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Sweet yet sinister, Nara's paintings of children and animals are beloved the world over for their punchy iconography and punk-rock spiritThis definitive monograph spans 40 years, from 1984 to the present day, in the career of the iconic artist, shedding light on Nara's conceptual process through paintings, drawings, sculptures, ceramics and installations that reflect his empathetic vision of the world around him. Published in conjunction with the epochal exhibition at Museo Guggenheim Bilbao in Spain, this eponymous monograph divides Nara's oeuvre into three chronological periods, beginning with his first artworks created in Japan in the 1980s, in which recurring elements of his personal history appear, such as his family's house and childlike figures, developed under the influence of artists such as Takeshi Motai. The volume then highlights the artist's fruitful stay in Germany, where Nara reacted to the isolation imposed by the language barrier while he studied and discovered German Expressionism with A.R. Penck at the Kunstakademie Düsseldorf and introduced in his production the central characters that would soon be recognized as part of his signature language. Finally, the monograph closes by exploring the work Nara produced after his return to Japan in 2000, presenting an essential selection of his late paintings, drawings, installations and sculptures.Yositomo Nara (born 1959) is one of the best-known Japanese artists of his generation; his characteristic portraits of adorable, enigmatic or threatening childlike figures have become revered icons with potent social implications. Nara creates traditionally crafted art rooted in his childhood and personal history; underground punk, folk and rock music; literature and nature, as well as European and Japanese art history.

Barlow's final works in dialogue with Eduardo Chillida's house and museumThis publication documents the exhibition of the work of acclaimed British sculptor Phyllida Barlow (1944-2023) at the Chillida Leku Museum in Spain. Many of the works were created specifically for this space and in dialogue with those of Basque sculptor Eduardo Chillida in the 17th-century Zabalaga farmhouse on the museum grounds.As El País reports, "While Chillida's sculptures represent all that is solid and stable, Barlow's work[s]--many of which are imposing structures--[are] marked by fragility and uncertainty. The large tower standing in the village center looks like an unstable skeleton, while other seemingly solid pieces are supported by hollow pedestals. The artworks culminate in their own indeterminacy, unabashedly displaying the scars of their creation."Barlow's works continually expand the limits of the sculptural medium, leading us on a journey that turns space into a theatrical stage on which the spectator and the objects are the protagonists.

An intergenerational and intercontinental conversation between the sculptures of two artists with vastly different influences and stylesThis exhibition catalog juxtaposes the work of contemporary Portuguese sculptor Rui Chafes (born 1966) with that of Swiss artist Alberto Giacometti (1901-1966), one of the most important sculptors of the 20th century, who was strongly influenced by Cubism and Surrealism.

¿ This catalog includes a careful and beautiful selection of sculptures that Picasso produced throughout his extensive artistic career. ¿ Matter and Body covers the almost infinite plurality of styles used by the artist to represent human body forms, deconstructing it through different formats and genres. ¿ Written by renowned experts as the curator Carmen Gimenez, Diana Widmaier Picasso, French art historian specialized in modern art and the maternal granddaughter of Pablo Picasso, and Pepe Karmel, Professor of Art History at New York University. ¿ The book celebrates the 50th anniversary of the death of a great genius and revolutionary artist. ¿ Includes photographs taken by his contemporary photographer Brassai. ¿ A great monograph published on occasion of the exhibition at the Guggenhiem Museum in Bilbao and Museo Picasso in Málaga.

A recent selection from an acclaimed American artist whose wide-ranging work defies classificationThis artist's book compiles a selection of work by Roni Horn (born 1955), whose diverse practice spans photography, sculpture, drawing and conceptually oriented book projects. The book includes a text by American writer Carmen Maria Machado and an interview with the artist.

The world's leading collectors describe their singular passion for acquiring and sharing contemporary artIn The Guardians of Art, DC-based collector Dani Levinas brings together 34 of the most outstanding names in contemporary art collecting, embracing a diverse range of characters who talk with him about the motivations behind their drive to collect and about their ways of sharing their passion for art with the wider public. In his conversations with the Rubells, Dakis Joannou, Martin Z. Margulies and many others, Levinas, himself a major collector who has served on the boards of the Phillips Collection, Hirshhorn Museum and Sculpture Garden and the Reina Sofía, emerges as a brilliant interlocutor and an authoritative collector of collectors.Featured collectors include: Alain Dominique Perrin, Rosa de la Cruz, Helga de Alvear, Lia Rumma, Lekha Poddar, Dakis Joannou, Aaron and Barbara Levine, Giorgio Spanu, Jan Mulder, Sheikha Al Mayassa, Teixeira de Freitas, Jarl Mohn, Mitchell Rales and Emily Wei Rales, Susana Lloret, Don and Mera Rubell, Eugenio López Alonso, José Darío Gutiérrez, Armando Martins, Ernesto Poma, Thomas Kaplan, Jonathan Ruffer, Juan Carlos Maldonado, Anita Zabludowicz, Eddie and Sylvia Brown, Grazyna Kulczyk, Estrellita Brodsky, Alain Servais, Elena Rueda, Marcos and Rafael Martín, Javier Lumbreras, Martin Z. Margulies, Rafael Tous, Harald Falckenberg, J. Tomlinson Hill and Han Nefkens.

A panoramic vision of contemporary SpainThis book offers a colorful and panoramic vision of Spain through photographs taken by a large group of accomplished photographers, and also includes a special selection of 19 images obtained through a national contest that invited Spaniards to share personal views of their country.

Over 25 years of work from a trailblazing feminist installation artistPortuguese artist Joana Vasconcelos (born 1971) is known for her monumental installations, which incorporate everyday objects with irony and humor and interrogate the status of women, consumerist society and collective identity. This volume chronicles her creative output between 1996 and 2021, including outtakes from her sketchbooks.

"Before Mexican sculptor Damiâan Ortega (born 1967) rose to prominence in the contemporary art world, he was a political cartoonist. This transition was intuitive for Ortega, and his sculptures and installations maintain the piercing, satirical eye required of his former occupation. He is internationally admired for his sculptures that literally deconstruct and reconfigure commercial products such as Coke bottles or, in one of his most celebrated works, a Volkswagen Beetle. Ortega presents these vernacular objects in precise arrangements that cohere into witty representations of diagrams, faces, words and buildings. Many of these pieces, however, are suspended in the air; by virtue of the space between the objects, the resulting representations appear fragmented. This catalog, published alongside the exhibition at Centro Botâin, exclusively displays these suspended works."

Three decades of collaborative projects from a duo at the forefront of the post-photography fieldThis volume provides a 30-year overview of the collaborations between American artist Anthony Aziz (born 1961) and Italian artist Sammy Cucher (born 1958), pioneers in the field of digital art. Synthesizing reality and fiction, their work highlights pathologies associated with unfettered globalization and posthuman conditions.

An affordable primer on the brief but influential career of an early 20th-century avant-garde photographer and revolutionaryItalian-born photographer, model, actor and political activist Tina Modotti is the subject of the first installment of La Fabrica's Essentials, a new series of monographs dedicated to the most fundamental names in photography. Modotti's highly influential career in photography took place entirely during her years living in Mexico, from 1923 to 1930, during which time she was deeply entrenched in Mexico City's avant-garde scene and produced a total of just over 400 black-and-white photographs. Before developing her own practice, Modotti was Edward Weston's favorite model, then lover, darkroom assistant and ultimately, creative partner. She was also close with iconic artists such as Frida Kahlo and Diego Rivera, for whom she photographed many public murals. Her oeuvre, spanning portraiture to photojournalism, fuses the aesthetics of Mexican revolutionary culture and avant-garde photography aesthetics, to which she added the ideals of equality proposed by socialism and her keen political commitment.Tina Modotti (1896-1942) was born in Udine, Italy and immigrated with her family at the age of 16 to California, where she worked as an artists' model and an actress. In 1922 she moved to Mexico City where she became heavily involved with the communist party, working for the newspaper El Machete, and later founding the Liga Antifascista de México. In 1930 she was exiled and lived as a political refugee throughout Europe and in Moscow before returning to Mexico under a pseudonym in 1939, where she remained until her early death in 1942.

Catalog of an exhibition held at the Antiguo Hospital de Santa Marâia la Rica, Alcalâa de Henares, Spain, June 8-25, 2022, within PHotoEspaäna Festival, Spain, June 1-August 28, 2022.

The little-seen early works of an acclaimed Spanish photojournalistJavier Campano (born 1950) is known for his documentary work on the streets of Madrid. This volume compiles a selection of photographs from his early career, focusing on lesser-known aspects of his practice as well as his photographic output during his travels internationally.

Tracing the history of documentary photography, from Walker Evans to Xavier RibasThe medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photography--from its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans' foundational influence on the genre and culminating in the 1980s with the experimental color work of Anthony Hernández and Tod Papageorge, Sculpting Reality presents a careful selection of work from 18 of the most influential figures in 20th-century North American documentary photography.Photographers include: Walker Evans, Helen Levitt, Robert Frank, Louis Faurer, Ricardo Rangel, Garry Winogrand, Susan Meiselas, Tod Papageorge, Anthony Hernández, Mike Mandel, Lee Friedlander, David Goldblatt, Ed Ruscha, Bernd and Hilla Becher, Lewis Baltz, Bleda Y Rosa, Xavier Ribas and Ian Wallace.

Rarely seen print suites and book illustrations by the Cubist and proto-Pop pioneerPublished alongside the exhibition at the Fundación Canal in Madrid, The Search for a New Order traces the artistic evolution of Fernand Léger (1881-1955), adopting an underutilized lens: the artist's print series and works for publications. Frequently employing lithographs as his medium of choice, Léger contributed illustrations to accompany others' text--be it essays, poems or stories--and also produced his own series of thematic images. This volume centers on three of his illustration projects: Cubisme (1912-47), a manifesto penned by Albert Gleizes and Jean Metzinger; Les Illuminations (1949), the famous collection by Arthur Rimbaud; and Cirque (1950), an independently executed ode to the circus. Viewed together, these series patently convey the variations within Léger's artistic vocabulary as he endeavored to distill the spirit of the early to mid-20th century.

For this artist's sketchbook, Spanish painter, author and set designer Eduardo Arroyo (born 1937) created 20 drawings and then mailed them to 20 international artists, such as Bruno Bruni, William Klein and Peter Blake, to make pairs for them. This volume reproduces all 40 works. Text in Spanish only.

Since 2010, Francisca Artigues, the mother of Spanish painter Miquel Barceló (born 1957), has embroidered her son's drawings. Inspired by the Mediterranean and anthropological motifs, Barceló's drawings and Artigues' reproductions on linen featuring the natural habitats of land and sea are documented in Vivarium.