Utvidet returrett til 31. januar 2025

Bøker utgitt av Getty Trust Publications

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  • av . Corzo
    517,-

    Contains 34 essays by professionals from various disciplines, from a conference on the preservation of contemporary art. This volume attempts to identify the objects which will define the art of the 20th century.

  • av Eric Doehne
    452,-

    Offers an informative overview of the research and development in stone conservation. Suitable for conservators and conservation scientists, this title reflects the explosion of research, enlarging the discussion of preventive conservation and adding sections on rock art and other subjects.

  • av . Mehring
    647,-

    Born in Dresden in 1932, Gerhard Richter was first educated under the prevailing doctrine of Socialist Realism, but retrained after emigrating to West Germany, thus uniquely embodying the division of Germany during the Cold War. This volume takes a look at the unique work and artistic vision of Gerhard Richter.

  • av . Bordin
    349,-

    Offers a visual history of the depiction of illness and healing in Western culture, ranging from Egyptian wall carvings to 20th century artists.

  • av . Feigenbaum
    401,-

    Focusing on the centuries in which the phenomenon of collecting came powerfully into its own, this title analyzes the radical recontextualization of celebrated paintings by Raphael, Caravaggio, and Rubens; brings to light a lost holy tower from fifteenth-century Bavaria; and offers new insights into the meaning of 'sacred' and 'profane'.

  • av . Reigl
    647,-

    Delivered three times between 1898 and 1902 and subsequently revised with an eye towards publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. This English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his celebrated magnetism as a lecturer.

  • av . Allan
    403,-

    Jean-Leon Gerome (1824-1904) was an undisputed success during his life. Crowds flocked to see his vibrant compositions and thanks to mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale. This title includes the essays challenging critical biases against the artist.

  • av . Hart
    647,-

    An exploration of Greek theatre as seen through its many depictions in classical art. It addresses the vibrant imprint that ancient Greek tragedy and comedy left on the visual arts of classical Greece.

  • av Gilly
    401,-

    Friedrich Gilly was an important figure in Berlin's architectural tradition. In addition to presenting five of Gilly's most influential essays, this volume contains archival records that clarify the intellectual context in which Gilly developed his thoughts on architecture.

  • av . Gaehtgens
    420 - 626,-

  • av . Hubsch
    349,-

    This series offers a range of heretofore unavailable writings in English translation on the subjects of art, architecture, and aesthetics.Hubsch's argument that the technical progress and changed living habits of the nineteenth century rendered neoclassical principles antiquated is presented here along with responses to his essay by architects, historians, and critics over two decades.

  • av . Lapatin
    907,-

    Presents more than twenty papers that examine subjects as diverse as Social Contexts for Athenian Vases, Conservation and Analysis, Experimentation, and Markets and Exchange.

  • av . Szafran
    385,-

    Mural, painted in 1943, was Pollock's first major commission. It was made for the entrance hall of the Manhattan duplex of Peggy Guggenheim who donated it to the University of Iowa in the 1950s where it stayed until its 2012 arrival for conservation and study at the Getty Center. This book unveils the findings of that examination.

  • av . Rapelli
    367,-

    An illustrated guide to the symbols of power in Western art. It examines the way that sovereign rulers have employed well-defined symbols, attributes and stereotypes to convey their power to their subjects and rivals, as well as to leave a legacy for future generations to admire.

  • av . Burnham
    401,-

    At the heart of all good art museum teaching is an effort to bring people and artworks together in meaningful ways. But what constitutes an experience of a work of art? This book addresses these and myriad other questions and investigates the mission, history, theory, practice, and future prospects of museum education.

  • av Marcia Reed
    401,-

    Explores the curiosity and collaboration that has existed between East and West for centuries. This title reveals a largely hidden history of mutual curiosity and fruitful collaboration at a time when few people travelled far from home.

  • av . Standeven
    712,-

    Provides an examination of the history and use of modern house paints. This title traces the history of the household paint industry in the USA and UK over the first half of the 20th century.

  • av . Cody
    582,-

    Photography was introduced to China in the 1840s through the West's engagement in the Opium Wars and the subsequent reforms of Chinese statesmen. This title offers an illustrated exploration of the history of photography in China.

  • av . Preimesberger
    536,-

    Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta.

  • av . Agnew
    1 129,-

    The Mogao grottoes, a World Heritage Site near Dunhuang in western China, are located along the ancient caravan routes--collectively known as the Silk Road--that once linked China with the West. Founded by Buddhist monks in the late fourth century, Mogao grew gradually over the following millennium, as monks, local rulers, and travelers carved hundreds of cave temples into a mile-long rock cliff and adorned them with vibrant murals portraying Buddhist scripture, Silk Road rulers, and detailed scenes of everyday life. The sixty-five papers address such topics as the principles and practices of wall paintings conservation; site and visitor management; scientific research, particularly in the environmental and geotechnical aspects of conservation; and relevant historical and art historical research.

  • av . Kren
    273,-

    During the Middle Ages, the region now occupied by Belgium and Netherlands flourished economically and artistically. This title presents an illustrated survey of the J Paul Getty's collection of illuminated manuscripts from Belgium and the Netherlands. It includes works by the finest and most original artists for the most discerning patrons.

  • av . Considine
    907,-

    An illustrated account of the Getty Museum's research into outdoor sculpture conservation.

  • av Meher McArthur
    259,-

    This delightful book is a colourful reminder of the many things that visual art can be, become, and do.

  • av . Lapatin
    275,-

    Presents an illustrated examination of nearly two-hundred of the most important pieces in the J Paul Getty Museum's Antiquities Collection. This collection includes one of the world's finest assemblages of ancient Greek vases, monumental marble sculptures and diminutive bronzes, Greek and Roman gems, as well as Hellenistic silverware and glass.

  • av Shin Maekawa
    777,-

    "A practical guide to the conservation of museum and other cultural heritage collections in hot and humid climates"--Provided by publisher.

  • av Margaret Holben Ellis
    842,-

    An anthology of important texts tracing the historical development of the conservation of works of art on paper.

  • av . Zuffi
    324,-

    Takes readers on a romp through the portrayal of love and sexuality in Western art - ranging from chaste tenderness to overwhelming frenzies of the senses, and from Classical allusion to sexual fantasy.

  • av . Villela
    561,-

    Analyzed by scholars, deployed by Mexican nationalists, beloved by the public, and reproduced in every medium and scale since its rediscovery in 1790, the Aztec Calendar Stone - or Piedra del Sol - has become one of the most recognizable monuments of the Pre-Columbian era. This title offers an introduction to the study of this puzzling sculpture.

  • av . Politi
    198,-

    Emmet was always the troublemaker of the lot, escaping from Mr Winkel's yard to chase the neighbourhood cats and snatch toys from small children. Tired of putting up with Emmet's energetic pranks, Mr Winkel's neighbours are ready to call the dogcatcher when the rascally dog saves the grocer's shop from a fire set by a prowler.

  • av . Perchuck
    452,-

    Filmmaker, musicologist, painter, ethnographer, graphic designer, mystic, and collector of string figures and other patterns, Harry Smith (1923-1991) was among the most original creative forces to emerge in post-war American art and culture. This title presents an examination of the life and works of Harry Smith.

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