Bøker utgitt av ICI Berlin Press

Displacing Theory Through the Global South calls for reflection on the historical and geopolitical inequalities that have shaped theorization. It asserts that what appears 'universal' often involves generalizations that flatten the particular. Critiquing the colonialist, imperialist, and Eurocentric perspectives that have historically impacted theorization in general and, more specifically, knowledge production about the so-called Global South, this volume seeks a different form of engagement that moves beyond such strictures. Featuring essays that unsettle distinctions between the general and the particular, it proposes a commitment to expanding notions of universality, making theorization not only relevant and generative, but ultimately, transformative.

War-torn Ecologies, An-archic Fragments identifies a conceptual intersection between war, affect, and ecology from the Middle East. It creates a counter archive of texts by ethnographers and artists, and enables divergent worlds to share a conversation through the crevices of mass violence across species. Delving into vital encounters with mulberry trees, wild medicinal plants, jinns, and goats, as well as bleaker experiences with toxic war materials like landmines, this volume expands an ecological sensorium that works through displacement, memory, endurance, and praxis.

Havana's apartment-galleries have been vital venues for the city's art scene since the 1990s, hosting art exhibitions, workshops, and conferences. In the context of Cuba's limited art market and dearth of cultural institutions with international reach, these residential spaces have offered artists a unique opportunity to display their work and to connect with international art circuits. Focusing on the histories of three specific apartment-galleries - El Apartamento, Estudio Figueroa-Vives, and Avecez Art Space - this chapbook reflects on the complex interplay of the local and the global in the 'worlding' of cultural institutions.

War-torn Ecologies, An-archic Fragments identifies a conceptual intersection between war, affect, and ecology from the Middle East. It creates a counter archive of texts by ethnographers and artists, and enables divergent worlds to share a conversation through the crevices of mass violence across species. Delving into vital encounters with mulberry trees, wild medicinal plants, jinns, and goats, as well as bleaker experiences with toxic war materials like landmines, this volume expands an ecological sensorium that works through displacement, memory, endurance, and praxis.

Shigeko Kubota's pioneering video Sexual Healing (1998) presents an ambivalent take on her disabled husband Nam June Paik in physical therapy. Accompanied by Marvin Gaye's titular pop song, it considers love, sex, and care in old age within the much-debated field of Fluxus collaborations, and its ideal of working together as equals when fusing life and art. Worlding Love, Gender, and Care delves into the four decades of Kubota and Paik's time together, reflects on feminist worlding, and investigates the vital contribution of female Fluxus artists to art history.

Self Study is a genre-bending work of autophilosophy. It opens a rare, rear window into the schizoid position of self-sufficient withdrawal and impassive indifference. This inability to be enriched by outer experiences feeds the relentless suspicion that hell is other people. Laying bare his life and work, Kishik engages with psychoanalysis, philosophy, and cultural inquiry to trace loneliness across the history of thought, leading to today's shut-in society and the autonomous subject of liberal capitalism.

Where is the past? It is not really behind us, but with us, constantly imagined and re-imagined in public discourse through historical narrations. Using the Clanwilliam Arts Project as a case study, this volume is founded on the 'anarchive', a conceptual constellation that positions the past in relation to the present, bringing into view strategies to facilitate remembering beyond the colonial archive.

The contentious discourse around world literature tends to stress the 'world' in the phrase. This volume, in contrast, asks what it means to approach world literature by inflecting the question of the literary. Debates for, against, and around 'world literature' have brought renewed attention to the worldly aspects of the literary enterprise. Literature is studied with regard to its sociopolitical and cultural references, contexts and conditions of production, circulation, distribution, and translation. But what becomes of the literary when one speaks of world literature? Responding to Derek Attridge's theory of how literature 'works', the contributions in this volume explore in diverse ways and with attention to a variety of literary practices what it might mean to speak of 'the work of world literature'. The volume shows how attention to literariness complicates the ethical and political conundrums at the centre of debates about world literature.

What remains of materialism''s subversive potential - i.e., its ties with heresy or atheism and republicanism or communism - and to what extent does this concept still interpellate us politically and philosophically?As neoliberal policies expanded far beyond the state, their mechanisms of control seeped into the materiality of social reproduction, solidifying a conception of matter as something inert, to be appropriated, manipulated, and exploited. If in this context the subversive nature of a reference to materiality is called into question, it has also provoked new forms of resistance, as well as fundamental reconsiderations of the political implications of the notion of ''matter''. Against this background, the aim of this book is to show the diversity within continued engagements with materialism as a central concept for progressive politics, be it in the direction opened up by New Materialism, in renewed forms of Marxist and Spinozist based approaches, or in feminist analyses, each in their own terms, without excluding the possibility of alliances between them. Finally, this volume insists that the study of materiality and materialist approaches does not amount to a renunciation of philosophy, but rather urges us to broaden the task of philosophical thought in order to reconsider the historical and, in every sense of the word, material situatedness of all philosophical problems. Against a reductive and ahistorical conception of materialism - the straightest way back to ideology -, this book offers an analysis of its diverse emancipatory potentialities.Edited by Bernardo Bianchi, Émilie Filion-Donato, Marlon Miguel, and Ayşe Yuva, the volume contains contributions also by Chiara Bottici, Alex Demirović, Mariana de Gainza, Christoph F. E. Holzhey, Ericka Marie Itokazu, Vittorio Morfino, Cornelia Möser, Catherine Perret, Marianna Poyares, Mauricio Rocha, Pascal Sévérac, Stefano Visentin, Elena Vogman, Frieder Otto Wolf.

What remains of materialism''s subversive potential - i.e., its ties with heresy or atheism and republicanism or communism - and to what extent does this concept still interpellate us politically and philosophically?As neoliberal policies expanded far beyond the state, their mechanisms of control seeped into the materiality of social reproduction, solidifying a conception of matter as something inert, to be appropriated, manipulated, and exploited. If in this context the subversive nature of a reference to materiality is called into question, it has also provoked new forms of resistance, as well as fundamental reconsiderations of the political implications of the notion of ''matter''. Against this background, the aim of this book is to show the diversity within continued engagements with materialism as a central concept for progressive politics, be it in the direction opened up by New Materialism, in renewed forms of Marxist and Spinozist based approaches, or in feminist analyses, each in their own terms, without excluding the possibility of alliances between them. Finally, this volume insists that the study of materiality and materialist approaches does not amount to a renunciation of philosophy, but rather urges us to broaden the task of philosophical thought in order to reconsider the historical and, in every sense of the word, material situatedness of all philosophical problems. Against a reductive and ahistorical conception of materialism - the straightest way back to ideology -, this book offers an analysis of its diverse emancipatory potentialities.Edited by Bernardo Bianchi, Émilie Filion-Donato, Marlon Miguel, and Ayşe Yuva, the volume contains contributions also by Chiara Bottici, Alex Demirović, Mariana de Gainza, Christoph F. E. Holzhey, Ericka Marie Itokazu, Vittorio Morfino, Cornelia Möser, Catherine Perret, Marianna Poyares, Mauricio Rocha, Pascal Sévérac, Stefano Visentin, Elena Vogman, Frieder Otto Wolf.

Weathering is atmospheric, geological, temporal, transformative. It implies exposure to the elements and processes of wearing down, disintegration, or accrued patina. Weathering can also denote the ways in which subjects and objects resist and pass through storms and adversity. This volume contemplates weathering across many fields and disciplines; its contributions examine various surfaces, environments, scales, temporalities, and vulnerabilities. What does it mean to weather or withstand? Who or what is able to pass through safely? What is lost or gained in the process?