Bøker utgitt av Johns Hopkins University Press

Writing for Immortality studies the lives and works of four prominent members of the first generation of American women who strived for recognition as serious literary artists: Louisa May Alcott, Elizabeth Stuart Phelps, Elizabeth Stoddard, and Constance Fenimore Woolson. Combining literary criticism and cultural history, Anne E. Boyd redraws the boundaries between male and female literary spheres and between American and British literary traditions. She shows how these writers rejected the didacticism of the previous generation of women writers and instead drew their inspiration from the most prominent "literary" writers of their day: Emerson, James, Barrett Browning, and Eliot.Placing the works and experiences of Alcott, Phelps, Stoddard, and Woolson within contemporary discussions about "genius" and the "American artist," Boyd reaches a sobering conclusion. Although these women were encouraged by the democratic ideals implicit in such concepts, they were equally discouraged by lingering prejudices about their applicability to women."Radically expands the literary world of nineteenth-century American women, considering them in conversation with European women writers as well as male writers in Europe and America."--American Literature"Boyd's close textual work gives the reader a valuable introduction to the work and lives of these four authors."--Journal of American History"A highly satisfying analysis of the contexts within which women's literary ambitions shifted and the sensibilities of the male literary elite were forcefully challenged."--Tulsa Studies in Women's Literature"Well written and appealingly produced, it is a thoughtful contribution to the field of late-nineteenth century American literature and to the women, men, and above all institutions that produced it."-- American Literary Realism

Prominent international scholars explore the lives, works, and legacies of two influential figures in American anthropology. The essays provide a useful and provocative introduction to Benedict and Mead as well as to the ongoing debate about the legacy they left behind.

This invention ultimately gave Edison a world-wide reputation--and the nickname "the wizard of Menlo Park."

In this ambitious new work, Peter Charles Hoffer presents a "sensory history" of early North America, offering a bold new understanding of the role that sight, sound, smell, taste, and touch played in shaping the lives of Europeans, Indians, and Africans in the New World. Reconstructing the most ephemeral aspects of America's colonial past, Hoffer explores the impact of sensuous experiences on human thought and action. He traces the effect sensation and perception had on the course of events conventionally attributed to deeper cultural and material circumstances.

Noted scholar Thomas L. Pangle brings back a lost and crucial dimension of political theory: the mutually illuminating encounter between skeptically rationalist political philosophy and faith-based political theology guided ultimately by the authority of the Bible. Focusing on the chapters of Genesis in which the foundation of the Bible is laid, Pangle provides an interpretive reading illuminated by the questions and concerns of the Socratic tradition and its medieval heirs in the Christian, Jewish, and Islamic worlds.

Gabrielle Lanier reassesses the region's role in the formation of a distinctly American identity through the history, geography, and architecture of three of the valley's diverse cultural landscapes.

In Freedom Reclaimed, John E. Schwarz examines the profound implications of the difference between the vision of American freedom that the Founders enshrined in the Declaration of Independence and the free-market idea of freedom that is ascendant today. In policy discussions on employment, education, social issues, and health care, Schwarz recasts the American understanding of what freedom means and involves, revitalizing the ability of citizens to change it for the better.

How can metropolitan regions remain prosperous and competitive in a rapidly changing economy? Challenging some long-standing assumptions, Matthew Drennan argues that those regions that have invested heavily in the information economy have done much better than those that continue to rely on manufacturing and industry as their base. Moreover, he contends, the benefits of that growth reach the urban working poor, earlier reports to the contrary notwithstanding."The Information Economy and American Cities" provides a wealth of rigorously analyzed econometric data which will be of great value to economists, planners, and policymakers concerned with the future of America's metropolitan areas. Additional supporting data will be made available online. Not just another glib cheer for the information economy, this book provides the kind of hard evidence needed to advocate effectively for change.

"Kudos to Schier and Russet for providing this book as a catalyst and charging scholars to continue work they have begun. Anyone interested in the history of higher education should read it as a first step in understanding a group of colleges that has been invisible and ignored. Anyone interested in women's issues should read it for its story of female initiative on a grand scale." -- Connection

In this book Bryan Reynolds argues that early modern England experienced a sociocultural phenomenon, unprecedented in English history, which has been largely overlooked by historians and critics. Beginning in the 1520s, a distinct "criminal culture" of beggars, vagabonds, confidence tricksters, prostitutes, and gypsies emerged and flourished. This community defined itself through its criminal conduct and dissident thought and was, in turn, officially defined by and against the dominant conceptions of English cultural normality.Examining plays, popular pamphlets, laws, poems, and scholarly work from the period, Reynolds demonstrates that this criminal culture, though diverse, was united by its own ideology, language, and aesthetic. Using his transversal theory, he shows how the enduring presence of this criminal culture markedly influenced the mainstream culture's aesthetic sensibilities, socioeconomic organization, and systems of belief. He maps the effects of the public theater's transformative force of transversality, such as through the criminality represented by Shakespeare, Jonson, Middleton, and Dekker, on both Elizabethan and Jacobean society and the scholarship devoted to it.

This newly revised and expanded edition of "Baltimore Harbor" provides a lively, heavily illustrated history of a vital American port that connects the Chesapeake Bay with the rest of the world. Using photographs, historic illustrations, and stories, Robert Keith traces the harbor's fascinating history. An ideal hub for the bay's network of paddlewheel steamers, the working port grew quickly alongside the shipbuilding industry at Fells Point and Federal Hill. This growth continued as the nation's first public carrier railroad, the Baltimore and Ohio, linked the wharves of the Patapsco River with the coal fields of Appalachia and the towns and farms of the Midwest. Today Baltimore harbor is better known for trendy shops than container ships. Tourists strolling the sidewalks of Harborplace are probably unaware of the port's colorful past--and its important role in contemporary maritime commerce. Keith's book connects the harbor's vibrant present with its storied, equally energetic past.

"Offers a detailed look into the restoration of the house. Beautiful, informative and compelling." -- Antiques and the Arts Weekly

Over the past twenty-five years, the Johns Hopkins: Poetry and Fiction series has published thirty-one volumes of poetry, beginning in 1979 with John Hollander's Blue Wine and Other Poems. The series was launched with two guiding principles: to publish works of poetry exhibiting formal excellence and strong emotional appeal and to publish writers at all stages of their careers. Words Brushed by Music gathers the best poems of the past twenty-five years, works that exhibit extraordinary wit, elegance, wisdom born of experience, and mastery of language. Sometimes comic, always moving, these poems reflect the talent of twenty distinctive voices from contemporary American poetry.

Archival images and biographical sketches of Union soldiers tell the stories of their lives during and after the Civil War.Before leaving to fight in the Civil War, many Union and Confederate soldiers posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, fueling intense demand for the keepsakes. Many cards of Civil War soldiers survive today, but the experiences?and often the names?of the individuals portrayed have been lost to time. A passionate collector of Civil War-era photography, Ron Coddington researched the history behind these anonymous faces in military records, pension files, and other public and personal documents.In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. These soldiers came from all walks of life. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of survivors were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.