Bøker utgitt av Iter Press

"Born in the early 1620s to parents of Scottish descent who were servants in Charles I's household, Anne, Lady Halkett (nâee Murray), grew up on fringes of the English court during a period of increasing political tension. From 1644 to 1699, Halkett recorded her personal and political experiences in both England and Scotland in a series of manuscript meditations and an autobiographical narrative (A True Account of My Life). Royalism, romance, and contemporary religious debates are central to Halkett's vivid portrayal of her life as a single woman, wife, mother, and widow: collectively, the materials edited here offer the opportunity to explore how Halkett's meditational practice informed her life writing in the only version of her writings to date available in a fully modernized edition"--

Includes translations from French into English of selections from Scudâery's Clâelie, and two "harangues" selected from her Femmes illustres ou les harangues heroèiques (1642), and Discours de la gloire (1671).

"This volume presents the first printed edition of a late sixteenth-century poetic miscellany and provides invaluable insight into understanding the literature of the period. Its owner and principal scribe, Humfrey Coningsby, drew on texts circulating in manuscript, predominantly by contemporary writers of the time-including Philip Sidney, Edward Dyer, Arthur Gorges, Walter Ralegh, Elizabeth I, the Earl of Oxford, Nicholas Breton, George Peele, and Thomas Watson. Coningsby also added at least two of his own compositions, along with anonymous poems not found in any other manuscripts or printed books. This edition preserves the appearance, spelling, and punctuation of the original manuscript while expanding antiquated contractions to provide an easily readable text. Textual notes appear on the page, and in-depth contextual notes and word glosses are provided in the commentary section. The analyses add to our knowledge of early modern manuscript culture and literary manuscript transmission, and a substantial introduction provides context for the compilation of the anthology"--

"This volume is the first to bring together the entire extant correspondence of one of the most significant women in early modern Ireland, Elizabeth Butler, first Duchess of Ormonde. She was the wife of James Butler, twelfth Earl and first Duke of Ormonde, who, as Ireland's only duke and three times its lord lieutenant, was a figure of considerable importance in seventeenth-century Ireland. But far from being overshadowed by her powerful husband, Butler was a person of significant power and influence in her own right. Descended from the tenth Earl of Ormonde, she brought a hefty portion of the Ormonde estate to the marriage. As Countess, Marchioness, then Duchess of Ormonde, as well as three times vicereine and a high-status courtier, she sat at the pinnacle of Irish and English society, unmatched by any other Irish woman of the period in terms of her wealth, social standing, and power. Her surviving correspondence reveals her importance within the Ormonde-Butler family and in the social, cultural, and political life of seventeenth-century Ireland. The volume comprises more than three hundred letters written by Ormonde to her husband and family, agents and servants, and friends and clients. Spanning six decades, these letters are meticulously transcribed, edited, and annotated, and the volume includes a substantial scholarly introduction, family trees, a glossary, and other resources"--

"The essays in this volume explore problems with digital approaches to analogue objects of study; employ digital methods to study networks of production, dissemination, and collection, and reflect on the limitations of those methods; and speak to an often-noted truth of digital projects: Unlike traditional scholarship, digital scholarship is often the result of collective networks of not only disciplinary scholars but also of library professionals and other technical and professional staff as well as students"--

"Social media has transformed the ways new knowledge is understood to be created, validated, and reviewed in every academic field of study. In the humanities, Social Knowledge Creation has helped define how social media platforms and other collaborative spaces have shaped humanistic critique in the 21st century"--

"Critical editions and translations of two early works by the French proto-feminist author Christine de Pizan addressing the misogynist ideology of the Roman de la Rose and other writings, with a translation of a related Latin work by the contemporary theologian Jean Gerson"--