Bøker utgitt av Henie-Onstad Kunstsenter

Encompassing photography, sculpture and installation - this career spanning survey of Norwegian artist Per Barclay contextualises his place within the Arte Povera movement. This publication is published on the occasion of the exhibition 'Per Barclay: Soft Sweet Vortex' at Henie Onstad Kuntsenter. The career survey combines forty artworks made from 1979 up to this year, including a new photographic series of Barclay¿s `oil room¿ at the former Deichman Library in Oslo, produced in 2022. The exhibition considers photography, sculpture and collage to create a total installation, speaking to the magnetic and extensive character of the artist¿s international practice, which has spanned four decades. 'Soft Sweet Vortex' seeks to highlight Barclay's interest in the contrast between air and liquid, which creates tension and a deep sense of the uncanny in his work. Barclay's use of solid materials, such as steel and oil, and choice of extravagant sites and repetitive formal exercises, reflect on industry and capital in their mutual dependency and entwined logic.

Niki de Saint Phalle (1930-2002) made a name for herself on the international art scene during the late 1950s and early 1960s. She was a key figure in the new generation of young artists who, at the beginning of the 1960s, were redefining the boundaries of what an artwork could be. Saint Phalle had a clear socio-political agenda and feminist commitment throughout her career. To an increasing degree, she worked in close dialogue with society and her audience, and by about the mid-1970s she invited them into monumental architectonic constructions in public settings. The catalogue explores different facets of this pioneering artist's practices, such as her feminist commitment, her public art and her role as muse for the fashion giant, Dior.