Bøker utgitt av Hong Kong University Press

Uses stories of life under Hong Kong's strict pandemic restrictions to inspire mental health awareness. The COVID-19 pandemic was a global crisis that affected millions of lives and brought mental health challenges to the forefront. In Hong Kong, the situation was worsened by uniquely strict COVID-19 regulations, quarantine measures, and travel restrictions. The mental health issues associated with the pandemic did not end with the lifting of the mask mandate. On the contrary, the repercussions are only just beginning to surface and their impact will be felt for years to come. This eye-opening book shares the stories of ordinary Hongkongers who faced extraordinary challenges during the pandemic. Through a blend of first-person accounts, psychological insights, and hard data, it offers a compelling and accessible exploration of the toll that the COVID-19 pandemic has taken on mental health in Hong Kong. However, Pandemic Minds is not only a chronicle of suffering--it is also a guide to healing and hope. It offers practical advice on how to overcome the mental health issues caused by the pandemic, and how to build resilience and well-being. It reveals the lessons that can be learned from Hong Kong's experience, and how they can help individuals and policymakers around the world.

An updated edition of a close and comprehensive look at modern Hong Kong politics up to the present. In its third edition, Contemporary Hong Kong Government and Politics analyzes Hong Kong's basic political institutions, mediating institutions, political actors, specific policy areas, and its relationships with the mainland and the international community. All chapters have either been significantly updated or rewritten by new contributors. This edition presents a comprehensive and systematic analysis of the main continuities and changes after the 2019 Anti-Extradition Law Amendment Bill. It examines various aspects of the Hong Kong government and politics such as the executive, the legislature, the judiciary, the civil service, district councils, and advisory and statutory bodies. It also investigates the structures of the wider society with particular attention to political parties and elections, civil society, political identity and political culture, the mass media, and public opinions.

A necessary guide to responsible journalism in a challenging media landscape. This concise and authoritative work offers the latest guidance on journalism ethics for students and media professionals and will help empower news consumers to make informed decisions about the trustworthiness of their sources of information. It offers advice on all aspects of journalism ethics including accuracy and seeking the truth, representation of women, LGBTQ coverage, climate change, mental health, use of images, conflict reporting, elections, and how to use artificial intelligence. The author brings a unique perspective and depth of knowledge to the complex challenges facing journalists and news consumers in this era of fake news, disinformation, and artificial intelligence.

Fills a gap in research by focusing psychosis studies on those affected in Hong Kong. Psychosis and Schizophrenia in Hong Kong covers some of the most serious mental health conditions that top the global disease burden and affect three percent of the general population. However, most research on psychotic disorders is undertaken in the West, and few studies have been systematically carried out in Asia despite global interest in regional differences. This work offers a unique and coherent account of these disorders and their treatment in Hong Kong over the last thirty years. Chen and his research program's pioneering work has ranged from the impact of early intervention on outcomes and relapse prevention to the renaming of psychosis to reduce stigma. The studies have contributed to wider international debates on the optimal management of the condition. Their investigations in semantics and cognition, as well as cognition-enhancing exercise interventions, have provided novel insights into deficits encountered in the treatment of psychotic disorders and how they might be ameliorated. The research has also explored subjective experiences of psychosis and elicited unique perspectives in patients of Asian origin. Each topic is divided into three sections: a global background of the challenges encountered; research findings from Hong Kong; and reflections that place the data in scientific and clinical contexts and offer future directions.

Insight into the Qing dynasty's policies towards Muslims and Christians traveling to East Asia. Redefining Heresy and Tolerance demonstrates how the political philosophies of toleration developed in the context of late Imperial China were different from the theories that emerged in the West during their time. Focusing on religious policy in the Qing Empire, Hung attempts to clarify the Qing toleration policies and the reasoning behind them. He also demonstrates how the Qing government prevented Confucian bureaucrats from interfering in the religious life of Christians and Muslims, and how the Confucians' understanding of "religion" was reshaped in the period.

Examines the changing ideologies and conflicts between Hong Kong and the mainland from 2012 to the present. The New Politics of Beijing-Hong Kong Relations particularly examines the paternalistic authoritarianism that can be seen in Beijing's policy toward Hong Kong since the promulgation of the national security law in late June 2020. Lo analyzes the ideological shift from liberal nationalism to conservative nationalism on the mainland Chinese side since late 2012. The increasingly radical localism on the Hong Kong side after 2014 altered Beijing-Hong Kong relations and introduced factional struggles. While the imposition of the national security law into Hong Kong in late June 2020 has stabilized the city politically, Beijing's policy toward Hong Kong is now guided by the principles of protecting its national security and maintaining economic pragmatism, with implications for Beijing's relations with Taipei in the coming years.

Chronicles the life of a professor who dedicated her career to improving medical education and healthcare in Hong Kong. In Rosie Young: A Lifetime of Selfless Service, Moira Chan-Yeung presents a brief history of professor Young's remarkable career in medical education and administration at the University of Hong Kong (HKU) and her wide-ranging public service to the community over many decades. As the first female dean of HKU's Faculty of Medicine, her career was deeply intertwined with the socio-economic development of Hong Kong. After she retired from HKU, she continued to serve HKU and the community until the present. This book illustrates her many contributions to the development of medical education in Hong Kong and the university administration at HKU. Young's extensive public service in the field of medicine also helped improve primary care, hospital care, and public health in Hong Kong. In short, this book provides a valuable record of a female giant in medical history and documents her selfless and enduring service to the HKU community and Hong Kong society.

A new edition of the textbook for Hong Kong contract law students. This fourth edition of Contract Law in Hong Kong is the most comprehensive contemporary textbook on Hong Kong contract law written primarily for law students. The sixteen chapters of the book cover all basic contract concepts in a reader-friendly style and make ample use of case illustrations, including over 200 new cases since the third edition. The book deals with the core areas of contract law. The new legislative rules, such as the Contract Ordinance regarding the rights of third parties, have also been covered. The first two chapters introduce the major themes and explain the multiple sources of law in Hong Kong. The subsequent thirteen chapters cover the formation of a valid contract, its contents, "vitiating" elements, the consequences of illegality, the termination of contracts, and remedies for breach of contract. The book concludes with an explanation of the doctrine of privity and the legislative reform of the operation of privity in Hong Kong. Particular attention is given to what makes Hong Kong law different from other common law jurisdictions, and to the continuing significance of English case law in Hong Kong.

When the Yellow River Floods explores the relationship between environmental degradation, hydraulic engineering, and nation-building in the context of Liu E's The Travels of Lao Can. This book contributes to the field by providing a unique perspective on modern Chinese literary history that goes beyond conventional narratives that focus solely on political and cultural factors. The main areas covered include the role of water management in literary nation-building and the connections between the novel's various themes, such as river engineering, medical and political discourses, national sentiment, and landscape description. The book is targeted toward scholars and students of Chinese literature, history, and environmental studies, as well as those interested in the intersections between literature, nation-building, and environmental challenges. By offering a comprehensive and material-based analysis of The Travels of Lao Can, this book broadens the understanding of nation-building in early twentieth-century China, highlighting the impact of environmental crises and hydraulics on the formation of national literature and consciousness. The book provides a new perspective on the environmental roots of modern Chinese literature, making it an essential read for those seeking to understand the complex interplay between literature, the environment, and national identity in China.

Having made documentary films screened at the most prestigious film festivals in the West, Chinese documentary filmmaker Wang Bing presents a unique case of independent filmmaking. In The Cinema of Wang Bing, Bruno Lessard examines the documentarian's most important films, focusing on the two obsessions at the heart of his oeuvre-the legacy of Maoist China in the present and the transformation of labor since China's entry into the market economy--and how the crucial figures of survivor and worker are represented on screen. Bruno Lessard argues that Wang Bing is a minjian (grassroots) intellectual whose films document the impact of Mao's Great Leap Forward on Chinese collective memory and register the repercussions of China's turn to neoliberalism on workers in the post-Reform era. Bringing together Chinese documentary studies and China studies, the author shows how Wang Bing's practice reflects the minjian ethos when documenting the survivors of the Great Famine and those who have not benefitted from China's neoliberal policies--from laid-off workers to migrant workers. The films discussed include some of Wang Bing's most celebrated works such as West of the Tracks and Dead Souls, as well as neglected documentaries such as Coal Money and Bitter Money.

Making National Heroes is an ethnography on the making of national heroes in the commemoration of the Second World War in contemporary China. Foregrounding the lived experience of men and women who participate in commemorative activities, it theorises how masculinity and nationalism entangle in recollecting war memories. Taking the line of feminist inquiry, this anthropological study develops an approach to capture the centrality of making exemplars in the realisation of hegemonic masculinities. It adds a gender perspective to studies on the exemplarist moral theory and theorises exemplary men's cross-culture significance in defining masculinities. Researchers in the fields of critical masculinity studies, anthropology, feminist methodology, China studies, and war memories may be interested in this book.

A pioneer investigation of Chinese cinema and the Chinese film industry. In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second-largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture.

Malaysian Cinema in the New Millennium offers a new approach to the study of multiculturalism in cinema by analysing how a new wave of filmmakers champion cultural diversity using cosmopolitan themes. Adrian Lee offers a new inquiry of Malaysian cinema that examines how the 'Malaysian Digital Indies' (MDI) have in recent years repositioned Malaysian cinema within the global arena. The book shines a new light on how politics and socioeconomics have influenced new forms and genres of the post-2000s generation of filmmakers, and provides a clear picture of the interactions between commercial cinema and politics and socioeconomics in the first two decades of the new millennium. It also assesses how the MDI movement was successful in creating a transnational cinema by displacing and deterritorialising itself from the context of the national, and illustrates how MDI functions as a site for questioning and proposing a new national identity in the era of advanced global capitalism and new Islamisation. Covering all these interrelated topics, Lee's book is a pioneering and comprehensive work in the study of Malaysian cinema in the recent decades.

A Contemporary History of the Chinese Zheng traces the twentieth- and twenty-first-century development of an important Chinese musical instrument in greater China.The zheng was transformed over the course of the twentieth century, becoming a solo instrument with virtuosic capacity. In the past, the zheng had appeared in small instrumental ensembles and supplied improvised accompaniments to song. Zheng music became a means of nation-building and was eventually promoted as a marker of Chinese identity in Hong Kong. Ann L. Silverberg uses evidence from the greater China area to show how the narrative history of the zheng created on the mainland did not represent zheng music as it had been in the past. Silverberg ultimately argues that the zheng's older repertory was poorly represented by efforts to collect and promote zheng music in the twentieth century. This book contends that the restored "traditional Chinese music" created and promulgated from the 1920s forward-and solo zheng music in particular--is a hybrid of "Chinese essence, Western means" that essentially obscures rather than reveals tradition.

An extensive history of Chinese dialects. Studies in Colloquial Chinese and Its History presents cutting-edge research into issues regarding prestige colloquial languages in China in their spoken forms and as well as their relationship to written and colloquial literary forms. These include the influence of historical forms of spoken Chinese on written Chinese, the history of guanhuà and the history of báihuà, proto-dialects, and supra-regional common languages, as well as their relationship to spoken dialects. The various studies in this collection focus on the dialect groups with the most substantial written traditions, including Mandarin, Wu, Min, and Cantonese. The contributors explore the histories of these dialects in their written and spoken forms, presenting a variegated view of their history and development. This volume expands our understanding of the underlying factors in the formation of supra-regional common languages in China and the written forms to which they gave rise.

Taking the "tidal wave" of memory in the late twentieth and early twenty-first century as its starting point, this monograph explores collective memory of World War II in East Asia (1937-1945) through film. Weiss argues that Chinese, Japanese, and American remembrance of World War II is intertwined in what she terms a "memory loop," the transnational mediation and remediation of war narratives. Gender is central to this process, as the changing representation of male soldiers, political leaders, and patriarchal father figures within these narratives reveals Japanese and Chinese challenges to each other and to the perceived "foundational" American narrative of the war. This process continues to intensify due to the globally visible nature of the memory loop, which drives this cycle of transmission, translation, and reassessment.This volume is the first to bring together a collection of Chinese and Japanese war films that have received little attention in English-language literature. It also produces new readings of popular war memory in East Asia by revealing the gendered dimensions of collective remembrance in these films.

In The First British Trade Expedition to China, Nicholas D. Jackson explores the pioneering British trade expedition to China launched in the late Ming period by Charles I and the Courteen Association. While utilizing the vivid and unique perspective of its commander, Captain John Weddell, this study concentrates on the fleet's adventures in south China between Portuguese Macao and the provincial capital, Guangzhou (Canton). Tracing the obscure origins of Sino-British diplomatic and commercial relations back to the late Ming era, Jackson examines the first episodes of Sino-British interaction, exchange, and collision in the seventeenth century. His definitive narrative and original analysis constitute a groundbreaking study of early modern British initiatives and enterprise in the coastal areas of south China. The book begins by sketching the Tudor-Stuart historical background of British trade expansion in Asia before precisely reconstructing the voyages of East India Company and then Courteen ships to Guangdong province. The core of the narrative illuminates the communications, intrigues, and confrontations between Ming officials and the British commanders and merchants. The monograph concludes with an analysis outlining the major lessons learned by all the personalities and parties involved in those unprecedented encounters and clashes. Among other theses, Jackson argues that this expedition demonstrates that as early as the seventeenth century, a significant difference in naval-military strength and sophistication obtained between Great Britain and China.

Taking The 70's Biweekly-an independent youth publication in the 1970s Hong Kong--as the main thread, this edited volume investigates an unexplored trajectory of Hong Kong's cultural and art production in the 1970s that represents the making of a dissent space by independent press and activist groups in the city. The 70's Biweekly stands out from many other independent magazines with its unique blending of radical political theories, social activism, avant-garde art, and local art and literature creations. By taking the magazine as a nodal point of social and cultural activism from and around which actions, debates, community, and artistic practices are formed and generated, this book fills gaps in studies on how young Hong Kong cultural producers carved out an alternative creative and political space to speak against established authorities. Split into three parts, this book provides readers with a panoramic view of the political and cultural activisms in Hong Kong during the 1970s, writings on art and film, and crucially, interviews with former founders and contributors that reflect on how their participation led them to engage ideologically with their activism and community that extended far beyond the temporal and physical bounds of the magazine.

An examination of the Counter-Enlightenment movement in China. In Modern Chinese Counter-Enlightenment, Peng Hsiao-yen argues that a trend of Counter-Enlightenment had grown from the late Qing to the May Fourth era in the 1910s to the 1920s and continued to the 1940s. She demonstrates how Counter-Enlightenment was manifested with case studies such as Lu Xun's writings in the late 1900s, the Aesthetic Education movement from the 1910s to 1920s, and the Science and Lifeview debate in the 1920s. During the period, the life philosophy movement, highlighting the epistemic debate on affect and reason, is connected with its counterparts in Germany, France, and Japan. The movement had a widespread and long-term impact on Chinese philosophy and literature. Using the transcultural lexicon as methodology, this book traces how the German term Lebensanschauung (life view), a key concept in Rudolf Eucken's life philosophy, constituted a global tide of Counter-Enlightenment that influenced the thought of leading Chinese intellectuals in the Republican era. Peng contends that Chinese intellectuals' transcultural connections with others in the philosophical pursuit of knowledge triggered China's self-transformation. She successfully reconstructs the missing link in the Chinese theater of the worldwide dialectic of Enlightenment and Counter-Enlightenment.

In Public Housing and Formalizing Squatting in Hong Kong, 1963-1985, Alan Smart and Fung Chi Keung Charles trace two decades of development of squatting in Hong Kong. The authors reconstruct the government policy on squatting through both ethnographic and archival research. The book sheds new light on the consequences of various attempts to control encroachment on scarce urban space. It argues that intersecting policy agendas resulted in decisions that were often not desired, but which emerged as practical solutions from prior failures. The authors address the challenges of explaining confidential policy decisions and offer new approaches applicable in other contexts. Overall, Smart and Fung make an important contribution to the understanding of how public housing and squatting interacted in influential ways that have been poorly understood and offer new perspectives on the challenges of urban governance and housing problems.

Eros of International Relations: Self-Feminizing and the Claiming of Postcolonial Chineseness is a distinctive work that explores the much-neglected Chinese perspective in broader international relations theory. Using the concept of "self-feminizing"-adoption of a feminine identity to oblige and achieve mutual caring as a relational strategy-this book argues that postcolonial actors have employed gendered identities in order to survive the squeezing pressure of globalization and nationalism in their own ways. Sovereign actors who have historically claimed to act on behalf of Chineseness have taken advantage of the images of femininity thrust upon them by transnational capitalism, the media, or intellectual thought. Shih illustrates the feminist potential for emancipation through a range of empirical examples, showing that women of various Chinese characteristics, acting on behalf of their nation, city, and corporations, reject the masculinization of their groups of belonging as remedy for inferiority or threat. Carried out effectively, Shih argues, actors who self-feminize have the potential to deconstruct the binaries of masculine competition and seek alternative strategies under the postcolonial global order. Eros of International Relations is a welcome contribution that ties together revisionist yet friendly reflections on the current studies of postcolonialism, international relations, relational theory, China studies, cultural studies, and feminism.

An analysis of the lessons learned from tuberculosis control in Shanghai. Tuberculosis Control and Institutional Change in Shanghai, 1911-2011 is the first book on the most widespread and deadly infectious disease in China, both historically and today. Weaving together interviews with data from periodicals and local archives in Shanghai, Rachel Core examines the rise and fall of tuberculosis control in China from the 1950s to the 1990s. Under the socialist work unit system, the vast majority of people had guaranteed employment, a host of benefits tied to their workplace, and there was little mobility--factors that made the delivery of medical and public health services possible in both urban and rural areas. The dismantling of work units amid wider market reforms in the 1980s and 1990s led to the rise of temporary and casual employment and a huge migrant worker population, with little access to health care, creating new challenges in TB control. This study of Shanghai will provide valuable lessons for historians, social scientists, public health specialists, and many others working on public health infrastructure on both the national and global levels.

Women We Love: Femininities and the Korean Wave is an edited volume exploring femininities in and around the Korean Wave since 2000. While studies on the Korean Wave are abundant, there is a dearth of thought put toward the female-identifying stars, characters, and fans who shape and lead this crucial cultural movement. This collection of essays is one of the first works to focus on gender and the key female actors of this global phenomenon. Using "women" as an inclusive term extending to all those who self-define as women, this volume examines the role of women in K-pop and K-drama industries and fandom spaces, encompassing crucial intersectional topics such as queering of gender, dissemination of media, and fan culture. In addition to the communities engaged with visual culture of the Korean Wave, the audience for Women We Love will reflect the contributors to this text. They are K-pop and K-drama fans, queer, international; they are also academics of Asian histories, sociology, gender and sexuality, art history, and visual culture. The chapters are playful, intersectional, and will be adapted well into syllabi for media studies, gender studies, visual culture studies, sociology, and contemporary global history.

Porcelain, with its fine white body, delicately painted decoration and associations with China's culture and vast wealth, has long delighted and captivated people in the West, as well as across the whole of Asia and the Islamic world. This catalogue accompanies the exhibition Objectifying China Ming and Qing Dynasty Ceramics and Their Stylistic Influences Abroad, held at the University Museum and Art Gallery of The University of Hong Kong. The work explores the production of Chinese porcelain and other ceramics for both export and the domestic market, and the many responses to these wares made overseas using local materials and decorative techniques. The objects are considered from a variety of perspectives as the product of skilled artisans, valuable trade commodities, useful objects for daily life and as important evidence of cultural interaction.