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In this volume 12 contributors present their responses to the world's newest major city - Los Angeles. A variety of perspectives and approaches are covered. As a whole, the text attempts to balance the importance of place with the importance of culture.

A discussion of 59 Greek funerary monuments at the J. Paul Getty Museum. The title considers their relationships to the art and society of the period. It should be suitable for scholars and students of antiquities, and museum and art libraries.

Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by collection around the world. This illustrated volume presents many examples of Italian painting and illumination by noted artists such as Girolamo da Cremona, Pacino de Bonaguida, and Pisanello.

During the Renaissance, artists from Italy to Flanders and England to Germany depicted nature in their religious art to intensify the spiritual experience of the viewer. Devotional manuscripts for personal or communal usewere filled with some of the most beautiful nature studies of this period.

This richly illustrated catalogue features photographs by three Mexican women, each representing a different generation, who have explored and transform notions of Mexican identity in works that range from the documentary to the poetic.

Jose Clemente Orozco's 1930 mural, Prometheus, created for the Pomona College campus, is a dramatic and gripping examination of heroism. This thoughtful exhibition catalogue examines the multiple ways Orozco's vision resonates with four artists working in Mexico today: Isa Carrillo, Adela Goldbard, Rita Ponce de Leo n, and Naomi Rinco n-Gallardo.

Reyner Banham and the Paradoxes of High Tech reassesses one of the most influential voices in twentieth-century architectural history through a detailed examination of Banham's writing on High Tech architecture and its immediate antecedents.

This volume accompanies a major international loan exhibition featuring some three hundred works of art rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century.

The renowned Argentinian conceptual artist David Lamelas (born 1946) has an expansive oeuvre, which shows his work to be evocative, restive, and exhilarating. This book, published to coincide with the first monographic exhibition of the artist's work in the United States, offers an incisive look into Lamelas's art.

Praised by Albrecht Du rer as being "the best in painting," Giovanni Bellini (ca. 1430-1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time.

Combining art historical and scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Coleccio n Patricia Phelps de Cisneros, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein.

These texts cover a diverse terrain such as the lessons of modern art, Irwin's philosophy of teaching, and his understanding of art as a form of pure inquiry, presenting the reader with an overview of his unique perspective within the broad discourse of postwar American art.

"Promote, Tolerate, Ban presents the clash between Socialist modern and radical aesthetics shaped by the cultural policies of the Jaanaos Kaadaar regime (1956-1989) and highlights the key protagonists of the scene in Cold War Hungary."--ECIP summary.

"The forty-seven papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World"--Provided by publisher.

Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist's chosen technology often carries with it strong sociological and historical information and meanings. The free online edition of this open-access book is available at www.getty.edu/publications/keepitmoving/ and includes zoomable figures and videos. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

The Academie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)-perhaps the single most influential art institution in history-governed the arts in France for more than 150 years. Christian Michel's sweeping study presents an authoritative in-depth analysis of the Academie's history and legacy.

These essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture.

Lavishly illustrated and exhaustively researched, this volume provides the first-ever comprehensive study-in any language-of this type of view painting. In examining these paintings alongside the historical events depicted in them, Peter Bjorn Kerber carefully reconstructs the meaning and context these paintings possessed for the artists.

In the years following the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions.

The history of the civil rights movement is commonly illustrated with well-known photographs from Birmingham, Montgomery, and Selma, leaving the visual story of the movement outside the South remaining to be told. In North of Dixie, historian Mark Speltz shines a light past the most iconic photographs.

In 1505, Michelangelo began planning the magnificent tomb for Pope Julius II, which would dominate the next forty years of his career. This definitive book thoroughly documents the art of the tomb and each stage of its complicated evolution.

Sixty terracottas are investigated here by noted scholar Maria Lucia Ferruzza, comprising a selection of significant types from the Getty's larger collection-life-size sculptures, statuettes, heads and busts, altars, and decorative appliques.

Drawing on previously unpublished primary material from archives in Paris, Berlin, Rome, and Venice, Noemie Etienne combines art history with anthropology and sociology to survey the waning decades of the Ancien Regime and early post-Revolution France.

This volume explores the conservation and presentation of dress in museums and beyond as a complex, collaborative process.

"In a study of sixty neglected panel paintings from Roman Egypt, the authors present evidence for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance"--Provided by publisher.

Gustave Caillebotte: Painting the Paris of Naturalism, 1872-1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work.

With five essays by experts on Bouchardon's sculpture and graphic arts, more than 140 catalogue entries, and a detailed chronology, this book aims to demonstrate the originality of Bouchardon's art within the cultural and social context of the period.

"A narrative survey of the draftsmanship of the eighteenth-century French artist Edme Bouchardon"--Provided by publisher.

Eminent architectural historian Breisch draws on a wealth of primary source material to tell the story of one of the most important American buildings of the twentieth century. In the process, he presents a richly documented case study illuminating the formation of an indispensable modern public institution: the American public library.

Annan's history serves as the organizing principle for this book, which considers both the breadth of his body of work as well as the multiple formats in which his photographs appeared and circulated. Featured here are seven examplesincluding private albums and commercial booksthat focus on subjects as varied as the city's streets and closes.