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"The police call him Merkury. He's a killer who chooses his victims seemingly at random. He leaves no evidence behind, and no witnesses. Except for one. When Kate Summerlin was eleven years old, she climbed out her bedroom window on a spring night, looking for a taste of freedom in the small college town where she was living with her parents. But what she found as she wandered in the woods near her house was something else: the body of a beautiful young woman, the first of Merkury's victims. And before she could come to grips with what she was seeing, she heard a voice behind her - the killer's voice - saying: "Don't turn around." Now, at the age of twenty-nine, Kate is a successful true crime writer, but she has never told anyone the truth about what happened on that long-ago night. When Merkury claims yet another victim - a college student named Bryan Cayhill - Kate finds herself drawn back to the town where everything started. She sets out to make sense of this latest crime, but the deeper she gets into the story, the more she comes to realize that it's far from over. Her search for the truth about Merkury is leading her down into a dark labyrinth, and if she hopes to escape, she'll have to meet him once again - this time face-to-face."--
"From the National Book Award-longlisted author of Finding Florida, a sparkling, sweeping chronicle of the author's life and discoveries in an ancient town in "Deep France," from nearby prehistoric caves to medieval dynastic struggles to the colorful characters populating the area today. When T. D. Allman purchased an 800-year-old house in the mountain village of Lauzerte in southwestern France, he aimed to find refuge from the world's tumults. Instead, he found that humanity's most telling melodramas, from the paleolithic to the postmodern, were graven in its stones and visible from its windows. Indeed, the history of France can be viewed from the perspective of Lauzerte and its surrounding area-just as Allman, from one window, can see Lauzerte unfold before him in the Place des Corniáeres, where he watches performances of the opera Tosca and each Saturday buys produce from "Fred, the Foie Gras Guy"; while from the other side facing the Pyrenees he surveys the fated landscape that generated many events giving birth to the modern world. The dynastic struggles of Eleanor of Aquitaine, he finds, led to Lauzerte's remarkably progressive charter issued in 1241, which even then enshrined human rights in its 51 articles. From Eleanor's marriage to English king Henry II in 1154 dates the never-ending melodrama pitting English arrogance against French resistance; in 2016 Brexit demonstrated that this perpetual contretemps is another of the vaster conditions life in Lauzerte illuminates. Allman chronicles the many conflicts that have swirled in the region, from the Catholic Church's genocidal campaign to wipe out "heresy" there; to France's own sixteenth-century Wars of Religion, which saw hundreds massacred in the town square, some inside his house; to World War II, during which Lauzerte was part of Nazi-occupied Vichy. In prose as crystalline as his view to the Pyrenees on a clear day, Allman animates Lauzerte and its surrounding communities-Cahors, Moissac, Montauban-all ever in thrall to the magnetic impulse of Paris. Witness to so many dramas over the centuries, his house comes alive as a historical protagonist in its own right, from its wine-cellar cave to the roof where he wages futile battle with pigeons, to the life lessons it conveys. "The onward march of history, my House keeps demonstrating, never takes a rest," he observes, pulling us vividly into his world"--
"Among America's greatest poets, a true minimalist who can weave awesome poems from remarkably few words." -Richard Kostelanetz, New York Times Book Review Every generation of poets seems to harbor its own hidden genius, one whose stature and brilliance come to light after his talent has already been achieved and exercised. The same drama of obscurity and nuance that attended the discovery of Emily Dickinson and Wallace Stevens is suggested by the career of Robert Lax. An expatriate American whose work to date more than forty books has been published mostly in Europe, this 85-year-old poet built a following in the U.S. among figures as widespread as Mark Van Doren, e. e. cummings, Jack Kerouac, and Sun Ra. The works in Love Had a Compass represent every stage of Lax's development as a poet, from his early years in the 1940s as a staff writer for The New Yorker to his present life on the Greek Island of Patmos. An inveterate wanderer, Lax's own sense of himself as both exile and pilgrim is carefully evoked in his prose journals and informs the pages of the Marseille Diaries, published here for the first time. Together with the poems, they provide the best portrait available to date of one of the most striking and original poets of our age.
A History of the Future is the third thrilling novel in Kunstler’s "World Made By Hand" series, an exploration of family and morality as played out in the small town of Union Grove.Following the catastrophes of the twenty-first centurythe pandemics, the environmental disaster, the end of oil, the ensuing chaospeople are doing whatever they can to get by and pursuing a simpler and sometimes happier existence. In little Union Grove in upstate New York, the townspeople are preparing for Christmas. Without the consumerist shopping frenzy that dogged the holidays of the previous age, the season has become a time to focus on family and loved ones. It is a stormy Christmas Eve when Robert Earle’s son Daniel arrives back from his two years of sojourning throughout what is left of the United States. He collapses from exhaustion and illness, but as he recovers tells the story of the break-up of the nation into three uneasy independent regions and his journey into the dark heart of the New Foxfire Republic centered in Tennesee and led by the female evangelical despot, Loving Morrow. In the background, Union Grove has been shocked by the Christmas Eve double murder by a young mother, in the throes of illness, of her husband and infant son. Town magistrate Stephen Bullock is in a hanging mood.A History of the Future is attention-grabbing and provocative, but also lyrical, tender, and comica vision of a future of America that is becoming more and more convincing and perhaps even desirable with each passing day.
In his critically acclaimed work, Blechman delves into life in a gated retirement community and offers a hilarious, first-hand report on all its peculiarities. He also takes a serious look at the consequences of such instant cities and examines the implications of millions of Americans dropping out of society.
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