Bøker utgitt av Inanna Publications and Education Inc.

Thirty-two-year-old Kang is a new immigrant in Toronto. Having an older sister who was raped and suffers from the ensuing stigma in China, Kang is determined to remain a spinster, which has its own stigma in China, and she struggles with her fear and distrust of men. But Kang's story is not a hard luck story. She is an intelligent woman and a successful immigrant. Kang deals with the perplexities of a different culture by maintaining a sense of curiosity, an enjoyment of learning about the new culture, and by finding humour rather than the humiliation that so often characterizes descriptions of immigrant experience. Kang rooms with Tania, a Russian immigrant, and learns that many years earlier, Tanya was in love with a Chinese medical student at Moscow University who was abruptly returned to China for having had a relationship with her. Kang's own father once studied at that university but has never talked about it since he was forced to leave Moscow and then was labelled as a rightist during the Chinese Anti-Rightist Campaign. Since then her father has been dispatched to work and live in Kunming, a city far away from Beijing. Could the paths of her father and Tania have ever crossed? Curious about her father's past, Kang decides to pay a visit to Moscow, accompanied by Brian, Tania's nephew, a charming engineer who wants to explore his Russian Jewish roots. Spending time with Brian helps Kang to see how much her sister's tragedy has shadowed her life. When Brian suddenly shows symptoms of schizophrenia, Kang must decide whether to throw her spinster's hat away or end her relationship with Brian.

Climate change is already under way with unpredictable consequences. Evidence of changes to the earth's physical, chemical and biological processes is obvious everywhere. Greenhouse gas emissions have increased the carbon cycle concentration in the atmosphere. In the past, half of this carbon was stored in forests, while the other half was removed by oceans, but with deforestation and warming oceans, oxygen is at its lowest breathable point. Ecological degradation is global and the earth is becoming increasingly inhospitable with unprecedented weather events. The changing temperature has altered the balance of communities and degraded ecosystems. For example, in May 2016, as a result of a drier winter combined with an unusually hot, dry air mass over Northern Alberta, Canada, the temperature climbed to 32.8 °C (91°F) (Daily Data Report) resulting in 49 active wildfires covering an estimated 522,892 hectares. During the summer of 2017, hundreds of wildfires also razed thousands of hectares in the provinces of British Columbia, Manitoba, and Saskatchewan.More destructive events due to warmer ocean surface temperatures are also taking place. Warmer oceans hold less dissolved gases, including oxygen, which affects marine organisms, particularly mammals. In January 2014, in Peru's Pacific, more than 400 dolphins washed ashore dead (Foley); similarly, in New Zealand, in February 2017, more than 400 whales had beached themselves to die (Farewell). El Niño, which is a cold, low-salinity ocean current that runs along Ecuador, Peru, and Chile, has been heating and altering weather in all Pacific Rim countries. Each of the El Niño and La Niña cycles in the past twenty years have occurred with increased frequency and violence.In sum, the latest scientific evidence tell us that we are approaching climate catastrophe: global average temperature is rising, if another decade of business-as-usual fossil fuel emissions continues we can reach 2° C, a dangerous warming threshold. Climate change deepens ethical issues explored and discussed by ecofeminists around the world. This book describes the academic field of material ecofeminism, provides an overview of the land question, and explores how reigning discourses of "sustainable development" have led to a commodification of nature and have effaced the multiple visions, uses, and relationships of local human communities. The articles in this book are spaces of political projects and values that nurture anticapitalist, antipatriarchal, and anticolonial oppressions. We argue that the centrality of resisting the colonization of Mother Earth and Pachamama is supreme.

Winner of the 2019 IPPY Silver Medal for Multicultural Fiction. Kavita Gupta is a woman in transition. When her troubled older brother, Sunil, disappears, she does everything in her power to find him, convinced that she can save him. Ten days later, the police arrive at her door to inform her that Sunil's body has been found. Her world is devastated. She finds herself in crisis mode, trying to keep the pieces of her life from falling apart even more. As she tries to cope with her loss, the support system around her begins to unravel. Her parents' uneasy marriage seems more precarious. Her health is failing as her unprocessed trauma develops into more sinister conditions. Her marriage suffers as her husband is unable to relate to her loss. She bears her burden alone, but after hitting her lowest point, she knows she needs to find a better way of coping. Desperate for connection, she reaches out to a bereavement group, where she meets Hawthorn, a free-spirited young man with whom she discovers a deep connection through pain. After being blindsided by a devastating marital betrayal, she wonders if a fresh start is possible in the wake of tragedy. Will she escape her problems and start over? Or will she face the challenges of rebuilding the life she already has? Side by Side is a story about loss, growth and the search for meaning in the wake of tragedy, illuminated through one woman's journey from harm to care.

Born to privilege and wed to her high school sweetheart Veer, a free spirited Maya feels trapped in a conventional upper class family with patriarchal expectations in India. Claustrophobic within the dark walls of the mansion she lives in with Veer, Maya starts living precariously through the threads of her curiosity. This curiosity leads Maya to unearth a dark family secret, a brutal ancestral murder which begins to haunt her and also affect her new marriage.To escape the malicious spirits lingering in the house, Maya and her family fly to a new land and discover the rough corners, hardship, and the bounty that this adopted country offers. As Maya tries to rebuild her life amidst adventure and the struggles of settling in a new country, her relationship with Veer is tested beyond its limits. Not knowing that the ghosts of their past have followed them, in a race against time, Maya is put to a final test. Armed with conviction and hope, Maya sets out to face the dark forces that lie await.Peacock in the Snow is a one-of-a kind genre-bending thriller about the power of an eternal love, which survives through three generations of heartbreak, across two continents, and speaks to the tireless capacity of the human spirit to love, hope, strive, and succeed despite impossible obstacles.

Finalist for the 2019 Golden Crown Literary Society Awards for General FictionThe Heart Begins Here is the story of the ever-optimistic, earnest Sara Requier and her disintegrating seven-year relationship with the cynical Wanda Wysoka. Along with her relationship struggles, Sara must contend with the drastic changes in the book industry that threaten her feminist bookstore, as well as a mother who refuses to accept her daughter's lesbianism. Then, just as Wanda decides to leave Sara, Wanda's new young lover, Cindy, is murdered. The story takes place in a western Canadian city in 2001 -- much of it in Sara's bookstore, Common Reader Books -- in the shadow of the disturbing political climate that followed the 9/11 attacks in the U.S. This is a transitional point in the Canadian book industry: the proliferation of big box stores, the expansion of the Internet -- and Sara is caught up in the concomitant changes in her community. The book explores themes of love and loss, of the lingering effects of a dysfunctional childhood, of misogyny, of personal and societal homophobia, and especially the challenge of integrating the personal with the political.

Rotten Peaches is a gripping epic filled with disturbing and unforgettable insights into the human condition. Love, lust, race and greed. How far will you go? Two women. Two men. One happy ending. It takes place in Canada, the U.S. and South Africa. Nature or nurture. South Africa, racism and old prejudices -- these are hardly old topics but what happens when biological half-siblings meet with insidious intentions? Can their moral corruption be blamed on genetics -- were they born rotten to begin with? And what happens when they meet up with more of their ilk? What further havoc can be wreaked, with devastating familial consequences?

It is The War to End All Wars, and Ena Connelly, a keenly sensory and extraordinary woman, is newly married and living on an Ontario farm. The shock of violence in far-off battlefields is echoed in a terror much closer to hand. With bold perception and remarkable self-reliance, Ena faces a dramatically altered world. Ena is self-contained, and careful not to reach too far into the turbulent emotional lives of others. As the war progresses, Ena forms a fierce bond of loyalty for Blain, the delightful but (necessarily) duplicitous boy who comes to work for her. Through Blain, she learns to extend herself in unexpected ways-- to reach outside of herself, and to risk. Ena also grows closer to her sister-in-law, Sarah, a gifted painter. Sarah is unafraid of confronting emotional turmoil and passion but she doesn't have Ena's absolute clarity of purpose and aim. Ena helps Sarah move closer to the life she wants, while Sarah opens Ena to a terrible and essential kind of beauty. When studying Sarah's paintings, Ena comments that it is not the surface that matters, but rather what is underneath. The same is true of this novel -- underneath the meticulous detail of daily life is the emotional landscape of persistent, courageous women, watching the violence of war in Europe (World War I) and domestic violence closer to home.

Almost True is the story of an extraordinary friendship among four women living in a small village in Burgundy during World War II. Madeleine, the eccentric village beauty, is a spinner of stories and dreams. Léa, the doctor's daughter, is brave and resourceful. Simone, the outsider from Paris, has a secret of her own to hide, and the hardworking and practical Eugénie struggles to keep her vineyard alive. When Eugénie's younger brother, the reckless and handsome Gaston, is suddenly missing, the village buzzes with rumour. All four women think they know the true story of Gaston's fate, and each of them is wrong. But the truth will bind them together forever.

Finalist for the 2019 Rasmussen, Rasmussen and Charowsky Indigenous Peoples' Writing AwardHiraeth is about women supporting and lending strength and clarity to other women so they know that moving forward is always possible-- and always necessary. It documents a journey of struggle that pertains to a dark point in Canadian history that few talk about and of which even fewer seem aware. Poems speak to the 1960's "scoop up" of children and how this affected the lives of (one or thousands) of First Nations and Métis girls-- girls who later grew to be women with questions, women with wounds, women who felt like they had no place to call home. That is, until they allowed themselves to be open to the courage others have lived and shared. "Hiraeth" is a word that is Celtic in origin and it means looking for a place to belong that never existed. But this place does exist -- in the heart.

The White Ribbon Man is a murder mystery set in Toronto. A woman's body is found in the basement toilet of a downtown Toronto church. It is an Anglican church that welcomes homeless people for coffee and soup and has a congregation composed largely of social activists. The discovery challenges a community that sees itself as a compassionate one and causes people who once were comfortable with each other to become suspicious instead. During the investigation we get to know something about the minister whose sleepwalking makes him suspect, a librarian who answered the classified ad in the Globe and Mail placed by another suspect; one of the wardens who is an activist against violence against women, a member of the congregation who was the neighbour and friend of the murdered woman, and the detective in charge of the investigation. The gentle handling of all of these characters and their issues allows the reader to see humanity and vulnerability of each one and the way in which as a community they support one another.

Winner, 2017 IPPY Bronze Medal for Popular FictionWhen twenty-two-year-old Marla finds herself unexpectedly pregnant, she wishes for a family, but faces precariousness: an uncertain future with her talented, exacting boyfriend, Liam; constant danger from her roommate, Dani, a sometime prostitute and entrenched drug addict; and the unannounced but overwhelming needs of her younger brother, Gavin, whom she has brought home for the first time from deaf school. Forcing her hand is Marla's fetal alcohol syndrome, which sets her apart but also carries her through. When Marla loses her job and breaks her arm in a car accident, Liam asks her to marry him. It's what she's been waiting for: a chance to leave Dani, but Dani doesn't take no for an answer. Marla stays strong when her mother shows up drunk, creates her own terms when Dani publicly shames her, and then falls apart when Gavin attempts suicide. It rains, and then pours, and when the Bow River finally overflows, flooding Marla's entire neighbourhood, she is ready to admit that she wants more for her child than she can possibly give right now. Marla's courage to ask for help and keep her mind open transforms everyone around her, cementing her relationships and proving to those who had doubted her that having a fetal alcohol spectrum disorder does not make a person any less noble, wise or caring.

This novel traces the life experiences of a once highly successful woman who falls prey to electroshock and subsequently struggles to piece back together her life. Naomi suffers enormous memory loss; additionally, an estrangement from her family of origin that she has no way to wrap her mind around. The novel begins with her wandering the corridor of St. Patricks-St Andrews Mental Health Centre (St. Pukes) faced with the seemingly impossible challenge of coming to terms with the damage done her, as well uncovering the hidden details of her life. It moves back and forth between a relatively happy childhood in the legendary north-end Winnipeg of the mid-1900s and post-ECT adulthood in Toronto. An exceptionally kind man named Ger who befriends Naomi comes to suspect that important pieces of the puzzle of what befell her lurk beneath the surface of writing in a binder of hers, which comes to be known as Black Binder Number Three. What Naomi progressively comes to do, often with Ger's help and just as often with the help of a very different and eerily similar sister named Rose, is find ways to do justice to her life and to the various people in it. Filled with a vast array of colourful and insightful characters from a variety of communities--Toronto¹s Kensington Market of the 1970s, the 1970's trans community, north-end Winnipeg Jewry, and the ingenious and frequently hilarious mad community--this novel sensitizes us to the horror of electroshock, takes us to new levels in our understanding of what it means to be human, and, in the process, leads us to question the very concept of normalcy.

Theodor Adorno once remarked that, "...every work of art is an uncommitted crime." This book is a tribute to political artists who deviate from the mainstream and create art that engages with questions of societal oppression, survival, and resistance. It draws on interviews with transnational artists whose work is representative of emerging trends in art, visual culture, and political aesthetics. Uncommitted Crimes reflects on a new generation of artists whose creative praxis, sensibilities, influences, and frames of reference derive from multiple national, religious, and cultural genealogies, and an ambivalent relationship to Western and European nationalisms. Courageously, these racialized, Indigenous, and migrant artists straddle the divides of many categories of identity in regards to gender, sexuality, and 'race.' Their art challenges the silently imbibed worship of whiteness, heteronormative patriarchies, and colonial settler ideologies of "home." These exceptional cultural producers enter into uncomfortable dialogues, creatively. Inspired by their visionary praxis, this book is an uncommitted crime, attempting to smuggle arresting artistic ideas into a site of intellectual imagi/nation. Artists whose works are explored in this book include: Andil Gosine, Syrus Marcus Ware, Elisha Lim; Amita Zamaan and Helen Lee; Shirin Fathi; Kara Springer; Rajni Perera; Joshua Vettivelu; Brendan Fernandes; Kerry Potts and Rebecca Belmore; The Mass Arrival Collective (Farrah Miranda, Graciela Flores Mendez, Tings Chak, Vino Shanmuganathan, and Nadia Saad). The book contains 65 pages of artwork.