Bøker utgitt av ibidem-Verlag, Jessica Haunschild u Christian Schon

Globalization is not a new phenomenon. Ideas have been circulating all over Europe (and the world) since ancient times, and intercultural dialog is a wide field offering a great variety of approaches.In such times as ours, when the world is swift to change and cultures are destined to meet (sometimes, alas, to clash), the place of literature, or broadly speaking: human and social sciences, within society is often questioned and needs redefining: From the reception studies of the 1970s and 1980s to the stress laid on intermedial and intercultural relations, not forgetting the work done on cultural transfers, this question opens up a wide field of theoretic, methodological, and aesthetic research, which is explored through this volume.

The contributors to this collection explore the multidimensional transformation of independent Ukraine and deal with her politics, society, private sector, identity, arts, religions, media, and democracy. Each chapter reflects the up-to-date research in its sub-discipline, is styled for use in seminars, and includes a bibliography as well as a recommended reading list. These studies illustrate the deep changes, yet, at the same time, staggering continuity in Ukraine¿s post-Soviet development as well as various counter-reactions to it. All nine chapters are jointly written by two co-authors, one Ukrainian and one Western, who respond here to recent needs in international higher education.The volume¿s contributors include, apart from the editors: Margarita M. Balmaceda (Seton Hall University), Oksana Barshynova (Ukrainian National Arts Museum), Tymofii Brik (Kyiv School of Economics), José Casanova (Georgetown University), Diana Dutsyk (Kyiv-Mohyla Academy), Marta Dyczok (University of Western Ontario), Hennadii Korzhov (Kyiv Polytechnic Institute), Serhiy Kudelia (Baylor University), Pavlo Kutuev (Kyiv Polytechnic Institute), Olena Martynyuk (Columbia University), Oksana Mikheieva (Ukrainian Catholic University), Tymofii Mylovanov (University of Pittsburgh), Andrian Prokip (Ukrainian Institute for the Future), Oxana Shevel (Tufts University), Ilona Sologoub (Kyiv School of Economics), Maksym Yenin (Kyiv Polytechnic Institute), and Yuliya Yurchenko (University of Greenwich).

The USSR¿s dissolution resulted in the creation of not only fifteen recognized states but also of four non-recognized statelets: Nagorno-Karabakh, South Ossetia, Abkhazia, and Transnistria. Their polities comprise networks with state-like elements. Since the early 1990s, the four pseudo-states have been continously dependent on their sponsor countries (Russia, Armenia), and contesting the territorial integrity of their parental nation-states Azerbaijan, Georgia, and Moldova. In 2014, the outburst of Russia-backed separatism in Eastern Ukraine led to the creation of two more para-states, the Donetsk People¿s Republic (DNR) and the Luhansk People¿s Republic (LNR), whose leaders used the experience of older de facto states. In 2020, this growing network of de facto states counted an overall population of more than 4 million people. The essays collected in this volume address such questions as: How do post-Soviet de facto states survive and continue to grow? Is there anything specific about the political ecology of Eastern Europe that provides secessionism with the possibility to launch state-making processes in spite of international sanctions and counteractions of their parental states? How do secessionist movements become embedded in wider networks of separatism in Eastern and Western Europe? What is the impact of secessionism and war on the parental states? The contributors are Jan Claas Behrends, Petra Colmorgen, Bruno Coppieters, Nataliia Kasianenko, Alice Lackner, Mikhail Minakov, and Gwendolyn Sasse.

This book provides a new understanding of fictocriticism¿a genre stemming from metafiction, écriture feminine, and postmodernism¿via original creative and experimental writing devoted to the issue of the contemporary self, offering a reinvigoration of fictocriticism as a writing strategy.Cholewa explores questions surrounding what fictocriticism is and what it can do, and the essential paradox between theories surrounding fictocriticism suggesting how ¿freeform¿ it is, yet how non-freeform and chameleonic it still seems to be due to its lack of theoretical ¿rules¿. Evaluating fictocriticism as both an art form and as a vehicle for higher theory and criticism, he offers and proposes further academic attention across a plethora of sociocultural, artistic, scientific, educational, political, and historical fields.Propelled by the work(s) of Roland Barthes, the ¿godfather of fictocriticism¿, the ultimate goal of this research and text is to provide new and expanded reading tools that both explain the subjectivity and context of fictocritical writings and simultaneously innovate on the form.