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This book offers the most detailed investigation thus far of the materials and methods of this key American Abstract Expressionist artist.

This illustrated volume examines the different methods artists and anatomists used to reveal the inner workings of the human body and evoke wonder in its form.

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.

Presenting dynamic research, this publication explores two millennia of cultural interactions between Egypt, Greece, and Rome.

This poetic and beautiful picture book chronicles the travels of Lewis Hine, who used his camera to document child labor in the early twentieth century.

Stunning portraits by the renowned Renaissance artist illuminate fascinating figures from the European merchant class, intellectual elite, and court of King Henry VIII.

Among the earliest written texts on the history and theory of Netherlandish art, these two key writings are now available together in an English translation.

The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala.

This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV.

Abundantly illustrated, this essential volume examines depictions of the Underworld in southern Italian vase painting and explores the religious and cultural beliefs behind them.

Marking the three hundredth anniversary of Jean Antoine Watteau's death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise.

This timely volume brings together case studies that address the urgent need to manage energy use and improve thermal comfort in modern buildings while preserving their historic significance and character.

Peter Paul Rubens (1577-1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. This volume excavates his unequaled reception in the New World in the form of prints made after his works, arguing that colonial artists forged new frameworks for artistic creativity by conforming to European printed designs

Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Presenting new scholarship, this publication is the first comprehensive study of the Concrete art movement in Argentina, Brazil, and Uruguay from the 1940s to the 1960s.

A new look at the work of Mario Giacomelli, one of Italy's foremost photographers of the twentieth century.

In almost thirty interviews, Donatien Grau probes some of the world's most prominent thinkers and preeminent arts leaders on the past, present, and future of the encyclopedic museum.

Repairing works of art and writing about them-the practices that became art conservation and art history-share a common ancestry. This handsomely illustrated volume charts the intersections between the two fields in the treatment of Italian Renaissance paintings in nineteenth-century Europe and proposes a model for a new conservation history.

This collection of unique works by 150 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city's diverse artistic landscape.

This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis.

This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical-and, until now, least studied-major American Abstract Expressionist.

When life (in a global pandemic) imitates art . . .

A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands.

An exploration of how an official French visual culture normalized France's colonial project and exposed citizens and subjects to racialized ideas of life in the empire.

The first study devoted to classical art's vital creative impact on the work of the Flemish master Peter Paul Rubens.

Available in English for the first time, Julius von Schlosser's seminal work in the history of art and collecting was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity.

An exploration of the radical artists who transformed the ways art is conceived, exhibited, and collected, through the Dada, Surrealist, and Fluxus collections of Jean and Leonard Brown.

The first comprehensive catalogue of the Getty Museum's significant collection of French Rococo ebenisterie furniture.