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From the author of the bestselling Waterfalls of Nova Scotia.Benoit Lalonde travels to the bountiful sights of Nova Scotia's most fabled island in Waterfalls of Cape Breton Island.What Cape Breton Island lacks in size, it makes up for in the number, diversity, and sheer drama of its waterfalls. Bringing together one hundred of the Island's greatest waterfalls and hidden gems from the Fleur de Lys, Marconi, Bras d'Or Ceilidh, and Cabot trails, this new guide explores iconic and little-known falls from all parts of the Island, including Uisge Bàn Falls and the tallest waterfall in Nova Scotia, Rocky Brook Falls. And yes, each entry includes useful information on the hiking distance to each waterfall, the best seasons to visit, the source, and the height of the fall itself.Complimented by gorgeous colour photographs, full-colour maps, and bonus features, Waterfalls of Cape Breton Island is an invaluable reference for explorers and outdoor enthusiasts.

Catalogue of an exhibition held at the Art Gallery of Ontario from January 2021.

Winner, George Borden Writing for Change AwardOne of Indigo's Best Books of 2021 So FarRehtaeh Parsons was a gifted teenager with boundless curiosity and a love for family, science, and the natural world. But her life was derailed when she went to a friend's house for a sleepover and the two of them dropped by at a neighbour's house, where a group of boys were having a party.The next day, one of the boys circulated a photo on social media: it showed Rehtaeh half naked, with a boy up against her. She had no recollection of what had happened. For 17 months, Rehtaeh was shamed from one school to the next. Bullied by her peers, she was scorned by their parents and her community. No charges were laid by the RCMP.In comfortable, suburban Nova Scotia, Rehtaeh spiralled into depression. Failed by her school, the police, and the mental health system, Rehtaeh attempted suicide on April 4, 2013. She died three days later.But her story didn't die with her. Rehtaeh's death shone a searing light on attitudes toward issues of consent and sexual assault. It also led to legislation on cyberbullying, a review of mental health services for teens, and an overhaul of how Canadian schools deal with cyber exploitation.My Daughter Rehtaeh Parsons offers an unsparing look at Rehtaeh's story, the social forces that enable and perpetuate violence and misogyny among teenagers, and parental love in the midst of horrendous loss.

Winner, Melva J. Dwyer AwardHonourable Mention, Canadian Museums Association Award for Outstanding Achievement (Research)Qummut Qukiria! celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic -- from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating book, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a Sámi woman's headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond.Qummut Qukiria! showcases the thriving art and culture of the Indigenous Circumpolar peoples in the present and demonstrates its importance for the revitalization of language, social wellbeing, and cultural identity.

"Andrew Hunter has looked with fresh eyes at [Colville's] paintings and made a coherent argument that Colville deserves to be understood far beyond the normal borders of the art world." -- Robert Fulford, The National Post This magnificent, best-selling volume is now available in a deluxe paper-bound edition. The original hardcover edition sold more than 15,000 copies. Colville both honours the legacy of an iconic Canadian artist and explores the contemporary reverberations of his work. Colville was known for being his own man. His paintings depict an elusive tension, a deep sense of danger, capturing moments perpetually on the edge of the unknown. A painter, printmaker, and war artist who drew his inspiration from the world around him, Colville transformed the seemingly mundane events of everyday life into archetypes of the modern condition. In this beautifully designed volume, Andrew Hunter organizes Colville thematically, incorporating interludes that explore the relationship between Colville's work and the filmmaking of Wes Anderson, Stanley Kubrick, and Sarah Polley, as well as his influence on writers such as Alice Munro and even cartoonist David Collier. The book is rounded out with more than 100 colour reproductions of Colville's paintings, spanning the entirety of his career, including Horse and Train, 1953; To Prince Edward Island, 1965; Woman in Bathtub, 1973; and Target Pistol and Man, 1980.

Finalist, A. M. Klein Prize for Poetry and Raymond Souster AwardIn tarot, the Fool represents continual beginnings, not being able to see or think past the excitement and potential of a new start. The Fool is also associated with zero -- a literal loop.Like Anne Carson writing poetry in the style of the poet alchemist Arthur Rimbaud, Jessie Jones renders her reflections with acerbic brilliance. In her debut collection, she examines the sensual, cruel, pleasing, and depraved state of being human in the twenty-first century. All pro, she's ready to stage a coup d'état.Reflective with a kind of circular logic edging toward a darker surrealism, these poems are at times comically satirical, but always grounded in fresh ethos. A pleasure of language and circumstance, where passengers on a boat peer through "a thick, absorbent mist" and the poet moves "through/the city like a bundle of kindling./ All day I wait for a bit of friction/ to transform me," The Fool sets its sights on a world riddled with panaceas designed to course-correct our lives.

Edited by Ian A.C. Dejardin and Sarah Milroy, with an introduction by Sarah Milroy.

Catalogue of two exhibitions: Future possible: art of Newfoundland & Labrador to 1949, May 12 to September 3, 2018 and Future possible: art of Newfoundland & Labrador 1949 to present, May 18 to September 22, 2019.

"The Province of Nova Scotia invested more than $6-million into renovating and restoring Government House Halifax between 2006 and 2009. The building has gone from being the most dilapidated official residence in Canada to the most modern, efficient, accessible and up-to-date. As the ceremonial home of Nova Scotians, the house is open for tours and related events. On the tenth anniversary of the restoration, this book helps to raise awareness about the history of Government House and helps encourage additional visitors. This book is rich in photographs to convey the history and purpose of Government House. The book blends the historical background and events that have shaped Government House and Nova Scotia with the present purpose and use of the building and the Office of the Lieutenant Governor. The overall focus is on the building and its life/events that have transpired there. It does not focus on any particular past or present Lieutenant Governor. Throughout the text, vignettes of former Lieutenant Governors, consorts, staff and those involved with the building of the house are included."--

Written by Dale Sheppard; contributions from Cynthia Carroll, and Melissa Marr.

This volume accompanies a major retrospective exhibition held at the Art Gallery of Nova Scotia from October 2020 to March 2021.

Accompanies an exhibition held at the Beaverbrook Art Gallery during October 2020 and touring in 2021 and 2022.

"If you are a fan of the great outdoors and love to hike or would like to start hiking, Michael Haynes writes an invaluable trail guide. Go out and buy the book and then go explore. You will not be disappointed." -- Edwards Book BlogA fresh new edition of the bestselling guide, now with full-colour maps and images.The National Capital Region and its environs offer an extraordinary variety of hiking. And there's no better person to guide you than Michael Haynes. From the urban oasis of the Ottawa Greenbelt to the pastures and lakes of Eastern Ontario and the rugged hills and winding rivers of western Quebec, Michael Haynes offers hikers an authoritative guide to 50 of the best trails in the area: from short urban trails to full-day wilderness excursions and even a few mid-winter hikes. With each trail accompanied by a full-colour elevation map and beautifully composed photographs, this book is the perfect accompaniment for your next adventure in Ottawa, Gatineau Park, and beyond.

""So what if I left language by the pier. Metaphor's a raft," declares Andrew DuBois as he leads readers through a fractured past and present -- from "slummy memories of streets" to a "a charnelhouse (?) of possible clowns" -- defamiliarizing, critiquing, and satirizing a wide range of conversational forms in the style of Wallace Stevens and Michael Palmer. Yet, as "lives at time degenerate into victory competitions," and the poet alternates between searching for an escape from the mundane and accepting that "merely being there together is a dull catastrophe," we recognize that a formally wry, almost flippant, voice has become caught in language's web. The surfaces of the poems begin to feel like thin ice, a brittle coating over which we skate for as long as it lasts. Danger lurks here: the poet must play the puppet, not the puppeteer and we must surrender, body and soul, into language as element."--

"In this experimental long poem sequence, Alyda Faber transforms the portrait poem into runic shapes, ice shelved, sculpted, louvered on a winter shoreline. Twenty years after her mothers death, Faber untethers herself from the mother she thinks she knows with wild analogies: depicting her mother variously as King Lears Kent, a Camperdown elm, a black-capped chickadee, Neil Peart, Pope Innocent X, and a funnel spider. While embodying the passionate relationship between mother and daughter, Fabers poems also expose the thorn in the flesh, the inability of mother and daughter to give each other what they most want to give. Endlessly discovered, yet ultimately unknowable, the poets mother is complex, mystifying, and unwavering: courageous in her decision to leave all that she knew behind; bewildering in her fidelity to a damaging marriage; steadfast in her devotion to a God who is at once adamant and the source of ephemeral beauty."--

"Molly Lamb and Bruno Bobak shot to prominence as war artists during the Second World War. Marrying shortly after the end of the war, they moved first to Vancouver and then, in 1960, to Fredericton, where they settled permanently. Molly's paintings were vibrant and colourful, featuring dynamic crowd scenes and wildflowers that seem to wave on the page. In contrast, Bruno painted near-abstract cityscapes, stunning landscapes, and distorted bodies wracked with inner torment that are unique in Canadian art. In this book, acclaimed author Nathan M. Greenfield brings to light the private and public lives of two of the most important figures in 20th century Canadian art. Combining archival research with Molly's diaries and letters, interviews with friends and contemporaries, and an analysis of paintings by both artists, he develops an intimate portrait of their life and art: their critical acclaim, commercial success and a turbulent marriage that lasted over fifty years -- until Bruno's death in 2012. The biography covers Bruno and Molly's artistic output, their marriage, and their wider lives. Greenfield covers their whole lives, including discussion of their work as war artists in the second world war and their later careers."--

Incisive and intensely felt, Stewart Cole's striking debut collection reminds us that we too live in an age of anxiety, disoriented by doubt, up late and compelled to confront the unanswerable. Sirens draw us to the inevitable fact of human suffering, black-winged redbirds perch aloof above our daily commutes, sex denies and drives our hunger for fidelity, and the comet speaks before it strikes. In an unabashed celebration of intellect and a visceral engagement with our shadowy impulses, Cole's voice veers between the playful and the grave, pillow-talk and eulogy. And despite the odds, love -- private, public, and free of false sentiment -- emerges cloaked in a wit and intelligence at once elusive and warm. From the urbane and civil to the lustful and dark, the poems of Questions in Bed, in an impressive synthesis of content and contour, despict the heat-seeking of our driven days and insomniac nights.

The images flash by, one after the other, and intuition supplies the connections. For a year, Herménégilde Chiasson captured fragments of conversation, and he compressed and polished them into sentences for two speakers, He and She. Numbering these utterances from one to 999, Chiasson left 1000 blank, mute testimony to the incompleteness of human communication.

At one moment, a pure abstraction, at the next, an incontrovertible presence of hooves, antlers, and fur. The beating heart of this assured debut by Richard Kelly Kemick is the Porcupine caribou herd of the western Arctic. Following the caribou through their annual cycle of migration, Kemick orchestrates a suite of poems both encyclopedic and lyrical, in which the caribou is both metaphor and phenomenon, both text and exegesis. He explores what we share with this creature of blood and bone and what is hidden, alien, and ineffable. "Caribou Run" serves notice that a formidable new talent has been let loose on the terrain of Canadian poetry. - 20160304"

A CBC New Brunswick Book List Selection"The same stage, but different actors," explains Wilson. "There is something interesting to me about separating people from their environment, about keeping the focus on the individual."James Wilson's studio portraits capture subjects from all walks of life. They document soldiers and street people, builders and bakers, artists and labourers. There is an intimate intensity in his photographs, which together form a timeless collage of life and faces from the early twenty-first century.Wilson's portraits are also the product of a purposeful gaze, distinctive observations in black-and-white. All window-lit, all photographed in his studio, all with the same black background, these photographic portraits open a door into the worlds and at times the unguarded emotions of the individual subjects.James Wilson: Social Studies accompanies an exhibition that will open at the Beaverbrook Art Gallery in Fredericton, NB, in June 2020.

An explosive book that exposes the truth about breast cancer screening.

Depuis près de quatre décennies, Marlene Creates s'attarde avec sensibilité aux rapports entre l'expérience humaine et le monde naturel, privilégiant l'acte plutôt que l'artefact, le moment plutôt que le monument. Dès ses premières oeuvres, des interventions éphémères sur le terrain, et jusqu'à ses plus récentes explorations de poésie in situ dans la forêt boréale et de photographie comme médium actif, où elle laisse le ruissellement de l'eau sur l'objectif brouiller son autoportrait, Creates exerce sa grande vigilance écologique et culturelle pour nous amener à mieux comprendre le monde naturel et les ' lieux ' que nous y occupons.Sous la direction des commissaires-critiques Susan Gibson Garvey et Andrea Kunard, Marlene Creates: Lieux, sentiers et pauses propose au lecteur, en plus d'une large gamme des oeuvres photographiques de Marlene Creates, un examen critique de sa démarche multidisciplinaire (assemblages, croquis de cartes mémoires et poèmes sur vidéo) grâce aux essais de Gibson Garvey, de Kunard, de l'historienne de la photographie Joan M. Schwartz, de l'écrivain écologiste Robert Macfarlane et du poète Don McKay.Marlene Creates: Lieux, sentiers et pauses accompagne l'importante rétrospective itinérante organisée par la Galerie d'art Beaverbrook, en partenariat avec la Dalhousie Art Gallery.

Stately and majestic, yet scuffed with wear and disillusion, the poems of Smaller Hours mount the sky like columns and fora of some ancient ruin. Through these halls, Kevin Shaw tracks Eros, clearing away the rubble and polishing the marble, along the way exploring queer ways of keeping time. Music and movies, clocks and inventors populate these poems. History casts a shadow over all.Kevin Shaw's debut collection is a tour de force of control and grace; musical lines anchored by powerful rhythms dance into the reader's ear. The speakers of these lyrics encounter Nijinsky in a waiting room, Ovid at the laundromat, or re-enact a devastating flood after a night of drinking. From a mixtape full of quarter-century-old regrets, to the sensuality of a harmonica buzzing against pursed lips, to the violence and hope of Stonewall, Smaller Hours collapses the past with the present, and the personal with the public, taking a sideways glance at historical figures from across a gay bar's crowded dance floor.

Marlene Creates has sensitively probed the relationship between human experience and the natural world for almost four decades, choosing a path that privileges the act over the artifact, the moment over the monument. From her early works that record her ephemeral actions in the land to her later explorations of poetry in situ in the boreal forest, and of photography as an active medium -- where, for example, the rush of water over the lens transforms the artist's own image -- Creates leads us with an environmental and cultural consciousness to a greater understanding of the natural world and our "places" in it.Under the direction of curator-critics Susan Gibson Garvey and Andrea Kunard, Marlene Creates: Places, Paths, and Pauses offers not only a broad view of her work in photography but also a critical appreciation of her multi-disciplinary approach (assemblages, memory-map drawings, and video-poems) through essays by Gibson Garvey and Kunard, photographic historian Joan M. Schwartz, nature writer Robert Macfarlane, and poet Don McKay.Marlene Creates: Places, Paths, and Pauses is designed to accompany a touring retrospective exhibition organized by the Beaverbrook Art Gallery in partnership with Dalhousie Art Gallery.

A provocative and piercing novel that explores the meaning we find within the random architecture of despair and joy.

Allison LaSorda's Stray shows the formation of a considerable poetic talent. These poems are sun-bleached, at once gritty, raw, and playful. LaSorda can conjure childhood memories of beaches and ice cream, ponder the elemental force of the ocean, and plumb the depth of loss in a coal mine disaster. In this remarkable collection, she presents the messiness of daily life with emotional honesty and humour. With deft word play and a musical sense, Stray examines intimacy, memory, and decay, often betraying existential bewilderment. In this dazzling and disarming debut, LaSorda breathes fresh life into Canadian poetry.