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A sometimes satirical reflection on hope in a time of hopelessness, the poems in I Dreamed I Was an Afterthought use stubborn humour to grapple with the anxiety of moving forward during late capitalism. While many of the poems are set in Newfoundland, the book also echoes the universal experience of loss, leaving, returns, and never being able to return. The first section of the manuscript, titled "Some Disasters," introduces real and imagined catastrophes. The St. Lawrence tidal wave, the history of resettlement, and the Muskrat Falls debacle stand next to poems that live in an imagined future where the capelin refuse to roll and snow refuses to fall. The second section is titled "I dreamed I was an afterthought." Here, the eclectic poems turn to a more personal perspective of place, my struggles with mental illness, and a feminist exploration of familial relationships. In "Of No Returns," movement through time and space is tinged with the same lurking fear of irreversibility, a fear which has been amplified during the pandemic. There is a yearning for the "before times," a time which may or may not exist.

The Great Gatsby is known for the glitz and glamour of Gilded Age plutocrats; in The Last Green Light, the working people of Fitzgerald's novel get to tell their own, beautifully textured tale. Meet Jon Laine, a Midwesterner who captains one of the rumrunning boats that are the source of Gatsby's great wealth; enter a colorful netherworld of diner cooks, dump scavengers, secretaries, deckhands and car mechanics caught in the increasingly deadly conflict between organized crime syndicates, amid the murderous passions of caste-busting love. From movie stars to dark freighters, Wobblies to Harlem nightclubs The Last Green Light, like a jazz improvisation, riffs on a great American novel, creating its own, unique world in the process.

In this dark comedy taking place over twenty-four hours, a blizzard pummels Toronto as a beloved high school teacher coerces his teenage student to assist in his violent suicide forcing the student, his best friend, the friend's bulimic mom, and a down-low cop to outrun each other, the storm, and the ghosts haunting them. I Met Death & Sex Through My Friend, Tom Meuley is a breathtaking and hilarious novel about the lengths people will take to erase themselves in order to matter.

The dozen stories in this collection chronicle the life of Karl Pringle, a wannabe philosopher who had once been enrolled in the graduate Philosophy program at the University of Toronto where he imagined himself as an Ubermensch, a Superman derived from the German philosopher Friedrich Nietzche. But he was summarily dismissed from the program after punching out his academic supervisor. Now Karl lives in a decrepit apartment above a butcher shop in Toronto's Kensington Market, is unemployed and very much rootless. The stories in The Philosopher Stories follow Karl as he moves from one strange episode to another, none of which end well. Although Karl likes to think of himself as an Ubermensch, in the bleakest moments following his many mishaps, he seems to know better, that perhaps he is only fooling himself with his grandiose dreams. That he is nothing more than one of life's rejects, an out-and-out failure. Nuanced and multilayered, funny and yet achingly sad, these stories depict a young man grappling with life's big questions, including love, finding a place for oneself in an uncaring world, morality, success, and fate.

Howard O'Hagan was one of the first native-born westerners to make a mark on Canadian literature. The purpose of this collection of essays on the works of O'Hagan, edited by Sergiy Yakovenko, is not only to refresh scholarship on his best known work, Tay John, but also to break the vicious circle of ignoring O'Hagan's other works--his later novel The School-Marm Tree (1977) and his short stories and sketches, collected in Wilderness Men (1958) and The Woman Who Got on at Jasper Station and Other Stories (1963). This volume offers two original articles on The School-Marm Tree, by Renée Hulan and Carl Watts, and Albert Braz's profound study of O'Hagan's Wilderness Men. Among the other contributors: Joseph Pivato, D.M.R. Bentley, Kylee-Anne Hingston, Jack Robinson, Sergiy Yakovenko, and something from Howard O'Hagan himself.

The year is 1950. A brutal racist attack drives Alfie Bagliato's family from their small town to New York City, where, at sixteen, Alfie dreams of escaping his Italian American enclave through a career in music and a romance with his distant cousin, Adeline. Soon enough, disappointment and frustration lead Alfie to join the military, to follow Adeline to San Francisco, and then to become a New York City cop, whose clash with protestors during the 1968 Columbia University student uprising nearly kills him, forcing him to confront his inherited bigotry and fear, as he wrestles with his lingering love for Adeline and need to find a new life.

A young man down on his luck meets the woman of his dreams in an adult education course. But this is no ordinary male fantasy: the man is a Pakistani-Canadian artist with a treatable recurrent cancer; the young lady is an Indigenous princess just returned from art school in Europe to her father's glass summer palace in Muskoka. This romantic comedy, set in mid-Toronto and on Lake Rosseau, plays with the intersection of Indigenous, settler, and immigrant success stories against the background of mortality and the stars.

Jamison Everett, a shy and lonely man with few friends, is a retired high school English teacher. When his artist sister, Monna, who is suffering from Parkinson's Disease, calls and asks for his help, he reluctantly agrees to leave his apartment in Minneapolis and temporarily relocate to her remote Montana town. Perhaps, in caring for his sister, he will find the friendship he longs for. But Monna's fiercely independent husband, Ben, has a different game plan. Parkinson's has robbed Monna of her ability to paint, and if the doctors won't cure her, then by god he'll do it -- by sheer force of will. Jamison, summoning his courage, offers to help, and an alliance is born. Yet neither man can know how much their nascent friendship will ask of them. Only Monna senses what is coming.

Things that Cause Inappropriate Happiness is Danila Botha's third collection of short fiction. In these brilliant stories she observes with her signature vulnerability and humour what it's like to struggle to find your place in the world. From the bullied twelve-year-old (Born, Not Made) to the musician saved from sleeping in doorways (Blasting Molly Rockets), to the sculptor who builds a golem and fulfills her Holocaust survivor grandmother's wish to protect her sister (Able to Pass) to a student who overdoses on opiates and meets an adult Anne Frank (Like An Alligator Eyeing a Small Fish), these stories pulse with Botha's signature empathy and originality. Botha also addresses what it means to be Jewish, with characters who rethink their whole identity (Soulmates) to those who hold on at all costs (Dark and Lilac Fairies). As in her previous collection, the Trillium and Vine nominated For All the Men (and Some of the Women) I've Known, Things that Cause Inappropriate Happiness will make you laugh and cry, but above all it will make you feel less alone.

Cities Within Us offers poems that are dense and deep with language that resonates at multiple levels and often startles with its juxtapositions and verbal explosions. From the intimately personal to the dramatically confessional, Peter Taylor's poems capture a purse seine of discordant voices, including a piece of type, a bee, an orang-outang, Franklin, the delusional and the abused in a universe that seems both unlimited and inevitable. Images and emotions move the reader from the disappearance of arctic explorers to the razing and rebirth of the Dresden Frauenkirche to the comic innocence of a child's visit to Mars in poems that explore the inner landscapes of imagination and reality, and the intimate capacity for joy and loss.

This flip book is comprised of two novellas: In Sickness and In Health - Lily had epilepsy as a child, so her most cherished goal has always been to be "normal". By age 45 she has a "normal" life, including a family, friends, and an artistic career, and no one, not even her husband, knows the truth about her past. But now some cartoons she drew threaten to reveal her childhood secret and destroy her marriage and everything she has worked so hard for. A moving novella about shame, secrets, disabilities, and the limits and power of love. Yom Kippur in a Gym - Five strangers at a Yom Kippur service in a gym are struggling with personal crises. Lucy can't accept her husband's Parkinson's diagnosis. Ira, rejected by his lover, is planning suicide. Rachel worries about losing her job. Ezra is tormented by a mistake that ruined his career. Tom contemplates severing contact with his sisters. Then a medical emergency unexpectedly throws these five strangers together, and in one hour all their lives are changed in ways they would never have believed possible.

"In experimental lit veteran Brian Dedora's third novel, prose fragments and narrative threads come in and out of focus as, on a winter's night, a reveller in an upscale Toronto restaurant begins the most dangerous of things: a journey into memory. Is he a narcissist or is he among the wounded? What is it to be gay in a small desert town and in the heart of a sprawling city? The Apple in the Orchard navigates the truths and half-truths of a traveller, a loner plunging through city streets and into the woods, a Canadian wrapped in the myths of the North and tangled in the snare-traps of the urban. As this layered, undulating novel explores class tensions, a family in disintegration, and how the effects of sexual abuse wind through generations, and while cameos by voyageurs, cowboys, Black Robe, and Grey Owl flicker to life and vanish again, the tragic story of the unnamed Her emerges in verbal snapshots."--

A Blueprint for Survival begins in wildfire season, charting a long-distance relationship against the increasing urgency of climate change in the boreal, then shifts to a long sequence, "Seeds," which thinks about forms of resistance, survival, and emergence in the context of the sixth mass extinction. Each seed functions as blueprint, whether simple human-made tool or complex organism driven by its DNA to adapt to and respond to our current existential threat, each showing a different way of being in the world: lentil, snowdrop, chinook salmon, codex, tardigrade, honeybee, "the beautiful cell."

"Editor: Sonia di Placido"--Title page verso.

"Canada: A Taste of Home/ Les saveurs de chez soi is a collection of papers, written either in French or in English, that investigate the different cuisines of immigrants in a literary, linguistic and cultural perspective. Far from home, food expresses a sense of nostalgia, belonging and identity, as the authors suggest in dealing with the many implications and attitudes to food. On a literary and cultural table sumptuously prepared with recipes dearly carried from native homes near and far, full of strange ingredients, tastes, smells, colours, cultural practices, habits, plurilinguistic Canada celebrates the triumph of a migrant country, whose life is rooted in the rich soil of far off cooking traditions and memories. Indeed, Canada is a culinary laboratory in which gastronomies showcase and confirm the ethnic diversity of its multicultural peoples."--

Surveying his own conflicted, multi-cultural life from a Bombay boyhood, immigration to Canada, and his re-invention as a literary and theatre critic, poet, and editor who has learned to understand life's blessings and wounds, Keith Garebian's autobiography is an act of memory at the service of a changing self. Using vignettes, letters, historical surveys, meditations, and existential summations, Pieces of My Self shows Garebian's trauma, fury, condemnation, ardour, melancholy, satire, and self-understanding. Figures of Laurence Olivier, Vanessa Redgrave, William Hutt, Irving Layton, Hugh Hood, John Metcalf, Henry Beissel, V.S. Naipaul, and many others pass through this life of a restlessly critical and self-critical author.

A young Croatian woman travels to Medugorje in Bosnia and Herzegovina, site of apparitions of the Virgin Mary, where she meets an angel and witnesses a miracle. Twenty years later, after living in a cloistered convent, she travels to Rome where her habit of prayer transforms the lives of seven strangers. Their stories intertwine and connect in this portrayal of several Roman churches, the art of Bernini, Caravaggio, and Borromini, and Rome's rich architectural history.

"The memoir My Theatre of Memory: A Life in Words traces Adriana Davies's life in Canada from her arrival in Edmonton as a a child immigrant with her mother, older sister and younger brother in the early 1950s, to the present as she deals with the challenges of Covid. Successive chapters tell not only the family's immigration story including accounts of her school days, university in Canada and then the UK, but also the beginning of her life as a young married woman and mother in London, England. Destined for a job in academe, cutbacks in the university sector in the UK meant that she began work as a freelance researcher and writer in the area of museums and galleries. This set the tone for a rich and varied career in museums and as a historian."--