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No nation boasts more manufacturing capacity than the People's Republic of China, yet few countries' literary products are less known in the English-speaking world. Witnesses to the country's revolutionary modernization, China's writers have experienced historical whiplashes and sprints forward on an extreme scale.The zhiqing - the educated youth whom Mao 'sent down' to the countryside and who experienced a decade of extreme austerity - are at a vast distance from the generations below them, who have lived through an epoch of self-assertion and creative dreaming. In China today, writers across generations look abroad, to new technologies, as well as to rich veins in the Chinese literary past for new modes of expression.Granta's special issue on the writing of contemporary China collects many of the mainland's most thrilling voices - poets, novelists and non-fiction writers, as well as philosophers. The edition pays acute attention to differences in region, generation and style.

With a focus on energetic and voice-driven fiction, our summer issue will be centered on desire: crushes, companionship, delusion and devastation.Kevin Brazil, Victor Heringer and Alexandra Tanner, among others, query what it means to refract ourselves through others and have our identities designed, upheld or crushed by the people we love. In non-fiction, Snigdha Poonam writes on sectarian tensions in India and the construction of a temple on India's most religiously fraught piece of land.From Nobel Prize-winning writers to debut novelists, Britain's most prestigious literary magazine brings you the best in new writing, photography and art from around the world.

From Nobel Prize-winning writers to debut novelists, Britain's most prestigious literary magazine brings you the best in new writing, photography and art from around the world.

Baby-boomers, gen-X, millennials, zoomers: the dividing lines among generations in literary culture have become stark to the point of parody. Granta 166 tests the limits of each generation's given definition in popular culture against the reality of its most sharply observed fiction. Stories by Andrew O'Hagan, Brandon Taylor, Nico Walker and Lillian Fishman fill an issue that captures the change in values, aesthetic emphasis and technological experience among different age cohorts, all the while questioning the legitimacy of the generational conceit. Non-fiction includes meditations on the short history of the idea of 'a generation', as well as on the relative absence of youth revolts in our time, and the shadowy rule of the old - gerontocracy - in societies across the globe.

Granta is a literary magazine founded in 1889. Read the best new fiction, poetry, photography, and essays by famous authors, Nobel winners and new voices.

This issue of Granta tells the story of siblings: chaotic hierarchies, zero-sum games of competition alternating with tenderness, lifelong relationships that nevertheless can sometimes break.Psychoanalysis famously privileges the vertical relationship between a child (the patient) and their parents over the seemingly equal and unproblematic horizontal connections between siblings. This issue of Granta tells a different story - one of chaotic hierarchies, a zerosum game of sibling competition alternating with tenderness; lifelong relationships that nevertheless can sometimes >Featuring memoir by Sara Baume, Suzanne Brøgger (Tr. Saskia Vogel), Emma Cline, Omer Friedlander, Charlie Gilmour, Lauren Groff, Will Harris, Lauren John Joseph, Viktoria Lloyd-Barlow, Jamal Mahjoub, Andrew Miller, John Niven, Vanessa Onwuemezi, Karolina Ramqvist (Tr. Caroline Waight), Taiye Selasi, Angelique Stevens. With fiction by Colin Barrett and Ben Pester, a graphic short story by Lee Lai; poetry by Will Harris, K Patrick, and Natalie Shapero, and photoessays by Sebastián Bruno introduced by Sophie Mackintosh and Julian Slagman introduced by Alice Hattrick.

From Nobel laureates to debut novelists, international translations to investigative journalism, each issue of Granta turns the attention of the world's best writers on to one aspect of the way we live now. This winter issue will feature Fatima Bhutto on her dog Coco, Andrew McMillan on the Goosebumps series, as well as non-fiction by Chris Dennis and Jacob Dlamini and fiction by Debbie Urbanski and Julie Hecht.

Published four times a year, Granta is respected around the world for its mix of outstanding contemporary writing, art and photography.This summer issue of Granta features fiction by Jesse Ball, Eva Freeman, Okwiri Oduor, Tao Lin, Adam O'Fallon Price, Vanessa Onwuemezi, Kathryn Scanlan and Diane Williams. Granta 156: Interiors includes poetry by Kaveh Akbar, Sasha Debvec-McKenny, Gboyega Odubanjo and Nick Laird, as well as memoir by Chris Dennis, Debra Gwartney, Sandra Newman and Ruchir Joshi. With photography by Robbie Lawrence, introduced by Colin Herd, and Kaitlin Maxwell, introduced by Lynne Tillman.

Published in book form four times a year, Granta is respected around the world for its mix of outstanding new fiction, poetry, reportage, memoir, photography and art.Granta 149: New Europe includes essays by Elif Shafak, UKON, Andrew Miller, Will Atkins, Lara Feigel, Katherine Angel, Michael Hofmann, Joseph Koerner, Tom McCarthy and many more. It harks back to the 1989 issue of the same name, themed around the response to the fall of the Berlin wall. Through the lenses of exile and migration, we ask ourselves what it means to be European now. Featuring a photoessay by Bruno Fert who steps inside the temporary homes of refugees in camps in Greece and France.

The fourth instalment of Granta's always compelling, prescient and star-making Best of Young British Novelists list.