, the vicious cycle of corruption, abuse of power, influence peddling, rape of the constitution, electoral gerrymandering, and the ineptitude of national bourgeoisie to name but a few. In sum, Speak camfranglais pour un renouveau ongolais is a clarion call for a new deal in Cameroon.

This book addresses Cameroon's culture, education and language policies since independence, scholarship on and vigorous debate about them, their bearings on different visions of national development, and their place in the political struggle between autocracy and democracy since 1990. A synoptic view of half a century's key experiences, issues and fault lines emerges.

Durorp-English Dictionary is probably the first attempt at compiling a comprehensive Dictionary of Durorp, the language of the people of Korup. It is a bilingual Dictionary aimed at stimulating literary interests in the study and development of Durorp as a linguistic entity in particular and promotion of Durorp literature in general. Durorp is an interesting and linguistically distinct semi-Bantu or Bantoid language spoken by a minority group of people known as Bororp or people of the Kororp ethnic group. A part of this ethnic group inhabits the Southwestern part of Cameroon while the other occupies the Southeastern tip of Nigeria. A minority group, Kororp has continued to suffer not only cultural and socio-economic shrinkage but also linguistic marginalisation characterised by an obvious erosion of some key elements of the language. Like any other language, however, Durorp has borrowings from languages such as Efik, Ejagham, and even English. This Dictionary has introduced quite a number of new but understandable words.

This study maps the interactions between human rights norms and values, on the one hand, and conflict resolution, post-conflict peace-building and reconstruction, on the other. It advances the view both from a theoretical and practical standpoint, that human rights have a role to play throughout the life of any conflict: from the pre-conflict to the post-conflict and reconstruction stages. Identifying entry points for human rights in the pre-conflict stage leading up to the establishment of the rule of law and societal reconstruction after the conflict, this book uses Sierra Leone and Democratic Republic of Congo experiences to illustrate the obstacles, the successes, and the significance of human rights norms to the overall peace agenda in societies afflicted by conflict.

This book is a timely humanistic touch to memory studies. It uses literature as a laboratory for the workings of the mind, and characters as the subjects of human experimentation and diagnostics. This book considers authors from different societies and historical periods. The book is a refreshing illumination on the functioning of human memory. It complements the work of neuroscientists who seek to rationalize the workings of the same. Drawing from various ideas on memory, this rich and authoritative volume results from wide-ranging endeavors centered on the common fact that tracking memory in literature provides an astounding vista of orientations covered in its separate chapters. The writers examined in the various chapters become mediums for unleashing memory and its reconfiguration into artistic images. The ten separate chapters investigate different aspects of memory in such memoric associations as power, music, resistance, trauma, and identity. It is therefore no surprise that the editors should consider this book as "a veritable menu for everything needed for an unforgettable memory banquet".

Albert's life dream is to immigrate to the USA, to seek greener pastures. After several failed attempts, he finally gets a visa. Then he arrives the USA hoping for a bright and easy future. Before long he hears stories of desperation, struggles and a few successes. Desperation is portrayed by Mola aka Mboma who adopts a dead man's identity in order to stay in the USA and by Bruno who marries a US-born woman as his ticket to the USA, knowing fully well that she was leading a double life. Struggles are seen in Paul and Matt who have to work more than two times harder to barely survive in the USA. However, Samson, the surgeon is an example of a success story. Albert has to decide whether to stay in the USA, concoct a story for asylum and chase the dream that has proven elusive for many, or go back to his reality in Cameroon. Though the pasture may actually be greener on the other side for some, it takes a tremendous amount of work and dedication to keep it that way. Realising that the life in the Diaspora is not a bed of roses as portrayed by some Cameroonians, he decides to return to his modest job in Cameroon. Although this book could be considered a cautionary tale about immigration, it is also about the corruption that has overtaken Cameroon and its people.

This book presents innovative material on ethnography; more specifically, it exposes events where African individuals deal with the supernatural - such as: reaction to the death of a child whose surgical operation was considered an answer to prayers to God, how African students have dealt with evil spirits in their lives, how African people have experimented the phenomenon of "miracle" with their specific religious background that merges imported religions (Christian and Islam) and their traditional cultural religious beliefs.

Roselyne M. Jua has taught English and American Literature and Creative Writing at the Universities of Yaounde (1986-1993) and Buea (1993-2012). At the University of Buea, she served as Dean of Faculty of Arts from 2010 to 2012. She is Director of Academic Affairs at the University Bamenda, North West Region, since August 2012. Dr Jua has published articles in peer-reviewed journals and edited the plays of Victor E. Musinga among which¿are The Barn¿and¿The Tragedy of Mr. No-Balance. She is co-author with Bate Besong of¿To the Budding Creative Writer: A Handbook.