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In TROLLRU╠üN: A Discourse on Trolldom and Runes in the Northern Tradition, Nicholaj de Mattos Frisvold opens the door to landscapes little known outside of Scandinavia. These landscapes are populated by mythical beings and land spirits which offer a quite different approach to the Northern Tradition than what is usual. Here the Aesir have taken a backseat in favour of discussions on the wider tapestry of Northern wisdom, such as trolldom, seidr and the legacy left by the Black Books of magic under the larger theme of ''What the Trolls Told'', comprising the first part of TROLLR├ÜN. This is followed by a presentation of the Elder runes, runology, and rune magic, all rooted in Scandinavian ideas of the use of runes and their magic. TROLLR├ÜN views this landscape through the eyes of the cunning arts, where the ice, the frost, the midnight sun, and the majestic mountains and fjords become the orchestra of TROLLR├ÜN''s wisdom, drenched in the powerful atmosphere of the magical north. 

Humberto Maggi surveys the historical developments that influenced the creation of the concept of the Queen of the Seven Crossroads in the Brazilian magico-religious system Quimbanda that emerged in the first half of the 20th century, as well as the ideas and techniques inherited both from Europe and Africa. He looks at how various myths, historical figures, and misunderstandings combined to create one of the most powerful pombagiras - what elements shaped her, what and who inspired her legend, and how to work with her in your own practice.

First and foremost, this is a practical work, combining earlier texts to provide a working manual which would influence subsequent works like the Grimorium Verum and Grand Grimoire. Heavily footnoted and with gorgeous colour illustrations, this work is essential reading for practitioners and students of the grimoire tradition.The value of a grimoire manuscript may be seen in what it continues from the past, and what it adds from its unique synergy of material. Sitting firmly in the Solomonic stream of grimoires, The Magical Art (Welcome MS 983) is an early eighteenth-century French text which includes material from the Heptameron and the Key of Solomon, along with unique material not found elsewhere. The inclusion of the first known examples of material from the Grimorium Verum, one of the most popularly worked grimoires of today, further adds to the significance of this work.The influence of Christian rather than Jewish Kabbalah stands out as a unique feature, as seen in the use of the Pentagrammaton and the psalm annotations of the German polymath Athanasius Kircher (creator of the modern Tree of Life image). Another significant figure referenced in this grimoire is the French alchemist and magician Arnaldus de Villa Nova. Among the numerous spirits listed is a curious national 'Spirit of France', and the archangel Uriel is also found in an operation of onimancy (skrying on the fingernail), harking back to the divinations of the ancient world.

Paul Sédir (born Yvon Le Loup; 2 January 1871 - 3 February 1926) was a French author, professor, banker, and mystic noted for his extensive work on esotericism and Christian mysticism. A student of Gérard Anaclet Vincent Encausse, better known as Papus, founder of the Martinist Order, into which Sédir was initiated. Sédir's first text, Les Miroirs Magiques (Magic Mirrors), was published in 1894 by Lucien Chamuel. This work, along with others like Les Tempéraments et la Culture psychique (1894), Les Incantations (1897), and La Médecine occulte (1900), reflects his profound knowledge in various domains of esotericism, including Kabbalah, astral light, and magical practices. In this collection of two of Sédir's works, Austin Avison introduces Paul Sédir, situating him in the exciting period of societal and cultural changes during the pre-war years in Europe. Avison then offers a translation of Sédir's Dreams: Theories-Practice-Interpretation, a short discourse of how dreams function, their art, and a list of dream interpretations, and finally his translation of Magic Letters, which offers an insight into Sédir himself not only through his own prologue, but also in the collection of letters he curated for the collection. These two texts, along with Sédir's other contributions, marked a significant chapter in the development of French esotericism in the early 20th century.

The German grimoire tradition, with its hugely diverse and significant range of material, is finally starting to get the attention it deserves. Amongst the many gems of this tradition, the seventeenth century Pneumatologia Occulta et Vera or The Hidden and True Pneumatology, stands out for its unique combination of material. The discussion of spirits, their nature, and how to work with them is illuminating, both in the scholarly discussion referencing Apollonius, Apulieus, Philostratus, Porphyry, and St Cyprian, and in the material given by the Olympic spirit Ophiel in a fascinating discourse recorded by the monk Albertus Bajer who conjured it. The combination of unique material with parts from the Heptameron, Arbatel, and Three Books of Occult Philosophy provides an extensive range of angels and demons of the elements, planets, and zodiac along with methods of working with them. Of particular interest is the emphasis on the use of the bell and the crucifix. As with many German grimoires, locating treasure is a major theme which is explored in great detail, and the Hekate prayer for use with treasure spirits is another unexpected gem emphasising the survival of ancient Greek magic into the grimoire tradition. Steve Savedow's translation of this obscure German text has done a great service to the grimoire tradition, adding it to the corpus of material available in the English language.

Goêtic Atavisms is designed to be an uncompromising and challenging book. Written in mutual exchange between practitioners Frater Acher and Craig Slee, two radical views and explorations of applied goêtia emerge. The book will be able to be read from both sides; behind one cover containing the chapters by Acher, behind the other those by Craig Slee, and where they meet in the middle a preface by none other than Frater U¿D¿. In their own unique voices, the authors draw the reader in and call on them to bring goêteia to life in their own flesh. Over twelve chapters, packed with historic detail and practical experimentations, the reader is guided to take a fresh look at such diverse bodies of goêtic work as Zosimos of Panopolis, Germanic and Old Iranian folklore, Goethe's Faust and the Earth Spirit, Austin Osman Spare's ¿uvre, as well as modern forms of corporeality such as pornography, tattoo culture, and bodily disability. Goêtic Atavisms was written not only to be a sensual experience, but to facilitate magical touch.

In the year 1482, on a freezing, winter night in the midst of a heavy snowstorm, a solitary and penniless young man, fleeing from an abusive and violent home, sought refuge in a Benedictine monastery in the German province of Sponheim. This young man was the legendary Johannes Trithemius. Within a few months of his entrance into the monastery, he attained the position of abbot, and very soon after, he established himself as the friend and confidante of the Emperor and the trusted advisor on occult and spiritual matters to most of the German nobility. His students included Agrippa and Paracelsus. Trithemius was esteemed as the most learned man of his age, and wrote extensively on cryptography, alchemy, angelic magic, witchcraft, history, theology, and philosophy. An avid bibliophile, he collected thousands of volumes for his monastery's library, taking a special interest in arcane, obscure, and infamous books. This volume presents, for the first time in English, his fascinating compilation of treatises on the properties of magical amulets. These offer systematic and detailed descriptions of the design, properties, and powers of hundreds of images fashioned from stones of various kind. Also included is his Bibliotheca Necromantica (taken from his Antipalus Maleficiorum, or Shield Against Witches). This tract comprehensively lists and describes the various occult, necromantic, and magical volumes which Trithemius either possessed or had read, and offers an astonishing insight into the underground occult literature in circulation in Europe in the late Middle Ages.

In Seven Crossroads of Night Nicholaj de Mattos Frisvold sets forth the foundation for Quimbanda in theory and practice, presenting a blueprint for the themes that generate the variety of ways Quimbanda can be approached. Quimbanda is a Brazilian cult of sorcery that has been preserved in different modalities - either as a secret cult, a necromantic cult, or as an open, religious tradition. Formed of indigenous, African, and European streams of wisdom and sorcery, this unique cult of Exu and Pomba Gira is safeguarded by these amazing entities in diverse ways across Brazil. Remaining strong in their own power, these unique entities represent the mystery of the crossroad, the voice of the graveyard, and the force of life that generates endurance, direction, and honour through the lessons given from life itself and the ancestors. ¿Though Quimbanda has flourished in the world during the last decade, with the flow and spread of the cult of Exu and Pomba Gira comes questions, misinformation, and confusion along with the fertile ground for its growth. In such a landscape it is good to have waymarks to follow and a map which reveals the lay of the land in the world of these powerful spirits. Frisvold, a resident of Brazil since 2003 who has dedicated the last three decades in study and initiation of cults of sorcery, wisdom, and cunning craft guides us though the intricacies of Quimbanda, offering a simple and effective guide to approaching Exu and Pomba Gira.

The veneration of a divine or quasi-divine feminine figure is a virtually omnipresent phenomenon in the various spiritual traditions of humankind, deriving from the complex archetype of a mystical woman: a Magna Mater. She is vested with both power and compassion; she serves as the complement, refuge, and telos of masculinity, and the speculum, idealization, or apotheosis of femininity. This archetype is so primal as to transcend all the more particularized mythological systems and finds a multitude of different expressions within each of them.Collected here are several stories of her manifested miracles in the Catholic tradition originally written by Pope Celestine V, the late 13th century monk who founded the Celestine branch of the Benedictine order. His stories speak to the compassionate nature of the Celestial mother Mary, as well as her powers of intercession and to defend against evil. The collection continues with tales by Ippolito Marracci of the 'Noble Daughters of Mary', those queens, princesses, and saints who devoted themselves to the Blessed Mother. Interspersed throughout are quotes that show how widespread the adoration of this figure is, by whatever name She is known.

Nazarth is a treasurehouse of geomantic incantations. Its nineteen keys were received and wrought through a combination of spirit communications, dream incubation, ritual cut-up, and judicious co-editing alongside tutelary shades and attendant spirits.This Angelical psalter offers prayers for opening and closing rituals of geomantic divination, as well as for clearing the potentially dangerous miasmas of "halted" shield charts, and presents calls for directly working with the spirits, virtues, and materia of each of the Sixteen Figures of Renaissance European geomancy - to remediate deleterious conditions, transmute obstacles, stir and direct spirits, and galvanise blessings.It offers the enterprising diviner-sorcerer resources to explore the Adamical roots of the so-called Enochian language, as well as imagery and spiritual landscapes to engage with the oracle of geomancy through more visionary lenses. It also presents an approach to Angelical charms for practical sorcery, spiritwork, and spellcraft that welcome further experimentation and individuation by practitioners.

The first English translation of The Supreme Black, Red and Infernal Magic of the Chaldeans and Egyptians, being the companion volume to the Book of St. Cyprian, is an early 20th-century grimoire containing spells, hexes, and other infernal secrets of magic.Allegedly given in 1001 to the monk Jonás Sufurino by the spirits at a monastery near Mount Brocken in northern Germany where witches are said to gather at Walpurgisnacht, the Book of Saint Cyprian is a legendary text that has seen a huge resurgence in popularity in recent years. The Supreme Black, Red and Infernal Magic of the Chaldeans and Egyptians, published in Buenos Aries in 1916, is the companion volume to that most mysterious book. Its editor, the elusive Dr. Moorne, encouraged by the success of the Book of St. Cyprian, decided to publish the "other matters" found in the "German original" but which had not been included in that first publication. Here, for the first time in English, we present those other matters attributed to Cyprian himself. In the words of Dr. Moorne, The Supreme Black, Red and Infernal Magic of the Chaldeans and Egyptians contains information on the following: the way of making the magic ointments; how the pacts with the infernal spirits are broken; the enigma of the sphinx and the eight paradoxical questions with their respective answers; how men learned the magical arts; making philters; the complete art of dominating people; virtues and efficacy of virgin blood; secrets of the astral fire; how Simon the Magician was able to acquire the gift of impassivity and incombustibility, and, finally, several wonderful recipes for love and to cause or prevent the evil eye and all kinds of hexes.

Goetic Evocation was the first (and only) workbook ever specifically designed to be used in conjunction with the popular grimoire known as The Goetia, which is the first book of The Lesser Key of Solomon. It is an efficient working manual for the ritual magician who is interested in properly practicing the system outlined in The Goetia.Steve Savedow provides detailed instructions for the necessary preparations, as well as the actual performance of the evocations, plus thorough dissections of every portion of The Goetia and a complete explanation of the hierarchy of the Goetic spirits. Also included are transcripts from the author's personal records documenting nine evocations that were performed between the years of 1985 and 1987 (which feature a lengthy interrogation of the spirit Bim), and the results of his extensive experimentation.

Clavis Goêtica presents a reference to the 16th-century tale of the first white magician, Johannes Beer, who is brought back from the dead in this book. And yet, the title as well as the essays united in this volume hold a deeper meaning: this key to the underworld is a living being, a spirit in its own right, that only comes to life when magic is performed as an act of co-creation of equals. In this book Frater Acher and José Gabriel Alegría Sabogal have joined creative forces to break through the perceived dichotomy of left-hand and right-hand paths of practical magic. Through careful historical research, concrete ritual analysis and their own experience as practitioners they show a path towards a more balanced way of approaching magic in the underworld, one where the chthonic spirits are invited to unlock what is theirs, while equally the magician is held accountable to contribute what is uniquely human about them. Only when both sides contribute fairly to the magical (p)act, can the key be turned that is the clavis goêtica.

Some of the most significant material in the English Qaballa research archives has been collated in this book, presenting a non-denominational astrologically synchronised ritual formula for self-initiation.

In The Way of Demons, Simon Bastian presents the Yin aspect of Taoist practice and theory. Demons are examined through the common range of societal, psychological, and supernatural interpretation via the prism of what is called Western Taoism.

Papa Guede, the Bawons and the Guede Lwa represent the power and mystery of death, funerary rites and the afterlife in Haitian Vodou. They are the lost ancestors - the ancient unknown force that pushes us from behind.The figure of a skull wearing sunglasses and a top hat is ubiquitous in popular culture, but often misrepresented and misunderstood. This workbook unpacks some of the myths and describes who these Lwa are and how they are served in Haitian Vodou. It is an educational guide for how to begin approaching these mysteries in a traditional and non-appropriative context, and includes guidelines on how to meet these spirits in the cemetery, as well as instructions for cleansings, baths and lamps that can be performed once a relationship with these spirits has been established.This booklet should be used as an early way through the dark, not as a substitute for traditional education within an oral tradition.

Hadean Press excel themselves in this time of crisis with perhaps the most diverse volume so far of Conjure Codex. Magical plant lore, always a relevant and welcome topic, is represented by Jack Grayle's contribution, The Golden Guest; while Cath Thompson guides us in a Contemplation of Gold employing the English Qaballa. So too the Greek Magical Papyri are present and correct, in the form of Shadowmancy and PGM's Rite of Helios, from Mani C. Price. Humberto Maggi surveys the long history of The Daimon and the Treasure from ancient beginnings to the legacy of the grimoires and beyond. Matters necromantic - an important aspect of our magical traditions - are explored by Gavin Fox, and the important and strangely neglected figure of Michael Scot is ably handled by Eldred Hieronymous Wormwood. In our first Picatrix related contribution J Swofford explores the magical imagery of the decans in The Picatrix Decan Art Project. A fascinating and most welcome exploration of territory entirely unfamiliar to me is provided by Erica Frevel, in Aztec Solar Magic: Blood and Gold, So too we welcome Veronica Rivas' Revelations of the Great Yogini Sera Khandro dealing with aspects of Buddhist tantra. Victoria Musson brings us Gold Ripens as much by Moonlight as Sun, exploring the origins of poppets and their relevance to a broad range of cultures and their esoteric practices. Last but by no means least Anthony Nine delivers the Guns of Brixton, a thoroughly modern and culturally significant piece which pulls no punches.