Bøker utgitt av Johns Hopkins University Press

H. Wilson

Animating Boas's account is his own belief in the importance of the individual's voice-as opposed to the voice of the masses, which is by no means necessarily that of God or reason.

He provides original and challenging interpretations, shaping each into a self-contained entity.

Amplifying his theoretical model with subjective responses drawn from his own classroom experience, Bleich suggests ways in which the study of language and literature can become more fully integrated with each person's responsibility for what he or she knows.

Barker, professor of history at Johns Hopkins University, wrote an introduction that places Beloved Lady in the context of scholarly literature on Jane Addams.

This collection of eleven essays sharpens our historical understanding of the evolution of language used to define diversity in twentieth-century America.

Since its publication, scholars have recognized The Adams Federalists as a definitive study of the Federalist Party during the Adams administration.

The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.

His book is filled with firsthand descriptions of the government's handling of such issues as national health care, environmental regulation, population control, and biomedical research.

Ultimately, the objective of this study is to illustrate the artistic means-literary and rhetorical-employed by Rousseau and their implications for the truth he proposed.

Johnson relates vividly the various battles of the expedition and the problems posed by mustering undisciplined troops, by having to procure supplies in poor country with insufficient supply lines, and by contending with bad weather and rough terrain.

His interpretation encompasses the role of women, the structure of the family, social mores, and the history of sexuality.

Freer's commentary and theoretical explanations suggest both why and how we should pay closer attention to the poetry of Renaissance drama.

He concludes his work with an investigation of the effects of the Revolution on life in Lourmarin following 1789.

Photographs of the philosopher, his family, and associates provide an intimate look at a private and self-effacing man whose work has had a lasting impact on twentieth-century thought.

Through this story, Laird shows how and why-in the intense competitions for both markets and cultural authority-the creators of advertisements laid claim to "progressand used it to legitimate their places in American business and culture.

This unorthodox approach results in an exceptionally imaginative and thought-provoking book as well as a strong defense of deontology.

Chase's readings show that, far from implying a privileged status, the work's self-reflexive structure entails its opacity, its inability to read itself, and the necessity of its decomposition.

With the support of extensive archival evidence, Kaplow goes to great lengths to model the particular social and economic conditions that allowed this town to avoid succumbing to the tumult of the Revolution and to undergo, in fact, so little change compared with most municipalities of the country.

The first section of The Novel-Machine consists of five short chapters that rewrite Autobiography as an undisguised theory of realistic fiction, exploring its paradoxes while placing it in the context of mid-Victorian criticism. Chapters 6 and 7 survey the manifestations in Trollope's novels of what his theory sets down as the primary difference of realism: its way of telling its readers how to read. Chapter 8 is a close reading of He Knew He Was Right, a neglected novel that, in Kendrick's estimation, deserves to stand in much higher critical esteem than it does. Kendrick shows how deeply woven into the texture of Trollope's writing the rhetoric of realism is. Kendrick's reading is a departure from the usual method of criticizing Trollope--surveying the whole of his work a novel at a time, saying a little about every novel and always too little about each.

However, Ullmann points to feudalism as the single most important medieval institution that laid the groundwork for the emergence of the modern citizen.

In an effort to mitigate historians' flattening of workers into the two-dimensional plane of politics and protest, Bodnar revives workers and the world in which they lived by conducting oral interviews with textile workers, coal miners, steelworkers, and others in Pennsylvania.

The similarity between radical thought and the ideology of Robespierre proves that Jacobinism was not a hasty doctrine of the moment but the direct product of positions assumed since 1789.

This is an interesting group to look at, according to Crocker, because French Enlightenment thinkers straddled two vastly different time periods.

The other essays focus on Chaucer's poetry by providing historicized interpretations of Chaucer's work and methods for each poem.

Stein discusses Herbert's diction, imagery, syntax, and rhythm in light of his organization of the imaginative materials of time and self-consciousness and in light of his development of a rhetoric through which he could master the intimacies of personal failure and (what is far more difficult) express in language convincingly sincere states of positive religious achievement.

When, two generations later, Lenin returned to Russia after decades in Europe and made this vision a reality, his actions built on the foundation laid by his nineteenth-century predecessors.

The ramifications of the German problem and its intricate nature make its comprehensive presentation within the limits of a manageable volume a matter of painful selection and difficult apportionment.