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What you will find in Echoes of Growing up Italian are accounts of the immigrant experience as told through the eyes of women. The Italian diaspora is one of the most significant of the 20th century, with a far-reaching impact in the Americas, Australia and Northern Europe. The Italian immigration narrative is a universal one. The stories in this book of the Italian woman in North America and how she learned to survive as she lived with two cultures in her heart and home. This collection provides the reader with a candid glimpse into the lives of fifteen women from across North America: some were born and raised in Italy while some have only been there on holidays; some are mothers and grandmothers and some are single; some only know a few words of Italian, while others are fluent, but we all have a discerning perspective on what it means to live with two cultures.

The Walled Garden is a unique collection of short essays addressing a wide variety of subjects. From an exploration of the films of Andrei Tarkovsky and Federico Fellini to an update on the linguistic theories of Ernest Fenollosa, from a look into the true nature of time and the present moment to a discussion of 'psychic birthplaces', from reflections on Paleolithic caves, poetry and art, The Walled Garden includes the wild, the tamed and the stunningly unusual.

In Zanzibar, in 2008, George Elliott Clarke began to write his "Canticles," an epic poem treating the Transatlantic Slave Trade, Imperial and colonial conquest, and the resistance to all these evils. That is the subject of Canticles I (MMXVI) and (MMXVII). In Canticles II (MMXIX) and (MMXX), Clarke rewrites significant scriptures from an oral and "African" or "Africadian" perspective. Now, in Canticles III (MMXXII) and (MMXXIII), Clarke shifts focus--from world history and theology -- to the specific history and bios associated with the creation of the African ("Africadian") Baptist Association of Nova Scotia. By so doing, he concludes the most remarkable epic ever essayed in Canadian letters -- an amalgam of Pound and Walcott -- but entirely and inimitably his own.

The Confessions of Joseph Blanchard is a contemporary story of obsessive love, sexual transgression and tragic loss. Bachelor and professional accountant Joseph Blanchard has led a socially active though emotionally cautious life into his late thirties. When he discovers that his beautiful nineteen-year-old cousin Sophie, a talented concert pianist, is in love with him, he finds he is helpless to resist her youthful charms, and against his better judgment embarks upon a passionate affair. As a safeguard against causing pain to her parents, the two lovers conspire to keep their relationship secret. For a while they are happy. But Sophie's performing career compels her to spend time in the company of other musicians, many of them young men. Consumed by jealousy, Joseph allows rage to seize control, with tragic results. Grieving, he sets about to destroy all evidence of the affair. But when a family secret is exposed, it reveals the past in a new light. In the end, his health in decline and with nothing left but memories, he discloses his secret to a confidant.

The title character Ari could have stepped out of a traditional folk tale straight into the day before yesterday. Son of a monstrous, unscrupulous mother and a faint-hearted father, he catches a glimpse of a life that would be to his liking when he encounters a young woman who .... but you have to read the novel to find out how the rest of Ari's life pans out.

"Her Own Thinker: Canadian Women Writers as Essayists explores the thinking, ideas, and insights that Canadian women fiction writers have chosen to express in essay form rather than in fiction form. It looks at this substantial body of writing with a primary focus on collections of essays, and on those published since the 1960s. In all, it considers over 40 collections, offering an overview and appreciation of this generally overlooked work and its contributions to cultural and intellectual thinking in Canada."--

"The Vanishing Act (& The Miracle After) is an existential meditation on grief-the kind of grief which pins you down and minimizes you. The first half of the collection, The Vanishing Act, captures the ruminations of a mind which feels trapped physically and spiritually. The imagery in this section blends magic and violence as the speaker confronts systemic issues as a middle-class woman, a person of colour, and a survivor of abuse. The second section, (& The Miracle After), offers a fresh perspective on recovery. As the speaker revisits images of bodily harm, objects previously used for violence are brought back to a state of benign normalcy. With the arrival of spring, the speaker contemplates renewal and the paradoxical nature of taking agency of her life, while knowing the act of survival is made possible only because of miraculous intervention"--

The devil, a ghost, a doppelganger, a selkie, a hobgoblin - these creatures appear in Marianne Micros's Statue, a collection of tales which combine traditional and ancient elements with contemporary issues and experiences. These fifteen stories show that the boundaries between fantasy and reality, art and life, life and death are fragile and inconstant. Micros seamlessly combines magic with the realities of daily life, showing the interrelationship of the natural and the supernatural and the significance of those interactions

Every family has rituals and routines holding them together. But sometimes they are the very things that tear them apart. The Family Code is a gritty family drama featuring the troubled life of Hannah Belenko, a young single mother dogged by the brutality of past traumas and a code of silence that she must crack in order to be free--or else lose everything. Hannah was raised by this code and rules her own family by it. When she loses her daughter to the state and her boyfriend threatens her, she flees from Ottawa to Halifax with her remaining son, six-year-old Axel. While she bulldozes her way through everything and schemes to protect him, Axel flounders in the chaos. He begins to doubt his mother and her dream of a way out. With her life crashing down, Hannah is driven by desperation to survive yet hangs on to elusive hope. With unvarnished and high-voltage prose, The Family Code unabashedly reveals the power and perils of parenting, but also the longing and vulnerability of children.

Each section of Love Is A Place But You Cannot Live There is a psychogeographic investigation. Two casual ghost hunters on a road trip hear the death rattle of their relationship. Residents of a city's fringe measure their physical and social isolation. A mother and her adult child have diametrically opposed reactions to their vacation spot. Lovers on a romantic coastal getaway discover how estranged they are from one another. Curious figures begin to embody their environments. Forthright and anecdotal, these poems recount the signals people transmit and receive, and the reciprocal ways we make, and are made by, the places we inhabit.

Years after the death of her mother, Mareika Doerksen moves through her adolescence with feelings of loss, confusion, and isolation as she seems somewhere between not being a child and not being a complete woman. Her father, a Mennonite only ethnically and socially, and a long-time atheist, has always been distant but pragmatic as he prepared her for the day he expects her to abandon their homestead on the Canadian Prairies for an education once impossible for women of their time. They move day to day avoiding the tragedies, traumas, and social expectations they rebel against in their Mennonite community during the infancy of Canada. But with the looming arrival of the 1910 Halley's Comet, so too comes a handsome, charismatic Doomsday preacher. He captivates Mareika as he offers her solace and his ear. Meanwhile the local Bishop with a troubling and violent past sewn to the Doerksens, too, becomes obsessed with the maturing Mareika and sets out with the goal of saving her from the chiliast stranger and her atheist father.

Casting Out chronicles the author's entry as boy, progression through and eventual exit, as an adult, from the Pentecostal world. It's an attempt to reconcile the evidence-based reasoning of the speaker's present with the angels and demons of his past. This collection confronts what it means to be loved in a system that the speaker now finds not only irrational but hateful. The poems address the struggle to raise children in the absence of spiritual beliefs and contemplate the questions of whether imparting secular values is enough of a foundation, and how much should a child -- even if it is back towards the religious tradition the speaker has left behind -- be permitted to find her/his own path.

This book continues the ideas set forth in It's Attachment, A New Way of Understanding Yourself and Your Relationships published by Guernica Editions. The last chapter in the book focused on how one's adult attachment influences his/her parenting of children. This book will expand on the topic, exploring the 4 categories of adult attachment and how each category influences one's parenting. The book will help a parent determine his or her Adult Attachment, understand the challenges for parenting based on their particular attachment and then offer guidelines on how to change parenting patterns, again based on the category of attachment of the parent.