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The idea of a free gift economy has become important in the movement for alternative economics, however the connection with women and especially with mothers has not been widely understood. The conference "The Maternal Roots of the Gift Economy," held in Rome in 2015, brought together women and men from around the world to discuss this important issue.In a moment when the values of Patriarchy and the market seem to have triumphed, the values of mothering and care are more sorely needed than ever. This book explores many aspects of the gift paradigm from a variety of points of view, taking into account theory and practice, activism and spirituality, as well as the experience of Indigenous societies North and South where maternal values are still at the centre for both women and men. Readers will find abundant evidence of ways of thinking and being that are possible beyond the Patriarchal Capitalism that is now threatening the existence of life on Mother Earth. The book is divided into four sections: Theory, Practice, Practice in Non-Western Realites and Spiritualities. Articles are by well-known scholars and activists from around the world and include: Luciana Percovich, Mariam Irene Tazi-Preve, Erella Shadmi, Simone Woerer, Susan Petrilli, Kaarina Kailo, Heide Goettner-Abendroth, Barbara Alice Mann, Coumba Touré, Diem LaFortune, Vicky Noble, and many more.

The Widow's Fire explores the shadow side of Jane Austen's final novel Persuasion, disrupting its happy ending and throwing moral certainties off balance. We join the action close to the moment when Austen draws away for the last time and discretely gives an overview of the oncoming marriage between heroine Anne Elliot and Captain Wentworth. This, it transpires in The Widow's Fire, is merely the beginning of a journey. Soon dark undercurrents disturb the order and symmetry of Austen's world. The gothic flavor of the period, usually satirized by Austen, begins to assert itself. Characters far below the notice of Anne, a baronet's daughter, have agendas of their own. Before long, we enter into the realm of scandal and blackmail. Anne Elliot must come to recognize the subversive power of those who have been hitherto invisible to her -- servants, maids and attendants -- before she can defend her fiancé from an accusation too dreadful to be named. Captain Wentworth himself must learn the skills of living on land; the code of honour and secrecy which has protected him on deck no longer applies on the streets of Bath.

The stories in this collection are unifed by a sense of dislocation. In each of the pieces, there is an underlying element of disturbance and disharmony. Resolution threads its way through the narratives while the characters struggle to navigate conscious choices and come to terms with new realities. A perspective that views the complexity of life journeys as a manifestation of intentional decisions, circumstances beyond one's control, and the need to reflect upon the combination of both in order to become fully realized, drives the narrative voices.

Finalist for the 2018 Arthur Eliis Award for Best First Crime NovelRobin MacFarland is a somewhat eccentric and highly intelligent journalist for the Home and Garden section of a Toronto paper, who at age fifty-five looks aghast in the mirror and pronounces herself, "Old. Fat. Alcoholic. Alone. Failure." She resolves to lose weight, quit drinking, and try online dating, although not, perhaps in quite that order. The intrigue begins when Robin chooses to cover a water cooling system conference where she thinks there will be a lot of men. By coincidence, her first online date is with the owner of the water company who is found dead after they have coffee. Dauntless, Robin wades into what is now a murder investigation, under the supervision of her new editor, and with the help of her best friend, Cindy, a crime reporter. The novel is framed around a plot to steal Canada's fresh water, but it hinges on Robin's hilarious journey through the middle portion of her life, a serious social issue, and a highly ironic murder weapon.

Ever since anthropology PhD student Clara Lemont started researching the African-Brazilian religion of Odùn, her days and nights became filled with dreams of swirling figures of white, drum beats and yellow eyes haunting her in the darkness. When Clara travels to Brazil to do fieldwork, she quickly finds herself immersed in a world of dark intrigue, political corruption, black magic and desire. Travelling across time and space to be reunited with her eternal lover, history, politics and sex all collide as the female energy of the goddesses and the transformative power of love combat the dark forces of evil. An evocative and sweeping tale of myth and magic, from a seventeenth-century escaped slave community in northern Brazil to 1930s Rio de Janeiro, Clara Awake will take you on a sensual journey of intense passion, intrigue and love.

Seventeen-year-old Camden splits her time between her father, a minor rock star, and her mom, a scruffy "hardware geek" who designs and implements temporary and sustainable power systems and satellite linkups for off-grid music and art festivals, tree-sits, and attends gatherings of alternative healers. Lark, Camden's father, provides her with brand-name jeans, running shoes, and makeup, while her mother's world is populated by anarchists, freaks, geeks, and hippies. Naturally, Camden prefers staying with her dad and going to the mall with his credit card and her best friend, but one summer, when Lark is recording a new album, Camden accompanies her mother, Laureen, to a healing camp on a mountain in Northern California. After their arrival, Laureen heads to San Francisco, ostensibly to find her lover, but she never comes back. Alone, penniless, and without much in the way of camping skills, Camden withdraws. Things begin to look up when she is befriended by Skinny, a young man in charge of the security detail at the camp who knew her mother as a child. The summer ends and Camden heads back to Toronto to find her dad, and it's only there that she learns Laureen's disappearance is tied, unexpectedly, to the secrets Skinny tried to keep from her for months, until, finally, he couldn't.

A Romani Women's Anthology: Spectrum of the Blue Water is grounded upon Romani women's lived experiences, and confers epistemic privilege on critical insights that derive from their authentic and personal knowledge. Romani women are impressively diverse in their attachments, status, beliefs, and identities. The chapters in this book illustrate this multiplicity by traversing writing motifs. The book is a dynamic blend of life writing, creative work, research essays about identity, childhood, immigration, work, art, memory, love, spirituality, activism, advocacy, leadership, and other themes affecting the lives of Romani women. Visual art, as well as black and white portraits of Romani women complement the written text. Through incisive creativity, pragmatic action, and affective networks, this book consolidates these diverse expressions of agency and collectivity by activists, writers, artists, academics, community leaders, educators, professionals, and cultural and community workers.

Holy Rule takes place during three weeks in October, 1958, focusing on the lives of a group of nuns who teach at St. Monica's Girls' School. During this time of high autumn, the pope lies dying in Rome-- and then finally dies-- while thousands of miles away life carries on among the students and teaching nuns in St. Monica's Girls' School. The girls-- Gwen, J.J., Sally-- are living in the adolescent space between childhood and adulthood and are testing their limits with their nun-teachers. Meanwhile, those same nun-teachers-- Sisters Zélie, Martha, Beatrice-- are living under a rule that to the outside world is regarded as "holy," but is more ambiguous to those on the inside. As the Reverend Mother grieves the loss of the pope, she makes impossible demands upon her charges. For the nuns teaching in the school, there is the added struggle of rebellious teenagers. For those who remain in the convent all day-- Sisters Kate, Clementia, Antonetta and the housemaid Lizzie-- various forms of subterfuge are used to cope with their lack of freedom. Some are able to choose their own inner path, others succumb to injustice and meanness. All of them are plod their way through cultural and spiritual terrain that is both familiar and alien. They harbor regrets for the past as they negotiate their way through a present that is shifting under their feet. Unknown to all of them, their lives are spilling into a world on the cusp of change.

Fans of A Prayer for Owen Meany and One Flew Over The Cuckoo's Nest will love this clever, fast-paced and enjoyable thriller. Like a modern-day Joan of Arc, Amelia Fisher attempts to carve out a 'normal life', showing us how mythic the idea of 'normal' really is. With a poetic genius for a father, an obsessed body builder for a mother, and an enchantingly eccentric group seeking the help of an unorthodox therapist, what could possibly go wrong? A chance discovery propels Amelia and fellow therapy attendee, Mike, with whom she is in love, into a life-threatening situation instigated by the crazed doctor's own dark secret but Amelia's psychosis saves the day. Told with warmth, humor and populated with vividly original characters, this sprint-paced novel has it all, from restraining orders to sex in office bathrooms, and a nail-biting ending. A novel about an unusual family, expected social norms and the twists and turns of getting it all slightly wrong, the consequences of which prove fatal for some.