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A translation of the 1802 introduction to studio practices for sculpture students by Francesco Carradori, a sculptor, restorer and instructor of sculpture at the Academia in Florence from 1786 to 1821. Carradori covers the various tools and techniques used by ancient sculptors to execute work.

An illustrated study of rock art, perhaps the oldest form of artistic endeavour. An introductory chapter discusses the discovery of rock art and the importance of landscape and ritual. Subsequent chapters survey rock art sites worldwide, explaining how the art can be dated and how it was made.

Through a series of texts and images, this work explores how extreme sensations such as wonder, misery, ecstasy and rage have been portrayed at different times in Western culture. It covers multiple fields of creative endeavour and intellectual inquiry - from Descartes's writings to the Internet.

Carl Gustav Carus (1789-1869) - court physician to the King of Saxony - was a naturalist, amateur painter and theoretician of landscape painting, whose "Nine Letters on Landscape Painting" is an important document of early German Romanticism and an appeal for the integration of art and science.

El Pueblo de Los Angeles was founded in 1781 by settlers from present-day Mexico, as well as settlers of Indian, African and European descent. Illustrated in colour, this volume uses text, paintings and photographs to create a portrait of the pueblo, its history, and its heritage.

A study of the work of William Henry Fox Talbot, who is credited with being the inventor of photography as we know it. It reproduces 50 of his photographs from the Getty Museum's collection, along with commentary on each. There is also an edited transcript of a colloquium on Talbot's career.

An examination of Bernardo Bellotto's "View of the Grand Canal", a visual record of life in 18th-century Venice. The volume presents the painting in a series of details that allow the reader to examine it closely and the book jacket opens to become a small poster of the entire painting.

A review of the literature on the impact of light sources, particularly photo and reprographic flash, on art and archival materials. It should be useful to museum conservators, conservation scientists, and museum and technical libraries.

A catalogue of the almost life-size porcelain animals created for the elector of Saxony and king of Poland, Augustus the Strong, in 1735. This was perhaps the most significant commission for porcelain ever executed in Europe. The text discusses the challenges and solutions the work demanded.

A retelling of Sophocles' tragedy of the fate of Antigone, who defies her uncle and buries her brother. The text is printed on handmade paper and the volume is slip-cased. The original silk-screened illustrations have a classical Greek flavour.

Few human communities have remained untouched by outsiders. Whether by intent or outcome, colonialist mentalities have significantly shaped the practices of archaeology, anthropology and history. This book exmaines the material consequences of colonialism in nine essays.

Published in 1765, Giovanni Battista Piranesi's "Osservazioni" is an impassioned defence of the superiority of Roman architectural "invention" over the "beautiful and noble simplicity" of Ancient Greece. This is an English translation of Piranesi's three-part polemical work.

This volume contains articles on objects in the antiquities collection of the J. Paul Getty Museum. The texts are in English, German and Italian.

A discussion of the style, iconography and craftsmanship of 17 spectacular pieces of gold jewellery from Ptolemaic Egypt, dating from the late-3rd century BC. The pieces include earrings, bracelets, beads and a hairnet.

A catalogue of the European decorative art in the Getty Museum. It features photographs of each object, and identifies its creator or manufacturer, its materials, and the date it was created. Provenance information is provided for each object along with a bibliography of related reading.

This work pairs Mark Doty's elegy to his friend, Lynda Hull, with visual details of Murano glass. The poem originally appeared in "Sweet Machine" published by Harper Flamingo in 1998. The Murano glass is from the Getty collection.

An investigation of the interplay between the devices that humans have created to augment visual perception and the ramifications of these "media-ted" experiences. It presents an eclectic collection of devices and objects side-by-side to establish relationships among them and their effects.

This is a companion volume to "Seismic Stabilization of Historic Adode Structures: Final Report of the Getty Seismic Adode Project", and it offers guidance for planners, architects and engineers in the retrofitting of historic and culturally significant adode structures.

As more of our technology and cultural heritage becomes digitized, questions arise about the technology's ability to preserve this heritage over time. In this text, individuals from various fields discuss issues of the long-term impact of our reliance on digital media.

This is the catalogue of an exhibit of work by 11 artists who used an object in the J. Paul Getty Museum's collection or an experience at the Getty as a basis for their own creative work. It includes photographs of the artists at work in their studios, along with examples of their past work.

A collection of photographs by the German photographer August Sander. The book contains 55 plates with commentaries on each by Claudia Bohn-Spector. The book includes an edited transcription of a colloquium on Sander's life and work, and a timeline of milestones in his life.

Jean-Baptiste Greuze created "The Laundress" in 1761. This work traces the history of the painting, compares it to other Greuze paintings of laundresses and places the artist in the social and cultural mores of the period.

In this volume, first published in German in 1927, Walter Curt Behrendt presents a revisionist concept of style that places equal emphasis on form and function. Behrendt calls on architects to return to basic geometries and to express the new social and economic realities.

The photographs in these two volumes present an impressionistic view of the Getty Center and its grounds. One book concentrates on the Getty Center site, including its architecture and galleries. The second captures the Center's gardens and landscaping.

A challenge for professionals involved in the cultural heritage sites in tropical environments, is the biodeterioration of stone. This volume discusses the types and causes of stone biodeterioration in hot and humid climates, and preventive and remedial treatments.

A Spanish-language edition of the title "If...". The book's fanciful illustrations present a world of imaginative creatures and situations. Cats fly, leaves are fish, dogs become mountains, and hummingbirds tell secrets.

A children's counting book that features beautiful objects from the French Decorative Arts collection in the J Paul Getty Museum, such as clocks, beds, chairs, and tea cups counting book. It provides an opportunity to help children learn basic skills while teaching them to look closely at great art objects. It is for ages two and up.

This is a collection of photographs by avant-garde artist and photographer Man Ray, from the John Paul Getty Museum. The photographs date from 1910 to the 1940s, and each image is provided with a commentary. Also included is an edited transcript of a colloquium on Man's career.

Arising from the proceedings of two symposia, this text is composed of contributions by scholars who examine the social, intellectual and historical contexts of the work of the Italian Renaissance artist Giovanni di Lutero, who used the name Dosso.

This children's book takes a tour through the Getty Museum, adjacent gardens, conservation laboratories and other sites at the Getty Center. It features the colourful, humorous characters Milli Ennium, Quincy and their cohorts.