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Moses Perley, a lawyer with the gift of contagious enthusiasm, was the first promoter of salmon angling in New Brunswick. In the early 1840s, he dangled sporting adventure of unimagined richness before the eyes of young men "blessed with youth, health, and an ardent temperament," The British and American anglers who rose to Perley's challenge formed the vanguard of progress. Steamships and coach roads brought them directly to the rivers, and, by 1876, the Intercolonial Railway delivered anglers almost to the edge of the salmon pools. The Governor General of Canada, the Marquess of Lorne, spent two weeks on the Restigouche with the irrepressible Princess Louise and their vice-regal retinue, fly-fishing by day, and by night reposing in carpeted tents. Moses Perley didn't foresee the results of luring anglers to New Brunswick's teeming rivers. Before 1890, his romantic wilderness dream had metamorphosed into the reality of leased waters and elaborate permanent camps for the wealthy few, and the reduction of the native guides from respected companions to servants. In Lost Land of Moses, Peter Thomas illuminates Perley's mixed legacy.

In 1887, at the tender age of eighteen, Tappan Adney embarked on this first trip to Canada. He had plans to enroll at Columbia University in the fall, primed for a meteoric rise in academia -- but fate intervened. He fell under the spell of the New Brunswick wilderness and the local Maliseet people. Nothing escaped his curiosity, Adney embarked on hunting, fishing, and camping trips, recording his wilderness adventures in New Brunswick, Quebec, and Nova Scotia in his journals. Through evocative sketches and memorable prose, Adney chronicled a time very different from our own, including a caribou hunt decades before the species was extirpated from eastern Canada. Years later, Tappan Adney went on to become a celebrated journalist, photographer, and ethnologist. His models of aboriginal canoes, now in many museum collections, helped save the birchbark canoe from oblivion. This new, revised edition of the first volume of The Travel Journals of Tappan Adney is a welcome companion to the recently published second volume of Adney"s journals. This edition includes a reproduction of his original sketches as well as a corrected text, recently discovered photographs, and larger type for ease of reading.

On July 6, 2011, Richard Oland, scion of the Moosehead brewing family, wsa murdered in his office. The brutal killing stunned the city of Saint John, and news of the crime reverberated across the country. After a two-and-a-half-year police investigation, Oland's only son, Dennis, was charged with second-degree murder. CBC reporter Bobbi-Jean MacKinnon covered the Oland case from the beginning. In Shadow of Doubt, she examines the controversial investigation: from the day Richard Oland's battered body was discovered to the conclusion of Dennis Oland's trial, including the hotly debated verdict and its aftermath. Meticulously examining the evidence, MacKinnon vividly reconstructs the cases for both the prosecution and the defence. She delves into Oland family history, exploring the strained relationships, infidelities, and financial problems that, according to the Crown, provided motives for murder. Shadow of Doubt is a revealing look at a sensational crime, the tribulations of a prominent family, an the inner workings of the justice system that led to Dennis Oland's contentious conviction.

During the Second World War, thousands of woodsmen joined the Canadian Forestry Corps to log the Scottish Highlands as part of the war effort. Patrick "Pat" Hennessy of Bathurst, New Brunswick, was one of them. For nearly five years, Pat served as camp cook with 15 Company near the village of Beauly, Scotland. A middle-aged farmer and lumberman with a third-grade education, Pat saw more of the world than he had ever dreamed of, visiting ancient battlefields he had learned about as a child, travelling to his ancestral Ireland, and attending lectures in British history at Oxford University. While in Scotland, Pat regularly corresponded with his family. Drawing from this unique collection of more than three hundred letters, as well as hundreds of archival documents and photographs, Melynda Jarratt provides a rare and unusual glimpse of what life was like for the men who served in the Canadian Forestry Corps and the families that stayed behind. Letters from Beauly: Pat Hennessy and the Canadian Foresstry Corps in Scotland, 1940-1945 is volume 23 in the New Brunswick Military Heritage Series.

Grab your hiking boots, water bottle, and a healthy snack and hit the trail! This new edition of Hiking Trails of Cape Breton profiles forty routes, from Money Point to Ghost Beach. In addition to providing instructions for locating each route and in-depth descriptions, Hiking Trails of Cape Breton includes detailed maps and synoptic information on length, time, difficulty, facilities, and the correct topographical map to use. Also found in this edition are trailhead GPS listings for all hikes, and, for those who carry cellphones as safety devices, information about the often-uncertain reception in Cape Breton's mountains and woodlands. Enhanced by dozens of images of the magnificent scenery, this edition features informative sidebars on plants, animals, historic sites, and other appealing features of the trails. Whether you're planning a family stroll or venturing deep into the Highlands, Hiking Trails of Cape Breton contains all the information needed to make the journey both entertaining and educational.

IAIN BAXTER& has been challenging and expanding notions of art for more than fifty years. Inspired by his creative credo Art Is All Over, he experimented with non-traditional materials and modes of production. In doing so, he pioneered new models of art making that collapsed boundaries between art, commerce, and everyday life, often opening pathways for other artists to follow. BAXTER& began producing art in the late 1950s under his given name, Iain Baxter, N.E. Thing Co. was founded in 1967, with Baxter and then-wife Ingrid serving as co-presidents. Under the guise of a corporation, N.E. Thing Co. produced a diverse array of projects that questioned the role of art both as consumer commodity and as a medium for cultural commentary. When the company dissolved in 1978, Baxter further expanded his practice to encompass Polariod film and multimedia installations that blended painting and sculpture. He also pursued pedagogy as an extension of his creative ideals. In 2005, he legally changed his name to IAIN BAXTER&, appending an ampersand to underscore his belief that art is contingent upon a collaborative connection with the viewer. This comprehensive book surveys BAXTER&'s remarkable career and recognizes his defining contribution to mainstream histories of conceptual art, photography, and installation art. Featuring more than 200 reproductions, it also offers a multi-faceted appraisal of his achievement with feature essays by David Moos, Michael Darling, Dennis W. Durham, Christophe Domino, and Lucy R. Lippard, as well as interviews with IAIN BAXTER& and Ingrid Baxter by Alexander Alberro.

In 2010, as Budapest simmers with pre-election nationalism, a human head is discovered on Gellert Hill. In 1956, a woman disappears in the revolution that so briefly captures the attention of the world. The answer to both mysteries lies in the fabled tunnels under the city. In the literary equivalent of a jigsaw puzzle, Under Budapest carves out the conquests, calamities, and anguish of two North American Hungarian families and those whose lives they've touched. Tibor travels to Hungary, recovering from a disastrous love affair, and finds himself embroiled in a criminal act; his mother, Agnes, journeys to unearth what happened to her long-missing sister; Janos, a self-styled schemer, conspires to make it rich. Their lives intertwine in a conflagration of events: the legacy of wartime violence, past allegiances, and long-buried rivalries. At once a probing family drama, sterling crime thriller, and hypnotic ode to memory's power, Ailsa Kay's intimate spectacle demonstrates that the past is never far from the surface, and the stories we tell carry their own repercussions.

Late in the 19th century, St. Andrews was discovered by a privileged few who sought a summer place by the sea. Escaping the continent's largest cities, they bought, rented, or built houses, returning year after year. The luxurious Algonquin Hotel was opened, and in a few short years a summer society was established, with Fathers of Confederation Sir Leonard Tilley and Sir Charles Tupper and the great railway builders Sir William Van Horne and Lord Shaughnessy. The "barefoot" steel tycoon Sir James Dunn and his friend Lord Beaverbrook spent their summers in St. Andrews, as did an eclectic blend of new and returning visitors, including politicians from Canada's war production minister C.D. Howe to former Prime Minister John N. Turner, and artists such as ballroom dancer Irene Castle and composer Irving Berlin. In Summers in St. Andrews, Willa Walker chronicles the lives and homes of the summer people. Drawing upon archival records and her own memories of summers past, she blends nostalgia with sharp observation to record the eccentricities and achievements of this distinctive society. First published in 1989 as No Hay Fever and a Railway, this new edition invites readers to share the excitement of summer in this remarkable seaside town.

Winner, New Brunswick Book Award (Non-Fiction)One Sunday afternoon in a tiny postage-stamp garden, James Mullinger made the life-altering decision to give it all up: the London pubs, bustling city streets, and a flourishing comedy career. But where in the world would he and his partner raise a family? The English countryside? Toronto? New York?Hmmm. How about St. John ... sorry, Saint John, New Brunswick?Brit Happens chronicles Mullinger's lifetime of adventures, from his beginnings as a shy and nervous kid collecting comedy records at the neighborhood video store, to rising through the ranks of GQ magazine and meeting his personal idols Jerry Seinfeld and Paul McCartney, to imagining the possibility of another life in Canada. From the highs and lows of London to beginning anew in New Brunswick, Brit Happens tells gut-busting stories of success and failure and the unpredictable grind of stand-up comedy. It also offers a laugh-out-loud look at life in Atlantic Canada from the region's funniest outsider-turned-local.

Winner, Canadian Museums Association Award for Outstanding Achievement (Research) and APMA Best Atlantic-Published Book AwardThe story of an overlooked group of cultural visionariesThe "Micmac Indian Craftsmen" of Elsipogtog (then known as Big Cove) rose to national prominence in the early 1960s. At their peak, they were featured in print media from coast to coast, their work was included in books and exhibitions -- including at Expo 67 -- and their designs were featured on prints, silkscreened notecards, jewelry, tapestries, and even English porcelain.Primarily self-taught and deeply rooted in their community, they were among the first modern Indigenous artists in Atlantic Canada. Inspired by traditional Wabanaki stories, they produced an eclectic range of handmade objects that were sophisticated, profound, and eloquent.By 1966, the withdrawal of government support compromised the Craftsmen's resources, production soon ceased, and their work faded from memory. Now, for the first time, the story of this groundbreaking co-operative and their art is told in full. Accompanying a major exhibition at the Beaverbrook Art Gallery opening in 2022, Wabanaki Modern features essays on the history of this vibrant art workshop, archival photographs of the artisans, and stunning full-colour images of their art.Wla atukuaqn na ujit ta'nik mu ewi'tamuki'k tetuji kelulkɨpp ta'n teli amaliteka'tijik Wla "Mi'kmewaqq L'nue'k amaliteka'tijik" tlo'ltijik Elsipogtog (amskweseweyekk i'tlui'tasikɨpp Big Cove) poqji wuli nenupnikk wla amaliteka'tijik 1960ekk. Je wekaw wutlukowaqnmuwow ika'tasikɨpp wikatikniktuk aqq ne'yo'tasikɨpp ta'n pukwelk ta'n wen nmitew -- je wekaw Expo 67 -- aqq ta'n koqoey kisi napui'kmi'tipp tampasɨk koqoey eweketu'tij stike' l'taqnewi'kasik, napui'kn misekn, wi'katikne'ji'jk, meko'tikl kuntal, kaqapitkl l'taqa'teke'l, aqq wekaw akalasie'we'k eptaqnk. Nekmow na kekina'masultijik aqq melki knukwi'tij ta'n tett telayawultijik, nekmow na amskewsewa'jewaqq l'nu'k tel nenujik ujit ta'n teli amaliteka'tijik ujit Atlantic Canada. Pema'lkwi'titl a'tukuaqnn ta'n sa'qewe'l, ta'n wejiaqel a'tukuaqnn Wabanaki, l'tu'tipp kaqasi milamu'k koqowey toqo eweketu'titl wutpitnual tetuji moqɨtekl, ma'muntekl, aqq weltekl.Wekaw 1966ekk, kpno'l pun apoqnmuapni wla amaliteka'tikete'jɨk jel kaqnma'tijik ta'n koqoey nuta'tipp, amuj pana pun lukutipnikk, aqq tel awantasuwalutki'k. Nike', amskwesewey, wla a'tukuaqn tetuji msɨki'kɨpp wla wut lukewaqnmuwow etel kaqi a'tukwasikk. Wije'tew meski'k neya'tmk Beaverbrook Art Gallery pana'siktetew 2022al, Wabanaki Modern na pema'toql wikikaqnn ujit ta'n pemiaqɨpp wla tetuji wulamu'kɨpp kisitaqnne'l telukutijik, maskutekl sa'qewe'l napuikasikl toqo nemu'jik etl-lukutijik wla lukewinu'k, aqq sikte wultek aqq welamu'k ta'n koqoey kisitu'tij.L'histoire d'un groupe de visionnaires culturels ignorésUn groupe d'artisans mi'kmaw d'Elsipogtog (autrefois Big Cove) au Nouveau-Brunswick se fit connaître à travers le Canada au début des années 1960. À l'apogée de leur renommée, les Micmac Indian Craftsmen firent l'objet d'articles dans des publications d'un océan à l'autre. Leur travail figura dans des livres et des expositions -- dont Expo 67 à Montréal -- et leurs oeuvres graphiques furent reproduites sous forme de gravures et de sérigraphies, et elles ornèrent de la papeterie, des bijoux, des tapisseries et même de la porcelaine anglaise.En grande partie autodidactes et solidement enracinés dans leur communauté, les Micmac Indian Craftsmen furent parmi les premiers artistes autochtones modernes au Canada atlantique. En s'inspirant de récits traditionnels wabanakis, ils fabriquaient à la main une gamme variée d'objets raffinés, évocateurs et porteurs d'un sens profond.En 1966, toutefois, le gouvernement retira son soutien. Les Craftsmen perdirent leur financement, la production cessa peu après et leur oeuvre finit par être oubliée. Une nouvelle publication relate maintenant, pour la première fois, l'histoire complète de cette coopérative innovatrice et de ses réalisations. Publié dans le cadre d'une grande exposition qui a lieu à la Galerie d'art Beaverbrook en 2022, Wabanaki Moderne comprend des textes sur l'histoire de cet atelier dynamique, des photographies d'archives des artisans et de superbes illustrations couleur de leurs oeuvres.

Shortlisted, Wilfrid Eggleston Award for NonfictionOn a whim, armchair-atheist Richard Kelly Kemick joins the 100-plus cast of The Canadian Badlands Passion Play, North Americas largest production of its kind and one of the main tourist attractions in Alberta. By the time closing night is over, Kemick has a story to tell. From the controversial choice of casting to the bizarre life in rehearsal, this glorious behind-the-scenes look at one of Canadas strangest theatrical spectacles also confronts the role of religion in contemporary life and the void left by its absence for non-believers.In the tradition of tragic luminaries such as David Foster Wallace, Jonathan Goldstein, and David Sedaris, I Am Herod gives its congregation of readers unparalleled access to the players of the Passion: theres Judas, who wears a leather jacket even when its 30EsC; the Chief Sadducee, who is ostracized for his fanaticism; Pilate, the only actor who swears; the Holy Spirit, who is breaking ground as the roles first female actor; and the understudy Christ, the previous years real-deal Christ who was demoted to backup and now performs illicit one-man shows backstage.

February 2016. Antigonish, Nova Scotia.Tareq Hadhad was worried about his father: Isam did not know what to do with his life. Before the war began in Syria, Isam had run a chocolate company for over twenty years. But that life was gone now. The factory was destroyed, and he and his family had spent three years in limbo as refugees before coming to Canada. So, in an unfamiliar kitchen in a small town, Isam began to make chocolate again.This remarkable book tells the extraordinary story of the Hadhad family Isam, his wife Shahnaz, and their sons and daughters and the founding of the chocolatier, Peace by Chocolate. From the devastation of the Syrian civil war, through their life as refugees in Lebanon, to their arrival in a small town in Atlantic Canada, Peace by Chocolate is the story of one family. It is also the story of the people of Antigonish, Nova Scotia, and so many towns across Canada, who welcomed strangers and helped them face the challenges of settling in an unfamiliar land.

Every summer between 1882 and 1929, naturalist William Francis Ganong travelled through the wilderness of New Brunswick, systematically mapping previously uncharted territories, taking photographs, and documenting observations on the physical geography of the province that laid the foundations of the modern study of New Brunswick's rich natural history. In The Lost Wilderness, acclaimed photographer and naturalist Nicholas Guitard retraces many of these journeys, comparing his notes with those recorded by Ganong in handwritten travel journals and published articles and monographs. Richly illustrated with archival maps and photographs made by Ganong alongside the author's own stunning photography, The Lost Wilderness finds a New Brunswick both utterly changed and amazingly similar to the wild place Ganong found a century ago. Nicholas Guitard revisits Ganong's explorations and, in a warm and conversational style, illuminates his contributions to our present geographical knowledge of New Brunswick. Deftly moving between past and present, Nicholas Guitard brings to life a New Brunswick that is only lost to our increasingly hectic, urban lives -- a New Brunswick that we must find ourselves if we want to preserve if for future generations.

Shortlisted, Margaret Laurence Award for Fiction1971. Lilac Welsh lives an isolated life with her parents at Rough Rock on the Winnipeg River. Her father, Kal, stern and controlling, has built his wealth by designing powerful guns and ammunition. He's on the cusp of producing a .50 calibre assault rifle that can shoot down an airplane with a single bullet, when a young stranger named Gavin appears at their door, wanting to meet him before enlisting for the war in Vietnam. Gavin's arrival sparks an emotional explosion in Lilac's home and inspires her to begin her own life as a journalist, reporting on the war that's making her family rich.The Gunsmith's Daughter is both a coming-of-age story and an allegorical novel about Canada-US relations. Psychologically and politically astute, and gorgeously written, Margaret Sweatman's portrait of a brilliant gunsmith and his eighteen-year-old daughter tells an engrossing story of ruthless ambition, and one young woman's journey toward independence.

Conceived as an archive of wisdom written by a disabled man for his children, You May Not Take the Sad and Angry Consolations gives voice to the experience of living in an ableist society: "Why does it hurt when emotion spills out of a body? How does emotion spell 'body'? What does it mean to be good? Why is the surplus of beauty everywhere? What is the password?" Weaving together reflections on fatherhood, Walt Whitman's place in American history, art, and the lingering effects of past trauma, these ringing and raw poems theorize on the concept of shame, its intended purpose, and its effects for and on disabled body-minds.

"Leonard 'Len' Keith and Joseph 'Cub' Coates grew up in the rural New Brunswick village of Havelock in the early 20th century. The two were neighbours, and they clearly developed an inseparable relationship. Len was an amateur photographer and automobile enthusiast who went on to own a local garage and poolhall after serving in the First World War. Cub was the son of a farmer, also a veteran of the First World War, a butcher, contractor, and lover of horses. Their time together is catalogued by Len's photos which show that the two shared a mutual love of the outdoors, animals, and adventure. Photographs of Len and Cub on hunting and canoe trips with arms around each other's shoulders or in bed together make clear the affection they held for each other. Their story is one of the oldest photographic records of a same-sex couple in the Maritimes. Len & Cub features Len's photos of their life and tells the story of their relationship against the background of same-sex identity and relationships in rural North America of the early 20th century. Although Len was outed and forced to leave Havelock in the 1930s, the story of Len and Cub is one of love and friendship that challenges contemporary ideas about sex and gender expression in the early 20th century."--

"The Sobey family of Nova Scotia has championed Canadian art for three generations. Through their collecting of historical Canadian art--from Cornelius Krieghoff to the Quebec Impressionists, from the Group of Seven to Emily Carr to Annie Pootoogook and Kent Monkman--they have assembled a sumptuous record of a country growing and changing. With the Sobey Art Award, now in its twentieth year, the family is also fostering the best of Canadian and Indigenous contemporary art from coast to coast to coast. This book celebrates the Sobeys' manifest contributions, bringing to light new perspectives on the canon of Canadian art and its unfolding future."--

Winner, New Brunswick Book Award (Poetry)Sue Sinclair has been praised for her "crisp, lyrical poems imbued with subtle, subtextual philosophic musings" (Globe and Mail). She has been described as a poet who "writes her way to a new understanding of the world and carries her readers with her" (Journal of Canadian Poetry). Sinclair's debut collection, Secrets of Weather and Hope, was nominated for the Gerald Lampert Award, while subsequent collections have earned a place on the Globe Top 100 list (Mortal Arguments), won the IPPY Poetry Award (The Drunken Lovely Bird), and the Pat Lowther Award (Heaven's Thieves).This collection includes an introductory essay by editor and poet Ross Leckie, over one hundred selected poems from Sinclair's twenty-year career, and new poems that consider the poet's evolving relationships with the idea of beauty and with the more-than-human world in a time of manufactured upheaval. The new poems, many never-before published, exemplify Sinclair's masterful powers of observation and her precise, arresting language.

"The legacies of theaters, hotels, fire stations, flour mills, and more -- torn down, burned down, and otherwise lost -- are uncovered in this bittersweet collection. Using archival photographs, blueprints, and written reports, Raymond Biesinger has rendered a selection of Canada's most iconic lost buildings in his signature minimalist style. Accompanying Biesinger's illustrations are Alex Bozikovic's descriptions which capture each building's historical, cultural, and architectural significance. Bozikovic draws on local histories, archived building permits and his own extensive knowledge of the Canadian urban architectural landscape and its history -- from the letters passed through Kelowna's unlikely art deco post office to the destruction of a home in Halifax's Africville -- to offer fascinating, sometimes forgotten stories about each building and its significance. An impossible architectural walking tour, 305 Lost Buildings of Canada spans the country, its cities and countryside, and its history. Cities change, buildings come and go, but in this fact-filed compendium, you'll find the lost wonders of Canada's architecture."--

You go through life convinced you're going to get diabetes like your old man and one day you choke to death on chicken gristle, and the autopsy shows your blood sugars were perfect.The seventeen stories in Elaine McCluskey's latest collection, Rafael Has Pretty Eyes, follow characters who have reached a four-way stop in life; some are deciding whether to follow the signs or defy them; others find a sinkhole forming beneath their feet.A former fast-talking, big-bucks radio host now lives as a divorced payday loaner working in a strip mall; a football wide receiver at a small Canadian university works the night shift as a bouncer while recovering from his third concussion; a well-liked city councilor is arrested on a packed bus. As one character puts it, life is just one extended series of anecdotes strung together until they kill you.Set in the Maritimes but transcending regional boundaries, McCluskey's stories are experimental, sometimes provocative, and often about those living on the margins. Smart, compassionate and unsparing, Rafael Has Pretty Eyes explores the absurdity and interconnectedness of a life adrift.

"'My parents were slaves in New York State. My master's sons-in-law . . . came into the garden where my sister and I were playing among the currant bushes, tied their handkerchiefs over our mouths, carried us to a vessel, put us in the hold, and sailed up the river. I know not how far nor how long -- it was dark there all the time.' These words, recorded by Benjamin Drew in 1855, provide Sophia Burthen's account of her arrival as an enslaved person into what is now Canada sometime in the late 18th century. In It Was Dark There All the Time, writer and curator Andrew Hunter builds on the testimony of Drew's interview to piece together Burthen's life, while reckoning with the legacy of whiteness and colonialism in the recording of her story. In so doing, Hunter demonstrates the role that the slave trade played in pre-Confederation Canada and its continuing impact on contemporary Canadian society. Evocatively written with sharp, incisive observations and illustrated with archival images and contemporary works of art, It Was Dark There All the Time offers a necessary correction to the prevailing perception of Canada as a place unsullied by slavery and its legacy."--

A universe inhabited by the deprivations of war, personal reinventions, and the tensions between old-world parents and new-world children from Journey Prize-nominee Philip Huynh.

"The Big One and what we can do to get ready for it. Mention the word earthquake and most people think of California. But while the Golden State shakes on a regular basis, Washington State, Oregon, and British Columbia are located in a zone that can produce the world's biggest earthquakes and tsunamis. In the eastern part of the continent, small cities and large, from Ottawa to Montrâeal to New York City, sit in active earthquake zones. In fact, more than 100-million North Americans live in active seismic zones, many of whom do not realize the risk to their community. For more than a decade, Gregor Craigie interviewed scientists, engineers, and emergency planners about earthquakes, disaster response, and resilience. He has also collected vivid first-hand accounts from people who have survived deadly earthquakes. His fascinating and deeply researched book dives headfirst into explaining the science behind The Big One--and asks what we can do now to prepare ourselves for events geologists say aren't a matter of if, but when."--

Finalist, Raymond Souster AwardIn this timely and powerful debut, Síle Englert explores what it is to feel othered in a world where everything is connected. Moving through time and memory -- from childhood to motherhood, from historical figures and events to the precarious environment of the Anthropocene -- Englert's voice brims with grief while still holding space for whimsy.Juxtaposing unlikely metaphors and inchoate memories, these poems wander a timeline where Amelia Earhart's bones call out from the past, an abandoned department store mannequin keeps an eye on the future, and spacecraft sing to each other through the dark: "we are only what we remember." Unearthing objects beautiful and bizarre, The Lost Time Accidents challenges the reader's perceptions, finding empathy for the lost, the broken, and the overlooked.

Film is the art form of our times. It has formed the background of our lives, informed visual arts practices, and formed our culture's stories, its memory.Moments of Perception is a landmark book. The first history of twentieth and early-twenty-first-century Canadian experimental filmmaking, it maps avant-garde film across the country from the 1950s to the present day, including its contradictions and complexities.Experimental film is political in its very existence, critical of the status quo by definition. In Canada, some of the country's best-known artists took up the moving image as a form of artistic expression, allowing them to explore explicitly political themes. Mike Hoolboom's exposure of the horror of AIDS, Josephine Massarella's concern for the environment, and Joyce Wieland's satiric look at US patriotism are just a few examples of work that contributed to social movements and provided a means to explore issues of race and gender and 2SLGBTQ+ and Indigenous identities.Featuring a major essay on the history of the movement by Michael Zryd and profiles of key filmmakers by Stephen Broomer and editors Jim Shedden and Barbara Sternberg, Moments of Perception offers a fresh perspective on the ever-evolving history of Canada's experimental film and moving image media arts.

Winner, New Brunswick Book Award (Poetry)Finalist, J.M. Abraham Atlantic Poetry AwardLeaving a drawer open in hereis like leaving your fly undone is like letting a scab hang off a healing wound.In Myself A Paperclip, Finlay sketches the internal self and the external whir of the psychiatric ward, laying bare its daily rhythms. Memories, musings, echoes, and meditations on stigma coalesce: quarters dispensed into a payphone to listen to the stunned silence of a partner; Splenda packets and rice pudding hoarded in dresser drawers; counting back from ten as electrodes connect with the temple.Deeply personal and reflective, Myself A Paperclip confronts abuse and experiences with debilitating mental illnesses, therapies, and hospitalizations, all shaped into the remarkable form of a serial long poem.

On 27 June 1918, the Llandovery Castle, a Canadian hospital ship returning to England, was sunk by a German U-boat in contravention of international law. Two hundred and thirty-four crew members died, including fourteen nursing sisters. It was the most significant Canadian naval disaster of the First World War. Anna Stamers, a thirty-year-old nursing sister from Saint John, was on the ship. Now, her story will finally be told. In this well-researched volume, Dianne Kelly explores Stamers's childhood and nursing education in Saint John; her decision to enlist and her transition to military nursing; her service during the war in field hospitals in both England and France; and her final posting aboard HMHS Llandovery Castle. This vivid reconstruction of Stamers's life is both an illuminating biography of a young woman's experience of war and an important examination of the role nursing sisters played during the Great War. Asleep in the Deep is volume 28 of the New Brunswick Military Heritage Series.

Finalist, New Brunswick Book Award (Fiction) and Alistair MacLeod Prize for Short FictionA striking original, deftly humorous collection of stories that considers the quest for truth: how we come to it or alternatively avoid it.A fervently comic debut, The Running Trees leads readers into a series of conversations -- through phonelines, acts in a play, and a rewound recording of a police interrogation -- to reveal characters in fumbling bouts of brutality, reflection, isolation, and love.The relationship between two siblings disintegrates after one asks the other for the pen; a professor and his former student get drinks years after a "romantic" encounter; a book club meets only to find that they have wildly different opinions about a new memoir about their town; and a long-haired feline contemplates existence and consciousness while his cohabitant licks his own butthole.Whimsical, unconventional, humorous, and always pitch-perfect, The Running Trees explores how we desperately try to communicate with each other amid the gaps in meaning we create.