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Sony Labou Tansi's fi rst novel now translated into English

The gendered experience of time

Space, governance, and ethnic conflict in contested cities

The dynamism and creativity of African fashion

Mumming and modernity in rural Bulgaria

Dialogues between two important philosophical traditions

Defines the character of Kierkegaard's philosophy and religion

The Art of Teaching Music takes up important aspects of the art of music teaching ranging from organization to serving as conductor to dealing with the disconnect between the ideal of university teaching and the reality in the classroom. Writing for both established teachers and instructors on the rise, Estelle R. Jorgensen opens a conversation about the life and work of the music teacher. The author regards music teaching as interrelated with the rest of lived life, and her themes encompass pedagogical skills as well as matters of character, disposition, value, personality, and musicality. She reflects on musicianship and practical aspects of teaching while drawing on a broad base of theory, research, and personal experience. Although grounded in the practical realities of music teaching, Jorgensen urges music teachers to think and act artfully, imaginatively, hopefully, and courageously toward creating a better world.

The lives and views of average educated Russians in the second half of the 20th century

Throughout the Middle East, Islamic charities and social welfare organizations play a major role in addressing the socioeconomic needs of Muslim societies, independently of the state. This title examines the structure and dynamics of moderate Islamic institutions and their social and political impact.

Offers a philosophical reflection on the nature and process of translation. This title shows that translating is much more than a matter of transposing one language into another. It approaches translation from four directions and shows how the classical concept of translation has undergone mutation and deconstruction.

Explores the connections between American pragmatism and Native American thought. This book argues that philosophical ideas and attitudes prevalent among Native Americans constituted an essential element in the development of pragmatism. It also engages questions of pluralism and cultural difference.

A systematic study of Derrida's writings on Husserl.

Petrarch's characterization of the hapless lover has become an archetype. Indeed, in many of his poems on the pain and the bitter pleasure of love, we inevitably recognize a vivid and timely picture of ourselves. Humble sinner, aesthete, contemplative, man of the world, secretly tormented spirit, droll observer and advocate of life, Petrarch's protagonist is as richly complex as the age he lived in.The 366 poems of Petrarch's Canzoniere represent one of the most influential works in Western literature. Varied in form, style, and subject matter, these "e;scattered rhymes"e; contain metaphors and conceits that have been absorbed into the literature and language of love. In this bilingual edition, Mark Musa provides verse translations, annotations, and an introduction co-authored with Barbara Manfredi.

Exploring slavery and slave society through the lives of black women.

A unique anthology of Soviet Russian popular culture under Lenin and Stalin.

Insightful review of mass media in Sub-Saharan Africa aimed at course market.

Examines folk music as a genre of folklore from a cross-cultural perspective. This work espouses a different view of folk music, stressing its vitality in non-Western cultures as well as Western.

An anthology that provides a view of the lives of ordinary citizens in India, Pakistan, Bangladesh, Nepal, and Sri Lanka. It explores key themes in understanding the region, including gender, caste, class, religion, globalization, economic liberalization, nationalism, and emerging modernities.

A premiere playwright, Edward Albee is also a gifted director. This work details Albee's directorial vision and how that vision animates his plays. It reveals how Albee has shaped his plays in performance, the attention he pays to each aspect of theatre, and how his conception of the key plays he has directed has evolved over a five-decade career.

The Great Reforms undertaken during the reign of Alexander I represented a unique attempt by the tsarist government to restructure virtually every aspect of Russian life. This book presents a comprehensive analysis of nineteenth-century Russia's attempt at peaceful reforms.

In these lively life stories, women market traders from Ghana comment on changing social and economic times and on reasons for their prosperity or decline in fortunes. Gracia Clark shows that market women are intimately connected with economic policy on a global scale. Many work at the intersection of sophisticated networks of transnational commerce and migration. They have dramatic memories of independence and the growth of their new nation, including political rivalries, price controls, and violent raids on the market. The experiences of these women give substance to their reflections on globalization, capital accumulation, colonialism, technological change, environmental degradation, teenage pregnancy, marriage, children, changing gender roles, and spirituality. Clark's commentary illuminates the complex historical and cultural setting of these deeply revealing lives.

Although he was born in Spain, George Santayana (1863-1952) became a uniquely American philosopher, critic, poet, and novelist. This collection presents a selection of Santayana's important and influential literary and philosophical work. It reveals the intellectual and literary diversity of one of the American philosophy's lively minds.

The story of one of America's most notorious criminals

Urban youth and popular cultural practices in East Africa

As soloist, master class teacher, and pianist of the world-renowned Beaux Arts Trio, Menahem Pressler can boast of four Grammy nominations, three honorary doctorates, more than 80 recordings, and lifetime achievement awards presented by France, Germany, and Israel. Former Pressler student William Brown traces the master's pianistic development through Rudiakov, Kestenberg, Vengerova, Casadesus, Petri, and Steuermann, blending techniques and traditions derived from Beethoven, Chopin, Liszt, and J. S. Bach. Brown presents Pressler's approach to performance and teaching, including technical exercises, principles of relaxation and total body involvement, and images to guide the pianist's creativity toward expressive interpretation. Insights from the author's own lessons, interviews with Pressler, and recollections of more than 100 Pressler students from the past 50 years are gathered in this text. Measure-by-measure lessons on 23 piano masterworks by, among others, Bach, Bartok, Debussy, and Ravel as well as transcriptions of Pressler's fingerings, hand redistributions, practicing guidelines, musical scores, and master class performances are included.

Explores Claude Debussy's musical responses to the World War I. This work encompasses not only the duration of the war but also the last four years of Debussy's life, and the works that emerged during this time that reflect both wartime events and the composer's self-conscious desire to define his musical legacy.

A megamusical is an epic, dramatic show featuring recurring melodies in a sung-through score; impressive sets; and grand ideas. This is a study of some of the popular megamusicals. It discusses the history of the megamusical, examining both its internal, performative qualities and its external, market reception to reveal why it is so popular.

The term "viola bastarda" refers to both an instrument and a style of playing that is one of the crowning achievements of musical mannerism. The Italian repertory for the solo viola da gamba in the 16th and early 17th centuries was largely music played "alla bastarda," an art of performance in which a polyphonic composition is transformed into a single melodic line derived from the original parts and spanning their ranges. Jason Paras has traced the development of the "viola bastarda" and has assembled and transcribed 46 peices in this genre. The music in his collection is a rich and fascinating repertory that is rarely heard today. This anthology is an invitation to present-day players to recreate the improvisation practice of the 16th and 17th centuries in ways not fully disclosed by ornamentation manuals of that time.