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Robert William Chambers (1865-1933) was an American illustrator and writer, best known for The King in Yellow, his influential and odd collection of ten macabre and French short stories first published in 1895. The title refers to a fictional play featured in four of the stories, and to a mysterious and malevolent supernatural entity within that play who may very well exist outside of it. It is whispered that the play leaves only insanity and sorrow in its wake; it tempts those who read it, bringing upon them hallucinations and madness . . .Influencing the works of H.P. Lovecraft, Raymond Chandler, George R.R. Martin, Neil Gaiman, and Nic Pizzolato (creator and writer of HBO's True Detective), and described by critics as a classic in the field of the supernatural, The King in Yellow - with its dashes of fantasy, mystery, mythology, romance, and science fiction - is a staple of the early gothic and Victorian horror genres.

George Slatyer Barrett, D.D. (1839-1916) was for 45 years (1866-1911) the minister of Prince's Street Congregational (now United Reformed) Church in Norwich, which under his tutelage was considered "one of the most influential Congregational churches in England." He was educated at University College, London; trained for the ministry at Lancashire Independent College, Manchester; was invested with the honorary degree of Doctor of Divinity at the University of St. Andrew's; and was the 1894 Chairman of the Congregational Union of England and Wales. As an author, he made several important contributions to theological literature, including his best-known work as editor of The Congregational Church Hymnal (1887).With The Temptation of Christ, Barrett (ever the Nonconformist) challenges traditional thinking concerning Jesus' time in the wilderness by focusing his attention on its perceived psychological problems, positing "if instead of such a mechanical and literal interpretation of the narrative, we suppose that our Lord was tempted by doubts as to His own Divine plan?" An analysis that has been lauded as "wisely and reverently and spiritually interpreted, with ever fresh pertinence and power."

Gilbert Keith Chesterton (1874-1936) was an English journalist, poet, biographer, historian, debater, radio personality, and novelist who wrote more than 100 books on a wide variety of subjects. He is best known for his beloved Father Brown series of detective stories and The Man Who Was Thursday: A Nightmare, his genre-defying masterpiece that centers on poet-turned-detective Gabriel Syme in turn-of-the-century London as he infiltrates and pursues members of an anarchists' society who call themselves by the names of the days of the week. Button your frock coat and hold tight to your bowler hat as Chesterton plunges you through philosophical discourse, surreal allegory, metaphysical thriller, detective farce, dystopian fairy tale, and gothic romance in a madcap rollick that is, above all, wildly entertaining!

Robert William Chambers (1865-1933) was an American illustrator and writer, best known for The King in Yellow, his influential and odd collection of ten macabre and French short stories first published in 1895. The title refers to a fictional play featured in four of the stories, and to a mysterious and malevolent supernatural entity within that play who may very well exist outside of it . . . It is whispered that the play leaves only insanity and sorrow in its wake; it tempts those who read it, bringing upon them hallucinations and madness . . .Influencing the works of H.P. Lovecraft, Raymond Chandler, George R.R. Martin, Neil Gaiman, and Nic Pizzolato (creator of HBO's True Detective), and described by critics as a classic in the field of the supernatural, The King in Yellow - with its dashes of fantasy, mystery, mythology, romance, and science fiction - is a staple of the early gothic and Victorian horror genres.

Zane Grey (1872-1939) was a prolific American author whose idealization of the American frontier gave rise to a new literary genre: the western. In 1912 he published his best-selling book, Riders of the Purple Sage, which many claim to be both the most popular western novel of all time and the story responsible for singularly shaping the genre's formula. Set in the canyon country of southern Utah, 1871 - whose landscape is rendered with such vividness it becomes a character in its own right - the story tells of Venters, a gentile fed up with Mormon pretense; Lassiter, a renowned, roving gunslinger on a mission; and Jane Withersteen, a Mormon woman torn between religious duty, familial legacy, and the yearnings of her heart, who strives to maintain peace within the local Mormon community, led by the oppressive Bishop Dyer, after she refuses to marry the rapacious Elder Tull.