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A study in complicity with crushing state violence and an invitation to a chilling, remarkable debut.While the spectacle of state violence fleetingly commands a collective gaze, Civil Service turns to the quotidian where political regimes are diffusely maintained-where empire is the province of not a few bad actors, but of all who occupy and operate the state. In these poems populated by characters named for their occupations and mutable positions of power-the Accountant, the Intern, the Board Chair-catastrophic events recede as the demands and rewards of daily life take precedence. As a result, banal authorizations and personal compromises are exposed as the ordinary mechanisms inherent to extraordinary atrocity. Interwoven with bureaucratic encounters are rigorous studies of how knowledge is produced and contested. One sequence imagines an interrogation room in which a captive, Amira, refuses the terms of the state's questioning. The dominant meanings of that space preclude Amira's full presence, but those conditions are not fixed. In a series of lectures, traces of that fugitive voice emerge as fragmentary declarations, charging the reader to dwell beside it and transform meaning such that Amira might be addressed.In this astonishing debut, Claire Schwartz stages the impossibility of articulating freedom in a nation of prisons. Civil Service probes the razor-thin borders between ally and accomplice, surveillance and witness, carcerality and care-the lines we draw to believe ourselves good.

The shimmering, windswept first novel by the internationally acclaimed author of Out Stealing Horses. Echoland is the powerful and emotionally resonant first novel from Per Petterson. Written in the mold of his early story collection Ashes in My Mouth, Sand in My Shoes, it features a young Arvid Janssen, who is now twelve, on the verge of his teenage years and beginning to understand more about the world and his place in it. Set over the course of a single formative summer, the novel captures a series of episodes from Arvid's long visit to his grandparents' home in Denmark. He rides his bike around town, befriends other children on the beach, fishes for plaice, and weathers misunderstandings with his mother and grandparents, all of which Petterson imbues with the hope and yearning that come with this stage of life. Echoland is an assured and poignant beginning for an author-and character-who would go on to be loved the world over.

A profound encounter with the hyperreality of our time of global upheaval, violence, and pandemic.Tom Sleigh's poems are skeptical of the inevitability of our fate, but in this brilliant new collection, they are charged with a powerful sense of premonition, as if the future is unfolding before us, demanding something greater than the self. Justice is a prevailing force, even while the poems are fully cognizant of the refugee crisis, war, famine, and the brutal reality of a crowded hospital morgue. The King's Touch collides the world of fact and the world of mystery with a resolutely secular register. The title poem refers to the once-held belief that the king, as a divine representative, is imbued with the power of healing touch. Sleigh turns this encounter between illness and human contact toward his own chronic blood disease and the ongoing COVID-19 pandemic and its mounting death tolls. One poem asks, "isn't it true that no matter how long you / wear them, masks don't grieve, only faces do?"In this essential new work, Sleigh shows how the language of poetry itself can revive and recuperate a sense of a future under the conditions of violence, social unrest, and global anxiety about the fate of the planet.

An eerily dreamlike memoir, and the first work of nonfiction by one of our most inventive novelists.Aurelia, Aurélia begins on a boat. The author, sixteen years old, is traveling to Europe at an age when one can "try on personae like dresses." She has the confidence of a teenager cultivating her earliest obsessions-Woolf, Durrell, Bergman-sure of her maturity, sure of the life that awaits her. Soon she finds herself in a Greece far drearier than the Greece of fantasy, "climbing up and down the steep paths every morning with the real old women, looking for kindling."Kathryn Davis's hypnotic new book is a meditation on the way imagination shapes life, and how life, as it moves forward, shapes imagination. At its center is the death of her husband, Eric. The book unfolds as a study of their marriage, its deep joys and stinging frustrations; it is also a book about time, the inexorable events that determine beginnings and endings. The preoccupations that mark Davis's fiction are recognizable here-fateful voyages, an intense sense of place, the unexpected union of the magical and the real-but the vehicle itself is utterly new.Aurelia, Aurélia explodes the conventional bounds of memoir. It is an astonishing accomplishment.

Dramatic new retellings of Celtic poetry's great lyrics and legendsCinderbiter collects tales and poems originally composed and performed centuries ago in Ireland, Scotland, and Wales, when notions of history and authorship were indistinguishable from the oral traditions of myth and storytelling. In the spirit of recasting these legends and voices for new audiences, celebrated mythologist and storyteller Martin Shaw and award-winning poet Tony Hoagland have created extraordinary new versions of these bardic lyrics, folkloric sagas, and heroes' journeys, as they have never been rendered before.In long, shaggy tales of the unlikely ascensions of previously unknown heroes such as Cinderbiter, in the shrouded origin stories of figures such as Arthur and Merlin, and in anonymous flickering lyrics of elegy, praise, and heartbreak, these poems retain at once the rapturous, supernatural imagination of the deep past layered with an austere, devout allegiance to the Christian faith. Shaw and Hoagland's collaboration summons the power within this storehouse of the Celtic mind to arrive at this rare book-distinctive, audacious, and tuned to our time and condition with a convincing resonance.