Bøker utgitt av G.H. Consultants Inc.

Mitiblende reads like the story of a Black American family in its questto sell or partition an heir's property legacy of 56 acres of undividedinterest. The term Mitiblende (translation, make the brains growsmarter) was coined by Robert M. Pittman. The late Mr. Pittman wasJoe Harris' uncle. Joe Harris is the novel's protagonist. The storylineis cast around property located in a small town rural Texas setting.Heirs property essentially represents generational wealth that hasbeen transferred to multiple family members by inheritance, usuallywithout a will. The deed to the property was dated August 2, 1898, from Sallie Simpson to Rosie Burse Edwards (Joe Harris' greatgrandmother).The granting of the land was instead of monetarycompensation and represented repayment for services rendered byJoe Harris' ancestors.In many ways, the Mitiblende story can be characterized assemi-autobiographical. Several aspects of Joe Harris' childhood toadolescence to adulthood passage (such as names, places, and otheridentifying descriptors) may be fictional. However, many aspectsof the journey, such as his efforts in structuring the Harris FamilyTree, are factual and historical. Intertwined between the story is anevolving collage of clues presented in the form of letters, emails, teleconferences, and dialogue. For example, a letter written in 1986by Joe Harris' Aunt Maude (the late Maudell Williams) providedclues that highlighted issues such as (a) the landlocked perimeterand (b) the lack of easement rights.

Wine Me, Dine Me, Dance Me, Romance Me, reads like an evolving collage of romantic experiences framed in poetic style. In many ways, the collection represents an autobiographical sketch in romance. It begins by providing snapshots of Gene Hewett's early relationships, evolves to romantic accounts as viewed through the eyes of a fictional son, and concludes with romantic descriptions provided by that son's daughter. The collection has a traditional table of contents, a second one, titled "Musical Inspiration" (which includes QR codes) and a third, titled "Photographic Images."The second table of contents illustrates the author's desire to match specific songs, the majority of which are rhythm and blues, such as "Ain't No Way," to each poem. In the short run, the author envisions that the collection will be made available in electronic form, as a paperback, and for hardcover distribution. In addition, owing tothe musical theme, the author anticipates that the collection can be presented in audiobook form. In the long run, the author anticipates that it may be possible to package the collection in a stage-production format (complete with a speaker, background music, and PowerPoint images-with optional dance choreography).The third table of contents shows the author's ability to enhance the spirit and mood of each poem by linking them to a digital image obtained from the istockphoto.com or corbisimage.com websites. The majority of the digital images were based upon floral themes, such as "Close-Up View of a Pink Rose" and landscape themes such as"Wildflowers at Malibu Beach." Several digital image selections, such as "Glass of Wine with Cork and Rosebuds," departed from the floral and landscape patterns in order to further highlight a unique mood.

The Transition reads like a journey of a young man toward his academic and career goals. In many ways, the journey can be characterized as semiautobiographical. Several aspects of the childhood to adolescence to adulthood saga may be fictional. However, many aspects of the journey are factual and historical. Intertwined between the storylines is an evolving collage of early protest scenarios and romantic experiences framed in poetic style. In many ways, the collection represents an autobiographical sketch in romance. It begins by providing snapshots of the author's early relationships and evolves to romantic accounts experienced in adulthood.The Transition features thirteen premium royalty-free images. The Transition has a traditional table of contents, a second one, titled "Musical Inspiration" (which includes QR Codes), and a third, titled "Photographic Images." The thirteen images are presented at the beginning and end of each of the six chapters. Including the cover, thirteen images were selected from Getty Images and iStock photographic resources on the www.istockphoto.com website.In the short run, the author envisions that the collection will be made available in electronic, paperback, hardcover, and audiobook forms. In the long run, the author anticipates that it might be possible to package the saga into a Hollywood movie production.